Английская Википедия:Ernst Reicher
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Ernst Reicher (19 September 1885 – 1 May 1936) was a German-Jewish[1] actor, screenwriter, film producer and film director of the silent era.[2]
Biography
His father was the actor Emanuel Reicher, born in Galicia, then part of the Kingdom of Austria. Emanuel married firstly the opera singer Hedwig Reicher-Kindermann (15 July 1853 – 2 June 1883): their son was the actor Frank Reicher. After Hedwig's death, he married the actress Lina Harf and the couple had three children: Hedwiga Reicher, Ernst, and Elly (b. Berlin 1893), who all worked as actors.[3][4]
At Continental-Kunstfilm's studios Ernst Reicher acted, wrote scripts and directed films from 1912 to 1918. In December 1912 he starred in Vorglühen des Balkanbrandes, directed by Joe May. He wrote, directed and starred in two films: Das Werk in February 1913, and Die Statue in 1914, which was banned by the Berlin police censor until 1919.
Starting in winter 1913/14, he wrote and starred in the first three of the 'Stuart Webbs' detective films, a popular detective series directed by Joe May for Continental in which he played a gentleman detective modelled on Sherlock Holmes: Die geheimnisvolle Villa; Der Mann im Keller; and Der Spuk im Haus des Professors.[5]Шаблон:Sfn When World War I broke out, Joe May split with up Reicher to make his own Joe Deebs detective motion pictures.Шаблон:Sfn
For more than a decade after 1914, Reicher continued to write and star as Stuart Webbs, and was closely identified with the part. It was not until 1918 that Reicher turned to other topics. On the first of April 1919, he moved the headquarters of his film company to Munich. His most elaborate production was The Book of Esther (1919) in which he also starred. At the beginning of the twenties he suffered a serious car accident, in which he suffered a vertebral and fractured skull. Only from 1926 he appeared again on the screen, but he could no longer build on previous successes.
After the seizure of power in 1933 by the National Socialists, Reicher emigrated to Prague, where he fell into obscurity. His last, tiny role in the 1936 French-language remake of The Golem was cut out of the final version. Later that year, he committed suicide by hanging in a Prague hotel room, "in a small, narrow room, in a street that was far from the stage of fame."[6]
Selected filmography
- The Man in the Cellar (1914)
- The Armoured Vault (1914)
- Die geheimnisvolle Villa (1914)
- The Diamond Foundation (1917)
- The Ghost Hunt (1918)
- Panic in the House of Ardon (1920)
- The Grey Magpie (1920)
- Camera Obscura (1921)
- The Wonderful Adventure (1924)
- Mrs Worrington's Perfume (1925)
- The Shot in the Pavilion (1925)
- The Armoured Vault (1926)
- Number 17 (1928)
- Hands Up, Eddy Polo (1928)
- Road to Rio (1931)
- The Song of the Nations (1931)
- The Theft of the Mona Lisa (1931)
- A Night at the Grand Hotel (1931)
- Rasputin, Demon with Women (1932)
References
- Bibliography
External links
- ↑ Siegbert Salomon Prawer, Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933, Berghahn Books (2007), p. 213
- ↑ Шаблон:Cite web
- ↑ Vazzana, Eugene Michael (2001) Silent Film Necrology (2nd ed.) McFarland Publishing, p. 439.
- ↑ Truitt, Evelyn M. (1983). Who Was Who On the Screen. New Providence, NJ: RR Bowker Company, p. 607.
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite news. The Pariser Tageblatt (later Pariser Tageszeitung) was a German-language paper for exiles in France after Hitler came to power in 1933. See also List of newspapers in France.
- Английская Википедия
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- 1885 births
- 1936 deaths
- 1936 suicides
- Jewish German male actors
- German male film actors
- German male silent film actors
- Film people from Berlin
- Male actors from Berlin
- Suicides by hanging in Czechoslovakia
- Suicides by hanging in the Czech Republic
- 20th-century German male actors
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