Английская Википедия:Ehre sei Gott in der Höhe, BWV 197a

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Шаблон:Infobox Bach composition Шаблон:Lang (Glory be to God in the Highest), [[Bach-Werke-Verzeichnis|Шаблон:Abbr]]Шаблон:Nbsp197a (197.1), is a Christmas cantata by Johann Sebastian Bach. He composed it in Leipzig for the First Day of Christmas in 1728 or 1729.[1]

History and text

Bach composed the work in Leipzig for Christmas Day in 1728 or 1729.[1] The prescribed readings for the feast day were from the Epistle of Titus, "God's mercy appeared" (Шаблон:Sourcetext) or from Isaiah, "Unto us a child is born" (Шаблон:Sourcetext), and from the Gospel of Luke, the Nativity, Annunciation to the shepherds and the angels' song (Шаблон:Sourcetext). The text of the cantata is by Picander.[2] The chorale is from the 1697 hymn "Ich freue mich in dir" by Caspar Ziegler.[3] Bach later revised the piece into Gott ist unsre Zuversicht, BWV 197.2.[4]

Scoring and structure

The cantata is scored for solo alto and bass voices, a four-part choir, two flutes, oboe d'amore, two violins, viola, bassoon, cello, and continuo.[2]

The piece has seven movements (although there may also have been an opening sinfonia):[2][5]

  1. Chorus: Шаблон:Lang
  2. Aria: Шаблон:Lang
  3. Recitative: Шаблон:Lang
  4. Aria: Шаблон:Lang
  5. Recitative: Шаблон:Lang
  6. Aria: Шаблон:Lang
  7. Chorale: Шаблон:Lang

Music

Only the last four movements of the piece are extant.[5]

The nineteen surviving bars of the fourth movement, an alto aria, demonstrate a rare bassoon obbligati and assume a combined ritornello-ternary form.[5]

The fifth movement is a bass recitative with only continuo accompaniment. It is a "harmonically adventurous", "forceful little movement marked by a robust melodic line".[5]

The following bass aria is accompanied by oboe d'amore and continuo, and is a "jaunty, pastoral dance" in 6/8 time and ritornello-ternary form. The movement is notable for a long rising melisma omitted from the reworked version in BWV 197.2.[5]

Musicologist Julian Mincham suggests that the chorale is "one of the sturdiest in the repertoire".[5]

Recordings

The recordings are taken from the listing on Bach-Cantatas:[6]

References

Шаблон:Reflist

External links

Шаблон:Bach's third cantata cycle and later Шаблон:Bach cantatas Шаблон:Authority control