Английская Википедия:Erinna

Материал из Онлайн справочника
Перейти к навигацииПерейти к поиску

Шаблон:Short description Шаблон:Good article Шаблон:About

Файл:Erinna.png
Fanciful portrait of Erinna from Finden's Gallery of Graces (1834)

Erinna (Шаблон:IPAc-en; Шаблон:Lang-grc-gre) was an ancient Greek poet. She is best known for her long poem The Distaff, a 300-line hexameter lament for her childhood friend Baucis, who had died shortly after her marriage. A large fragment of this poem was discovered in 1928 at Oxyrhynchus in Egypt. Along with The Distaff, three epigrams ascribed to Erinna are known, preserved in the Greek Anthology. Biographical details about Erinna's life are uncertain. She is generally thought to have lived in the first half of the fourth century BC, though some ancient traditions have her as a contemporary of Sappho; Telos is generally considered to be her most likely birthplace, but Tenos, Teos, Rhodes, and Lesbos are all also mentioned by ancient sources as her home.

Life

Little ancient evidence about Erinna's life survives, and the testimony which does is often contradictory. Her dates are uncertain. According to the Suda, a 10th century encyclopedia, she was one of Sappho's companions, placing her floruit in the sixth century BC.Шаблон:Sfn The latest date given for Erinna in the ancient sources is that provided by Eusebius, who suggests the mid-fourth century BC.Шаблон:Sfn Due to similarities between her work and that of the third-century BC poets Theocritus and Asclepiades,Шаблон:Sfn and an epigram by Antiphanes which groups her with Callimachus, scholars now tend to believe that Erinna was an early Hellenistic poet.Шаблон:Sfn However this would contradict Tatian's claim that she was sculpted by Naucydes, who was active around 400 BC.Шаблон:Sfn

Ancient testimony is divided on where Erinna was from: possibilities include Teos, Telos, Tenos, Mytilene, and Rhodes.Шаблон:Sfn Sylvia Barnard argues that Erinna was from Telos on the grounds of her dialect,Шаблон:Sfn though Donald Levin notes that while based on Doric, Erinna's dialect is a literary creation and does not accurately reflect her own native dialect.Шаблон:Sfn It is likely that Erinna was born into a wealthy family, and would have been taught to read and write poetry – Teos, one of Erinna's possible birthplaces, is one of the few places in the ancient Greek world where epigraphical evidence that girls were educated survives.Шаблон:Sfn

Three epigrams preserved in the Greek Anthology suggest that Erinna died young – according to the poet Asclepiades shortly after composing the Distaff aged 19, though the earliest source to explicitly fix her date of death at age 19 is the Suda.Шаблон:Sfn Marylin B. Arthur, however, argues that though the character of Erinna in the Distaff was 19, she did not necessarily compose the poem when she was that age.Шаблон:Sfn

Works

The Distaff

Файл:Ossirinco, frammento di papiro con alakata (conocchia) di erinna, 190 dc ca. (psi IX 1090).jpg
PSI 1090, which preserves fragments of 54 lines of Distaff

Erinna's fame is founded on her 300-line hexameter poem, the Distaff. The poem, supposedly composed when she was just nineteen,Шаблон:Sfn is a lament for her friend Baucis, who died shortly after her marriage.Шаблон:Sfn Unlike most ancient Greek hexameter poetry, which was written in an Ionian dialect, Distaff was written in a mixture of Aeolian and Doric.Шаблон:Sfn

Distaff survives only in fragments. Parts of 54 lines, of which only one line is complete, are known,Шаблон:Sfn preserved on a second century AD papyrus discovered at Oxyrhynchus, PSI 1090.Шаблон:Sfn Three other fragments of hexameter poetry attributed to Erinna survive, two quoted by Stobaeus and one by Athenaeus. One of the quotations in Stobaeus matches up with line 46 of PSI 1090;Шаблон:Sfn both of the other fragments also probably come from Distaff.Шаблон:Sfn Another papyrus fragment, Papyrus Oxyrhynchus 8, was identified by Maurice Bowra as possibly being from Distaff;Шаблон:Sfn however Martin Litchfield West dismisses this on dialectical grounds.Шаблон:Sfn

In the first half of the long surviving fragment of the Distaff, the narrator recalls her childhood with Baucis. She speaks of a game the two played, described by Julius Pollux, who calls it chelichelone ("torty-tortoise"), and of their fear of Mormo, a Greek bogeywoman.Шаблон:Sfn Following this, there is a short section on Baucis' forgetfulness – the text is fragmentary, but possibly the narrator is saying that when she married, Baucis forgot the childhood which has just been described. Finally, there is a reference to the narrator's inability to view a corpse, and two mentions of the word aidos ("shame") – presumably Baucis has died, and the narrator is ashamed that she cannot mourn her friend. At this point the text becomes too fragmentary to reconstruct it further.Шаблон:Sfn

