Английская Википедия:Eli (opera)
Шаблон:Short description Шаблон:Use list-defined references Шаблон:Use dmy dates Шаблон:Infobox opera Eli, Op. 7, is a German-language opera in three acts with music by Walter Steffens to a libretto based on a play by Nelly Sachs. The world premiere was in 1967 at the Opernhaus Dortmund.[1]
History
Eli was a commission from the city of Dortmund[2] as the first world premiere to be performed at the new Opernhaus Dortmund which was inaugurated in 1966.[3] The composer wrote the libretto[2] for the opera in three acts (12 scenes) based on a 1943 mystery play by Nelly Sachs.[4] The city of Dortmund awards a literature prize in her name, the Nelly Sachs Prize.[3] Her play was first entitled Eli: Ein Legendenspiel vom Leiden Israels (Eli: A mystery play of the sufferings of Israel), later changed to Eli: Ein MysterienspielШаблон:Nbsp...[5] It was premiered by Theater Dortmund on 14 March 1962.[4] The opera was published by Bärenreiter.[2]
The action is in single episodes, without a plot. It is set in a Polish village right after World War II, where a Jewish boy, Eli, was slain by a German soldier during a pogrom, and is remembered in various ways.[6] Walter Steffens, a resident of Dortmund,[7] worked on the composition from 1964 to 1966.[4][1]
The world premiere of the opera was on 5 March 1967 in the Opernhaus Dortmund,[5][8][7] directed by Hans Hartleb, with Hainer Hill as designer of stage and costumes, and Wilhelm Schüchter conducting.[1][5]
Roles
The first performance was at the Opernhaus Dortmund on 5 March 1967, conducted by Wilhelm Schüchter. Many singers take more than one role:[1]
| Role | Voice type | Performer |
|---|---|---|
| Michael | heldenbaritone | |
| A Baker / A Woman / An Old Woman | dramatic soprano | |
| Ester / The Mother | coloratura soprano | |
| A Young Woman | coloratura soprano | |
| A Girl / A Woman | soprano | |
| Ester / The Mother | coloratura soprano | |
| A Washing Woman | dramatic contralto | |
| Second Tree | contralto | |
| Jossele / First Voice / Scherenschleifer / Beggar / A Man | high lyric tenor | Шаблон:Nowrap[9] |
| Ein Verwachsener | tenor | |
| Mendel | tenor | |
| First Bricklayer / Voice of a Star / A Chimney | tenor | |
| The Old Bricklayer / A Man / The Man With the Mirror Glass / A Rabbi | serious bass-baritone | |
| Second Bricklayer | baritone | |
| A Being / A Baker | low bass | |
| Samuel | silent role | |
| Second Voice / A Blind Girl / A Carpenter / A Child / A Postman / First Tree / A Doctor / A Voice | speaking roles | |
| Brick layers / Praying Group / Voice from the Chimney / Voices of the Fingers / Voice of the Lecturer's Finger / Choir in the orchestra | choir | |
| Rough Man's Voice / Hissing Sounds / A Finger / A Long Bony Finger / Voice of the Lecturer's Finger | tape |
Reception
A reviewer from Süddeutsche Zeitung noted that Steffens transports the poetry to a different level of emotional intensity.[8] He described the vocal and instrumental lines as expressive and melodic ("Expressiv-melodische Diktion"), and the electro-acoustic parts as unreal voices.[8]
References
Further reading
- Christine Longère: "Zu den Opern" (in German) walter-steffens.de
Шаблон:Portal bar Шаблон:Authority control
- ↑ 1,0 1,1 1,2 1,3 Ошибка цитирования Неверный тег
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<ref>; для сносокZeitне указан текст - ↑ 8,0 8,1 8,2 Ошибка цитирования Неверный тег
<ref>; для сносокRuppelне указан текст - ↑ Ошибка цитирования Неверный тег
<ref>; для сносокKutsch/Riemensне указан текст
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