Английская Википедия:Exposition des primitifs flamands à Bruges
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The Exposition des primitifs flamands à Bruges (Exhibition of Flemish Primitives at Bruges) was an art exhibition of paintings by the so-called Flemish Primitives (nowadays usually called Early Netherlandish painters) held in the Provinciaal Hof in Bruges between 15 June and 5 October 1902.
It was the largest exhibition of 15th- and 16th-century Flemish art to date, consisted of 413 official catalogue entries,[1] and drew some 35,000 visitors.[2] The exposition was highly influential, leading to at least five contemporary books as well as numerous scholarly articles, and initiated deeper study of the Flemish Primitives by a new generation of connoisseurs.[3][4] It also inspired Johan Huizinga to research and write his The Autumn of the Middle Ages.[5] The change in attribution of many important works (in table below) reflects progress in understanding the era by art historians since then, although it is an ongoing process.
Exposition
The 1902 exhibition was not the first to focus on the Flemish Primitives, although it was the first on this scale and to generate so much interest and scientific feedback. Among earlier exhibitions were the 1867 "Tableaux de l'ancienne école Néerlandaise" in Bruges, also directed by W. H. J. Weale; the 1892 "Exhibition of pictures by masters of the Netherlandish and allied schools of XV and early XVI centuries" at the Burlington Fine Arts Club, with 60 pictures;[6] and the 1899 Netherlandish School exhibition at the New Gallery (London), with 165 works.
The 1902 exposition was originally intended for Brussels, but moved to Bruges after the city refused to lend the many works it held to the exhibition if it did not take place in Bruges. It was held in the Provincial Government Palace in Bruges from 15 June until 15 September 1902, but due to popular demand was extended until 5 October 1902.
The president of the exhibition was Baron Henri Kervyn de Lettenhove.
William Henry James Weale wrote the notes for the catalogue for the painting section. The often erroneous attributions were those of the owners, but the position of the paintings in the exhibition generally reflected the opinion of the organizers, including Weale and Georges Hulin de Loo (a professor at the University of Ghent), regarding their authorship.[3] The illustrated catalogue of the section showing manuscripts, miniatures, archive texts, seals, mereaux, coins and medals was written by Baron Albert Van Zuylen Van Nyevelt. A third section, covering needlework, gobelins, and the like, was catalogued by Isabelle Errera.
The exhibition showed some 400 paintings attributed to the Flemish Primitives, many of which had never before been exhibited. The display of many works by major artists created the first strong opportunity to compare their styles side by side and revise earlier attributions, either from one painter to another or from "work by" to "copy of a work by".
The exhibition was opened by King Leopold II of Belgium, and visited by Crown Prince Albert and Crown Princess Elisabeth on 3 July 1902.[7]
Legacy
The exhibition showed far more of the most important remaining examples of Early Netherlandish panel painting than earlier exhibitions and sparked a lively discussion about the attributions of the paintings, started by Hulin de Loo: dissatisfied with the official catalogue, he published his own critical catalogue.[8]
The exhibition greatly improved the appreciation of Early Netherlandish art, which previously had been chiefly appreciated only by a few collectors and art historians, [2] but also led to shifts in the status of the artists: Hans Memling, who had been considered to be the major artist of the period, was surpassed by the likes of Jan van Eyck and Rogier van der Weyden. This has been attributed to the abundance of works by Memling at the exhibition, which made critics notice the lack of invention and overly serialized production he often showed, compared to the other masters.[3]
