Английская Википедия:Eduard de Lannoy

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Файл:Eduard Lannoy.jpg
Eduard von Lannoy (1837 lithograph by Josef Kriehuber)

Baron Henri Eduard Joseph de Lannoy (3 December 1787 – 28 March 1853), was a Flemish composer, teacher, conductor, and writer on music who spent most of his life in Austria. His compositions bridge the classical and early romantic styles. His full name and title in German was 'Heinrich Eduard Josef, Freiherr von Lannoy'.

Biography

Political background

The turbulent political events from 1789 include the Belgian Revolution and the French Revolution; during the subsequent French Revolutionary Wars, French troops under Napoléon Bonaparte pushed the armies of the First Coalition as far as the Rhine, and in 1795 the Republic of France formally annexed the Southern Netherlands (now Belgium. See Map of Europe in 1812.) A number of government officials left the country, including Lannoy's father and Jean Vesque de Puttelange; they both eventually obtained official government positions in Vienna, where their sons had fruitful musical careers.

Early life

Eduard de Lannoy was born in Brussels, then in the Duchy of Brabant, a region of the Austrian Netherlands, part of the Holy Roman Empire. His father was Pierre Joseph Albert, baron de Lannoy (1733–1825), of the Lannoy family, one of the oldest families in Belgium.[n 1] His father's career began in 1756 in the Finance department of the Austro-Belgian government; after the suppression of the Jesuit order in 1773 he was chief administrator for the disbursement of its estates. He received the Knight's Cross of the Order of St. Stephen and was made a Freiherr (Baron) in 1809. He died in Wildhaus (see below), 8 February 1825.Шаблон:Sfn

Lannoy, aged about 8, came with his parents to the Austrian Duchy of Styria in 1796. He attended school and the 'Gymnasium' in Graz from 1796 to 1801. He returned to Brussels and enrolled at the Шаблон:Ill (previously the Old University of Leuven), where he studied linguistics, philosophy and jurisprudence, and especially mathematics and music. A shared prize-winning cantata of his was performed in 1806.Шаблон:Sfn

Later life

Файл:337 Wildhaus, Schloß — Viltus, Slemen - J.F.Kaiser Lithografirte Ansichten der Steiermark 1830.jpg
Schloß Wildhaus, 1830 lithograph by J. F. Kaiser

Lannoy returned to Graz and continued his studies until May 1809. Lannoy spent several years alternating between Vienna and the castle which his father had purchased in 1808, Schloß Wildhaus (now Castle Viltuš), between Selnica ob Dravi and Marburg on the Drau (now Maribor, Slovenia).Шаблон:Refn where he dedicated his life to music and poetry.Шаблон:Sfn In Graz he was a writer in the circle of Ignaz Kollmann, artist and editor of Aufmerksamen ('Observations').

He worked meritoriously and disproportionally in the service of music, less as a composer than to uplift and awake music's meaning and power. He became a member of the Gesellschaft der Musikfreunde, involving himself with oratorios and mixed concerts. Vincenz Houška conducted many of them, with Lannoy conducting in 1824–1825.Шаблон:Sfn Lannoy conducted the Concerts Spirituels founded by Franz X. Gebauer in 1820. After Gebauer died in 1822 aged 37, Lannoy, along with Carl Holz and Ludwig Titze continued to present the concerts. Lannoy's own music collection shows that a wide variety of contemporary music was played at these concerts.Шаблон:Sfn

Lannoy gave composition lessons to Johann Vesque von Püttlingen, who went on to write 300 songs under the pseudonym 'J. Hoven' (after Beethoven).Шаблон:Sfn The pianist child prodigy Leopoldine Blahetka had through-bass lessons with Lannoy.[1] Lannoy was a contributor (number 22) to the fifty variations which Anton Diabelli commissioned from composers in the Austrian Empire in 1819: Beethoven responded with 33 of his own Diabelli Variations. Carl Czerny's Piano Sonata no. 11, Op. 730, was dedicated to Lannoy, as was Spohr's 5th Symphony (along with Carl Holz, Ludwig Titze and Ignaz Seyfried).[2] Lannoy's collection of musical manuscriptsШаблон:Sfn included a set of 18th century parts for Mozart's Symphony no. 4, K. 181(162b).[3][n 2]

