Английская Википедия:Edith Furmedge
Шаблон:Short description Шаблон:Use dmy dates Шаблон:Infobox person Edith Ellen Furmedge (London, 27 March 1890—London, 9 October 1956) was a British operatic contralto and singing teacher.
After secondary school she attended Homerton College, Cambridge to train as a teacher. While in attendance she took up singing and abandoned a career in teaching. She studied with Dinh Gilly whom she eventually married on 2 June 1932.[1]
The first mention of Furmedge in the Musical Times from 1921 speaks of her as a participating soloist the Sheffield Amateur Musical Society.[2]
Endowed with a powerful voice she obtained small parts in Der Ring des Nibelungen at Covent Garden. She participated in early acoustic recordings of excerpts from The Ring.[3] Reviewing one of her earliest performances, a highly astute critic in the Musical Times reported:
Miss Edith Furmedge, a contralto, sang on March 21, and excited considerable interest in her prospects. Her gifts are well above the ordinary. It is a stately voice. (The singer's stately presence was no disadvantage either.) She has the power to sing with the depth of a full contralto and the means to relieve the heaviness of such singing at appropriate moments. There was a fine fervour, a ready interpretative wit. miss Furmedge's voice was placed where it could tell most vividly, and there was a ring of decision in her tones. in the Alto Rhapsody of Brahms she made a particular impressions. The way of this singer toward a still higher accomplishment will be by closer attention to detail. She needs to loosen certain vowels and sharpen her diction. And she showed a habit f lungeing at detached upper notes. her v's, among other consonants, needed vivifying. Certain items of Miss Furmedge's programme were a trifle disconcerting, as indicating a not very assured taste.Шаблон:Sfn
She sang regularly under Sir Henry Wood in London and at provincial festivals.Шаблон:Sfn
By the 1930s she was appearing regularly as Erda and Fricka in The Ring.Шаблон:Sfn In addition to Wood, she sang under Thomas Beecham, Bruno Walter, Wilhelm Furtwängler, Albert Coates and others.Шаблон:Sfn
She was a member of the British National Opera Company.Шаблон:Sfn Her participation in radio broadcasts helped raise her profile among the public. As noted in her obituary, "her impressive voice and majestic sense of style came over particularly well on the air."Шаблон:Sfn
After a hiatus she returned to singing the Wagnerian roles in 1948–49.Шаблон:Sfn
For many years she taught in the "music school" (actually their studio) her husband Dinh Gilly,Шаблон:Sfn had established, and continued teaching after his death in 1940.Шаблон:Sfn
Her obituary in Opera magazine noted her "refreshing sense of calm" that she imparted to others. Furmedge's self-effacing character provided a sense of ease to her students and the many who came in contact with her.Шаблон:Sfn
References
Sources
- "Furmedge, Edith" Algemene Muziek Encyclopedie, 19800101, Vol. 3
- Шаблон:Cite news
- Шаблон:Cite news
- Шаблон:Cite journal
- ↑ Marriage certificate, COL 223787, available as part of "Perfitt Family Tree" on Ancestry.com (available with subscription).
- ↑ "Report From the Provinces: Sheffield," Musical Times (February 1, 1921), p. 130.
- ↑ Discus [probably Herman Klein], "Gramophone Notes," Musical Times (Vol. 64, Apr. 1, 1923), p. 249.
