Английская Википедия:Erwartung

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Шаблон:Short description Шаблон:Infobox opera Шаблон:Lang (Expectation), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by Шаблон:Interlanguage link multi. Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera Bluebeard's Castle (1911), as the two works were roughly contemporary and share similar psychological themes.Шаблон:Citation needed Schoenberg described Erwartung, saying "the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour."[1]

Philip Friedheim has described Шаблон:Lang as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the complexity of the music is that the first scene of over 30 bars contains 9 meter changes and 16 tempo changes.[2] Herbert Buchanan has countered this description of the work as "athematic", and the general impression of it as "atonal", in his own analysis.[3]

The musicologist Charles Rosen has said that Шаблон:Lang, along with Berg's Wozzeck and Stravinsky's The Rite of Spring, is among the "impregnable" "great monuments of modernism."[4]

Performance history

Шаблон:Lang had its British premiere on 9 January 1931, with the BBC Symphony Orchestra conducted by the composer.[5]

It was the first live opera shown on Times Square in New York City in a production by Robin Rhode in November 2015 (2 performances).[6][7]

Roles

  • The Woman (soprano)

Synopsis

Time: Night
Place: A forest

A woman is in an apprehensive state as she searches for her lover. In the darkness, she comes across what she first thinks is a body, but then realises is a tree-trunk. She is frightened and becomes more anxious as she cannot find the man she is looking for. She then finds a dead body, and sees that it is her lover. She calls out for assistance, but there is no response. She tries to revive him, and addresses him as if he were still alive, angrily charging him with being unfaithful to her. She then asks herself what she is to do with her life, as her lover is now dead. Finally, she wanders off alone into the night.

Instrumentation

Шаблон:Lang's score calls for an orchestra with the following instrumentation.

Шаблон:Col-begin Шаблон:Col-3

Woodwind
3 Flutes (3rd doubling on 2nd piccolo)
Piccolo
4 Oboes (4th doubling on English horn)
4 Clarinets: 1 in D, 1 in BШаблон:Music, 2 in A
Bass clarinet in BШаблон:Music
3 Bassoons
Contrabassoon
Brass
4 Horns in F
3 Trumpets in BШаблон:Music
4 Trombones
Tuba

Шаблон:Col-3

Percussion
Timpani
Xylophone
Glockenspiel
Cymbals
Bass drum
Side drum
Triangle
Tam-tam
Rattle

Шаблон:Col-3

Keyboard
Celesta
Strings
Harp
Violins I & II
Violas
Cellos
Double bassesШаблон:Col-end

Recordings (abridged list)

References

Шаблон:Reflist

Further reading

External links

Шаблон:Second Viennese School Шаблон:Arnold Schoenberg Шаблон:Portal bar

Шаблон:Authority control

  1. Schoenberg, Arnold. Style and Idea. University of California Press (Los Angeles, 1984), p. 105 (Шаблон:ISBN)
  2. Шаблон:Cite journal
  3. Шаблон:Cite journal
  4. Шаблон:Cite web
  5. Nicholas Chadwick, Alban Berg and the BBC
  6. "Arnold Schönberg's Erwartung – A Performance by Robin Rhode", Times Square Arts
  7. "Robin Rhode Takes Schoenberg’s Erwartung to the Street (Broadway, No Less)" by Zachary Woolfe, The New York Times, 8 November 2015
  8. Шаблон:Cite journal
  9. MacDonald, Calum, Review of recordings of Arnold Schoenberg (September 1984). Tempo (New Ser.), 150: pp. 52–56.