Lannoy came into the circle of folkloric-educational endeavours centering on the unconventional Archduke John of Austria.[n 3] Erzherzog Johann was best man at his wedding in Wildhaus.Шаблон:Sfn Lannoy was keen for folk music to be annotated and written down. In conversation and in writing, he disseminated the ideas of Jean-Jacques Rousseau in Vienna, especially the musical articles in the Aesthetic Lexicon by Ignaz Jeitteles which stem from his quill ("stammen aus Lannoy's Feder").[4]Шаблон:Sfn

Lannoy was a powerful impulse for cultural and musical life in Graz and Vienna. He sat on the board of directors of the Gesellschaft der Musikfreunde, conducted its concerts. He sat on the board of the Vienna Conservatory, and was its director from 1830 until 1835.Шаблон:Sfn

He accompanied Adelaide Kemble ('Miß Adelheid Kemble') in a performance of Schubert songs for the new King and queen of Hanover in Karlsbad on 26 August 1837, following a concert earlier in August with Leopold Jansa.[5]

Friends

His greatest reverence was reserved for Beethoven (see Шаблон:Section link), and he was on friendly terms with (alphabetically) Hector Berlioz, Alexandre Boucher, Carl Czerny, Félicien David, Gaetano Donizetti, Franz Lachner, Franz Liszt, Ignaz Moscheles, Ignaz Franz Mosel, Mozart's son Franz Xaver Wolfgang Mozart, Ignaz von Seyfried, Wenzel J Tomaschek, and Henri Vieuxtemps.Шаблон:Sfn He was closest to fellow clarinettist Count Ferdinando Troyer, the dedicatee of Franz Schubert's Octet in F major, D. 803.[6] Another of his friends was Johann Vesque von Püttlingen, with whom he had composition lessons. Both came from Brussels, where their fathers had been government officials in the government of the Austrian Netherlands and were displaced by the French Revolution in 1795.

He maintained a lively exchange of letters with Mendelssohn, Henri Vieuxtemps, the Swiss composer Franz Xaver Schnyder von Wartensee and Franz Lachner.Шаблон:Sfn

Works

His oeuvre runs to some 70 opus numbers.Шаблон:Sfn

Symphonies

Operas

  • Margarethe oder Die Räuber (1813/1814) (premiere in Graz, given in Vienna 1819)Шаблон:Sfn
  • Olindo und Sophronia (1815)
  • Rosa oder Die Einsiedeley in den Alpen (1816)
  • Die Morlaken ('The Morlachs') (1817) Italian libretto by Gaetano Rossi, translated by Lannoy. (premiere Graz 1817)Шаблон:Sfn
  • Libussa, Böhmens erste Königin (1818/1819) (premiere Brno)
  • Die Europäer in Ostindien (1823)
  • I due forzati (1825)
  • Der Schreckenstein (1825)
  • Des Liedes Macht (1826), unfinished
  • Schloß Darville (1839), unfinished

Singspiels

  • Jery und Bätely (1816)
  • Kätly (1827) (premiere 24 April Burgtheater Vienna)[7]
  • Zauberer Papagei und König Bär, Zaubererspiel (1830)

Melodramas

  • Ein Uhr, oder Der Zauberbund um Mitternacht (1822)Шаблон:Sfn Text by Wilhelm Vogel (1772–1843), from the English of Matthew ("Monk") Lewis.[8][9]
  • Der Mörder (1822)
  • Carlos Romaldi (1822)
  • Emmy Teels (1823)
  • Die beiden Galeerensklaven (1823)
  • Der Löwe von Florenz (1823)
  • Abu, der schwarze Wundermann (1826) (produced in Vienna and Germany 1826–1830)Шаблон:Sfn