The Distaff is a literary version of the goos – the lament chanted by the female relatives of the deceased during the prothesis (laying out the body).Шаблон:SfnШаблон:Sfn Earlier literary depictions of the goos, also in hexameter verse, are found in the Iliad, and several scholars have seen Erinna's poem as making use of this literary precedent. Marilyn Skinner identifies three examples of the goos in the Iliad: Briseis' lament for Patroclus, Andromache's on seeing Achilles dragging Hector's corpse around the walls of Troy, and the lament sung by Andromache, Hecuba, and Helen at Hector's wake.Шаблон:Sfn Skinner identifies "marked thematic and verbal correspondences" between the Distaff and the songs of mourning in the Iliad. For instance, Erinna's recollections of her early life with Baucis parallel Andromache's of her son's interactions with Hector, and Helen's of Hector supporting her when she first came to Troy.Шаблон:Sfn Diane Rayor specifically identifies Briseis' lament as a model for the Distaff.Шаблон:Sfn

Along with Homer, the other major literary influence on Erinna's Distaff was Sappho.Шаблон:Sfn Kathryn Gutzwiller has argued that this incorporation of Sapphic themes into a poem of lamentation is Erinna's way of feminising a work based on a Homeric model.Шаблон:Sfn John Rauk notes particular similarities with fragment 94,Шаблон:Sfn with both works on themes of remembrance and forgetting.Шаблон:Sfn Diane Rayor, however, rejects this, disputing Rauk's belief that Sappho 94 is a farewell to a companion who is leaving to marry.Шаблон:Sfn

Epigrams

Along with the fragments of the Distaff, three epigrams attributed to Erinna survive.Шаблон:Sfn These are in the Doric dialect,Шаблон:Sfn and all three are preserved in the Greek Anthology.Шаблон:Sfn Two of these are, like Distaff, about the death of Baucis;Шаблон:Sfn the third, which is similar to poems by Nossis, is about a portrait of a girl called Agatharchis.Шаблон:Sfn The two Baucis-epigrams are in the style of ancient epitaphs, though the fact there are two suggests that neither was in fact written as a tomb inscription.Шаблон:Sfn

The authorship of these is disputed:Шаблон:Sfn Rauk and West both argue that none of the epigrams were authored by Erinna.Шаблон:SfnШаблон:Sfn Rauk suggests that the two Baucis-epigrams were written by later authors as a tribute to Erinna,Шаблон:Sfn and West notes that there is nothing in the epigrams which the authors could not have learnt from Distaff.Шаблон:Sfn The third epigram is described by Rauk as a "commonplace", containing "nothing to support Erinna's authorship",Шаблон:Sfn and West suggests that Nossis is a more likely author.Шаблон:Sfn On the other hand, Sarah Pomeroy argues for Erinna's authorship of all three epigrams,Шаблон:Sfn and Jane McIntosh Snyder describes them as "probably by Erinna".Шаблон:Sfn Other scholars, including Sylvia Barnard, Elizabeth Manwell, and Diane Rayor, accept the epigrams as being authored by Erinna without explicitly addressing the dispute.Шаблон:SfnШаблон:SfnШаблон:Sfn

Reception

Файл:Sappho and Erinna in a Garden at Mytilene.jpg
Sappho and Erinna in a Garden at Mytilene by Simeon Solomon (1864)

In antiquity, Erinna was highly regarded; the only Greek woman poet to be better thought of was Sappho,Шаблон:Sfn though today she is little-known. Antipater of Thessalonica included her in his list of "nine earthly muses".Шаблон:Sfn Several other epigrams collected in the Greek Anthology praise her, and in Meleager's "Garland" her work is compared to the "sweet, maidenly coloured crocus".Шаблон:Sfn The only negative ancient testimony about Erinna comes from an epigram by Antiphanes (AP 11.322),Шаблон:Sfn which itself attests to Erinna's high reputation among the followers of Callimachus.Шаблон:Sfn All of this ancient testimony about Erinna suggests that she was a major figure in Hellenistic poetry.Шаблон:Sfn

From the early modern period, Erinna was frequently associated with Sappho: Mademoiselle de Scudéry portrayed Sappho encouraging Erinna to write poetry in "Sapho à Erinna"; Eduard Mörike characterised the two as friends in "Erinna an Sappho"; Rainer Maria Rilke's "Sappho an Eranna" and "Eranna an Sappho" together make up a dialogue between the poets; Estelle Anna Lewis's Sappho portrays Erinna as a confidante of Sappho; and Simeon Solomon's painting Sappho and Erinna in a Garden at Mytilene shows the two as lovers. Others were influenced by Erinna's lament for Baucis to deal with death as a theme: Johann Gottfried Herder's poem "Erinna" addresses the poet's early death, while Nicolò Fontei's song "Pianto d'Erinna" has Erinna mourn a male lover.Шаблон:Sfn

Today, so little of Erinna's work survives that it is difficult to judge her poetry,Шаблон:Sfn though what has survived of Distaff does, according to Ian Plant, bear out the poem's ancient reputation.Шаблон:Sfn In addition, Eva Stehle sees Erinna's poetry as significant as one of the very few sources of evidence about the relationship between mothers and daughters in the ancient Greek world.Шаблон:Sfn Erinna has also been read by feminist scholars as part of a female poetic tradition in ancient Greece, along with others including Sappho and Nossis.Шаблон:Sfn

References

Шаблон:Reflist

Works cited

External links

Шаблон:Wikisourcelang Шаблон:Commons category

Шаблон:Authority control