Английская Википедия:Et in Arcadia ego (Guercino)
Шаблон:Short description Шаблон:About Шаблон:More citations needed Шаблон:Infobox artwork Et in Arcadia ego (also known as The Arcadian Shepherds) is an oil-on-canvas painting created c. 1618–1622 by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino). It is now on display in the Galleria Nazionale d'Arte Antica of Rome.
Description
The painting shows two young shepherds staring at a skull, with a mouse and a blowfly, placed onto a cippus with the words "Et in Arcadia ego" (Also in Paradise I am). This phrase is meant as a warning, that even in Arcadia/Paradise, death is always present. The phrase appears for the first time in art and architecture in this work. The iconography of the memento mori theme symbolised in art by the skull was rather popular in Rome and Venice since Renaissance times.
Elias L. Rivers suggested the phrase "Et in Arcadia ego" is derived from a line from Daphnis' funeral in Virgil's Fifth Eclogue Daphnis ego in silvis ("Daphnis was I amid the woods"), and that it referred to the dead shepherd within the tomb, rather than Death itself.[1]
Mentioned for the first time in the collection of Antonio Barberini in 1644, the painting was later acquired by Colonna of Sciarra (1812), being attributed to Bartolomeo Schedoni until 1911. Nicolas Poussin also made two paintings on the topic of Et in Arcadia ego, less than two decades later.
The painting is connected with Guercino's The Flaying of Marsyas by Apollo in Palazzo Pitti (1618), where the same group of shepherds is present.
In literature and pop culture
Goethe's Italian Journey (1816) has "Et In Arcadia Ego" as its motto. Goethe viewed Guercino's painting in Cento (17 October 1786).Шаблон:Citation needed
Hans Christian Andersen's "Improvisatoren" (1835) in chapter 13 two of the main characters discuss the painting.
William Faulkner's 1923 novel "The Sound And The Fury" mentions "Et in Arcadia Ego" in reference to Maury, a mentally disabled man.
"Et in Arcadia Ego" is the title of Book One of Evelyn Waugh's Brideshead Revisited (1945).
In Cormac McCarthy's novel Blood Meridian, it is the name of the Judge's gun.
Tom Stoppard's 1993 play Arcadia implicitly references Guercino's painting in its title and explicitly alludes to the painting in Act 1, scene 1. Lady Croom first mistranslates it slightly as "Here I am in Arcadia!", missing the implication of death, but Septimus later translates it correctly, in reference to the killing of pigeons (,[2] pp. 25–27). The painting works to foreground the play's focus on the beauty of life and the reality of death.
In the 2017 game Digimon Story: Cyber Sleuth – Hacker's Memory "Even In Arcadia, There Am I" is the name given to the 17th chapter.
"Et In Arcadia Ego" is the title of the ninth and tenth episodes of the first season of Star Trek: Picard
"Et In Arcadia Ego" is the title of the first episode of the first season of Brideshead Revisited
See also
References
External links
- ↑ Elias L. Rivers, "Foreword", to Bruno Mario Damiani, Bárbara Louise Mujica, Et In Arcadia Ego: Essays on Death in the Pastoral Novel (Lanham and New York: University Press of America, 1990). Шаблон:ISBN
- ↑ Шаблон:Cite book
- Английская Википедия
- 1622 paintings
- Paintings by Guercino
- Collections of the Galleria Nazionale d'Arte Antica
- Paintings about death
- Skulls in art
- Insects in art
- Mice and rats in art
- Страницы, где используется шаблон "Навигационная таблица/Телепорт"
- Страницы с телепортом
- Википедия
- Статья из Википедии
- Статья из Английской Википедии