Other works

Works with known Opus number
  • Piano Sonata in A, Op. 6 (pub Mechetti)Шаблон:Sfn
  • Erstes Rondo in C, Op. 7 (pub Haslinger)
  • Grand Sonata in AШаблон:Music minor, Op. 9
  • Grand quintet in EШаблон:Music, Op. 12, for oboe, clarinet, horn, bassoon and piano[10]
  • Grand Trio für Klavier, Klarinette und Cello, Op. 15
  • Grosses Trio für Klavier, Violon und Violoncell, Op. 16. Vienna: S. A. Steiner (1820)
  • Variations and Polonaise for Violin, Op. 17
  • National-Tanz und Sangweisen des osterreichischen Kaiserstaats. Eine Sammlung charakteristischer Rondo's leichter Art, Book 1: Austria. Book 2: Styria, Opp. 30, 31
  • Lieder, Op. 48[11]
  • Song, General Hentzi. Poem by Шаблон:Ill, for soprano (or tenor.) Op. 68. Vienna: Mechetti
  • 6 easy Polonaises for piano, Op. 69
Without Opus number
  • Overture and entractes for Castelli's play Tsar Ivan.Шаблон:Sfn
  • 3 sonatas for violin and piano
  • Adagio and Polonaise for violin and piano (Bravura Variations?)Шаблон:Sfn
  • Variations on a theme from Rossini's Zelmira for piano[12]
Songs
  • "Inno di Piero Maroncelli" (1838)[13]
  • Romance (words by La Fontaine) (1838)[14]
  • Romance (1838)[15]
  • "Lied der Schmetterlinge" (Song of the Butterflies) (words by Rückert) (1839)[16]
  • Two duets for mezzo-soprano and contralto, with piano (1840) [17]
  • "An die Sterne" (To the Stars) (words by Rückert) (1841)[18]
  • "Schön bist du" (Rückert) (1842)[19]
  • "Zwölf Freier" (Rückert) ('Twelve suitors would I have') (1842)[20]
  • "Canzonetta veneziana" (1842)[21]
  • "Abendlied" (Rückert) (1844?)[22]
  • "Odalisque aux doux yeux" [Song, begins: "Livre aux vents du Bosphore"] (1845)

Poetry

Beethoven
<poem>

Die Urkraft wohnet in des Bergen Tiefen Und fördert nie Geahndetes zum Licht; Sie wecket Stürme, die gefesselt schliefen, Ein feur'gen Strom aus hohen Crater bricht.

Doch wo die Glutenbäche tödtend liefen, Da wächst die Rose bald auf neuer Schicht Und wo empört die Winde heulend riefen, Der Edelstein mit Phöbos Glanze ficht.

Du bist der Berg, die Kraft in Busen wohnet, Du strebst hinan zu dem, der straft und lohnet, Berührst im Fluge alle Seelesaiten:

Er klingt in Dir die Welt mit Lust, mit Schmerzen;Шаблон:Spaces Du singst; es dringet jeder Ton zum Herzen; Dir horchen alle Menschen, alle Zeiten.[23]</poem>

<poem>

Elemental power dwells in the mountain deeps And struggles unavenged towards the light; It wakes the tempests, enthralled with sleep, A fiery flood breaks from the crater's height.

But where once flowed the deadly glowing streams, Soon grows the wild rose on stratums new And where th' indignant winds cried wailing The precious gem with Phoebus' brilliance gleams.

You are the rock, power dwells in your breast, You inward reach to him who fines and pays, In flight you strike a chord in every soul:

In you the world resounds with joy, with pain; You sing; each tone penetrates our hearts; All mankind hearkens to you, every age.</poem>

Family

In 1819 he married Magdalena Katharina Josephine, daughter of Franz Xaver von Carneri.[24] They had no children. They adopted a son, Rudolf Oskar Freiherr von Gödel-Lannoy (1814–1883):Шаблон:Refn

In 1855 he was Consul-General of Syria & Palestine, in Beirut:[25] Consul-General in Jassy, Moldavia, (now Iași, Romania), from October 1855 to 1862:[26][27] Präsident der Central-Seebehörde Triest (Central Maritime Agency, Trieste) in 1868 and Ritter der L. Ordnungs.[28] See also Exequatur and Schachbender – (Ottoman Consul) [29] He was on the board of directors of the K.K. priv. Südbahn-Gesellschaft in 1872 de:Südbahn (Österreich) – Verwaltungsrath in Wien.[30] "At the same time plans for a direct connection through the Alps were developed, promoted by Archduke John of Austria – [who knew Johann Vesque de Puttlingen) to open up the Styrian lands beyond Semmering Pass." (Southern Railway) He was a founder member of the Vienna Geographical Society from 1856.[31] and a member of the Vienna Meteorological Society.[32]

