Английская Википедия:Enga Ooru Pattukaran

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Шаблон:Use dmy dates Шаблон:Use Indian English Шаблон:Infobox film

Enga Ooru Pattukaran (Шаблон:IPAc-en Шаблон:Translation) is a 1987 Indian Tamil-language romantic drama film directed by Gangai Amaran. The film stars Ramarajan, Rekha and Nishanthi, with Senthamarai, Vinu Chakravarthy, Senthil, Kovai Sarala and S. S. Chandran playing supporting roles. It was released on 14 April 1987. The film was a major success, and gave a breakthrough for Ramarajan and Rekha. After this film, Ramarajan-Gangai Amaran duo were known as one of the successful duos in Tamil cinema then.[1][2]

Plot

Шаблон:More plot Shenbagam, the daughter of a wealthy landlord, and Seethan, an orphan milkman, are in love but they do not express their love directly. Seethan has been brought up by Maruthamuthu. When Shenbagam's father decides to get her married to a rich man, she commits suicide. Seethan becomes distraught after his lover's death. Maruthamuthu steps in and arranges his marriage with the woman Kaveri. Seethan marries her but cannot forget Shenbagam.

Cast

Шаблон:Cast listing

Production

The cow owned by Ramarajan's character was played by a cow named Pechi.[3] The song "Madura Marikkozhunthu Vaasam" was shot atop the Madurai Meenakshi Amman Temple.[4][5]

Soundtrack

The music was composed by Ilaiyaraaja, with lyrics written by Gangai Amaran.[6][7] The song "Azhagi Nee Perazhagi" is set to the Carnatic raga Kuntalavarali.Шаблон:Sfn The song "Madurai Marikozhundhu", set to Mayamalavagowla,Шаблон:Sfn[8] was reused as "Yamaho" in the Telugu film Jagadeka Veerudu Athiloka Sundari (1990).[9] There are three versions of the song "Shenbagame Shenbagame": one male, one female, and one a duet.[10] The song, set to Sindhu Bhairavi raga,Шаблон:Sfn[11] was reused as "Pavurama" in the Telugu film Aa Okkati Adakku (1992).Шаблон:Citation needed

Шаблон:Track listing

Release and reception

Enga Ooru Pattukaran was released on 14 April 1987,[12] and distributed by Sri Sujatha Pictures.[13] The Indian Express criticised the storyline as "static". The reviewer went on to say, "Ilayaraja's brand of soporific tunes mostly in the lower register blend with the unassuming style of the film".[14] Jayamanmadhan of Kalki appreciated the cinematography, music and direction.[15]

References

Шаблон:Reflist

Bibliography

External links

Шаблон:Gangai Amaran