References

Notes Шаблон:Reflist Citations Шаблон:Reflist Sources

External links

Шаблон:Portal bar Шаблон:Authority control

Партнерские ресурсы
Криптовалюты
Магазины
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Разное


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  1. ↑ Blahetka, Leopoldine. Sophie Drinker Institute. Retrieved 12 November 2015.
  2. ↑ Jahrbücher des Deutschen Nationalvereins für Musik..., vol. 2, p. 138
  3. ↑ Шаблон:Cite book
  4. ↑ Possibly Aesthetisches Lexicon, vol 2, M–Z, 1837. "Musik" entry on pp. 100–104? (vol X, p. 122?)
  5. ↑ Шаблон:Cite journal
  6. ↑ Allmusic.com
  7. ↑ Allgemeine Musikalische Zeitung 1827, p. 372
  8. ↑ Libretto (Arien und Gesänge von "Ein Uhr") Bayerische StaatsBibliothek. Given at the Königsstadt Theatre, Berlin.
  9. ↑ Reviewed in the Allgemeine musikalische Zeitung, vol. 24, pp. 842–843
  10. ↑ Chamber Music Journal, Volume 12 No.4, Winter 2001, retrieved 11 November 2001
  11. ↑ Lieder & Song texts page
  12. ↑ Allgemeine musikalische Zeitung, vol. 24, p. 465
  13. ↑ Score at Bayerische StaatsBibliothek
  14. ↑ Bayerische StaatsBibliothek
  15. ↑ Score at Bayerische StaatsBibliothek
  16. ↑ Score at Bayerische StaatsBibliothek
  17. ↑ Jahrbücher des Deutschen Nationalvereins für Musik ..., vol. 2, no. 15, 9 April 1840, p. 120
  18. ↑ Score at Bayerische StaatsBibliothek
  19. ↑ Score at Bayerische StaatsBibliothek
  20. ↑ Score at Bayerische StaatsBibliothek
  21. ↑ Score at Bayerische StaatsBibliothek
  22. ↑ Europa. Chronik der gebildeten Welt. In Verbindung mit mehreren Gelehrten und Künstlern herausgegeben von August Lewald. 1844, vol.. 3 (Skizzen und Genrebilder aus: Deutschland, Schweiz, Frankreich, England, Rußland, Spanien und vermischte Aufsätze). Printed along with songs by other composers. Abe Books search. Retrieved 18 March 2016.
  23. ↑ Шаблон:Cite journal: poems in praise of Goethe, Schiller and Jean-Paul, and of Mozart, Haydn and Beethoven. The first two stanzas could perhaps be seen as descriptions of the 5th and 6th symphonies. Beethoven's most recent major work was the "Hammerklavier" sonata (1818), and the 8th Symphony had been first performed in 1814.
  24. ↑ Principal Commission secretary 1799 under Carl Anselm Thurn und Taxis; chancellor in November 1800. Comitial-Taschenbuch für das Jahr 1800 p. 65
  25. ↑ Schematismo Dell' Imperiale Regio Litorale Austriaco-Illirico, vol. 8, p. 115, but actually in German
  26. ↑ [1] Akten zur Geschichte des Krimkriegs: Österreichische Akten zur Geschichte ... ]
  27. ↑ 1862 Handels- und Gewerbs-Schematismus von Wien und dessen nächster Umgebung
  28. ↑ Hof- und Staats-Handbuch des Kaiserthumes Österreich: 1868, p. 360
  29. ↑ Die Abhandlung XIII (und XIV) von der landwirtschaftlichen Cultur: 4
  30. ↑ :Zeitung des Vereins Deutscher Eisenbahnverwaltungen, vol. 12, p. 657
  31. ↑ Inhaltsverzeichnis der Veröffentlichungen der K.K. Geographischen Gesellschaft in Wien XIII, 1870 p. 571
  32. ↑ Zeitschrift Österreichische Gesellschaft für Meteorologie – 1866, "Von der k. k. Central -Seebehörde. Triest, den 26. October 1866. Der Präsident Gödel-Lannoy." (Zur Kälte im October.) Die Nachricht, welche früher schon über die ungewöhnliche Kälte im October gegeben wurde, konnte damals nur den.."
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