Because the organizers of the exhibition had a somewhat Belgian nationalistic view, art lovers in other countries sometimes reacted vehemently to the appropriation of "their" painters by the Flemish or Belgians. In France, there were calls for a similar exhibition of French Primitives, which was organised in 1904 and tried to reclaim artists, like van der Weyden and Robert Campin, who were from French-speaking parts of the Netherlands; it also tried to cast Early Netherlandish painting as a derivative of Early French painting.[2]
The Bruges exhibition directly influenced some painters, who incorporated aspects of Flemish Primitive painting into their work. Flemish expressionist Gustave Van de Woestijne changed his approach to portraiture, focusing more on the psychological aspects, while his colleague Valerius de Saedeleer was influenced by the landscapes he saw at the exhibition.[9]
In 2002, a new exhibition documenting the 1902 exhibition and its impact was held in Bruges: "Impact 1902 Revisited. Early Flemish and Ancient Art exhibition. Bruges 15th June - 15th September 1902, Brugge, 2002.", with a catalogue by Eva Tahon, Piet Boyens e.a.[4]
Publications
Apart from the official catalogue,[10] a number of books and major articles were written about the exhibition, including:
- (Anonymous), The Exhibition of Flemish Art at Bruges, in Athenaeum 3907 and 3908, 1902 (probably by Roger Fry)
- (Anonymous (L.M.)), L'exposition des primitifs flamands à Bruges, in La chronique des arts et de la curiosité 15, 1902
- Giorgio Le Brun, L'esposizione dei primitivi fiamminghi, Rassegna d'Arte 2 (1902)
- Pol de Mont, Een paar opmerkingen betr. de Tentoonstelling van oude Nederlandsche schilderijen te Brugge, in de Nederlandsche Spectator, 1902
- Pol de Mont, L'Evolution de la peinture néerlandaise aux XIVe, XVe et XVIe siècles et l'exposition de Bruges. Book, Haarlem, 1903
- Pol de Mont, De paneelschildering in de Nederlanden gedurende de XIVe, XVe en de eerste helft van de XVIe eeuw naar aanleiding van de in 1902 te Brugge gehouden tentoonstelling, gezeid "Van Vlaamse priemietieven", Haarlem 1903
- Franz Dülberg, Die Ausstellung altniederländischer Malerei in Brügge., in Zeitschrift für bildende Kunst 14 (1903)
- Émile Durand-Greville, Originaux et Copies à propos de l'exposition de Bruges, Bruges 1902
- Hippolyte Fierens-Gevaert, L'exposition des Primitifs Flamands à Bruges, in Revue de l'art ancien et moderne XII, 1902
- Henri Frantz, L'exposition des primitifs flamands à Bruges, in Les Arts 7, 1902
- Max Jakob Friedländer, Die Brügger Leihausstellung von 1902, in Repertorium für Kunstwissenschaft 26 (1903)
- Max Jakob Friedländer, Meisterwerke der niederländischen Malerei des XV. und XVI. Jahrhunderts auf der Ausstellung zu Brügge 1902. Book, Munich, 1903
- Jules Guiffrey, L'exposition des Primitifs Flamands à Bruges, multiple articles in "L'Art" in 1902 and 1903
- Georges Hulin de Loo, Exposition de tableaux flamands des XIVe, XVe et XVIe siècles: catalogue critique précédé d'une introduction sur l'identité de certains maîtres anonymes. Book, Ghent, 1902.[11]
- Henri Hymans, L'Exposition des primitifs flamands à Bruges. Gazette des Beaux-Arts 28 (1902); then republished as a book, Paris, 1902[12]
- Georges Lafenestre, Les Vieux Maîtres à Bruges, in Revue des Deux Mondes, 1902
- Georges Lafenestre, Les primitifs à Bruges et à Paris, 1900, 1902, 1904: Vieux Maîtres de France et des Pays-Bas Book
- Wilhelm Martin, De Vlaamsche primitieven op de tentoonstelling te Brugge, special issue of Elsevier's Magazine, 1903
- Octave Maus, The Exhibition of Early Flemish Pictures at Bruges, in The Magazine of Art, 1903
- Alphonse Naert, Tentoonstelling van oude Vlaamsche kunst, te Brugge, in Dietsche Warande en Belfort, 1902
- Claude Phillips, Impressions of the Bruges Exhibition, in The Fortnightly Review, 1902
- Eugène-Justin Soil de Moriamé, L'école de Tournai, in Annales de la Société Historique et Archéologique de Tournai, 1902
- Hugo von Tschudi, Ausstellung Altniederländische Malerei in Brügge, Juni-Sept. 1902, in Repertorium für Kunstwissenschaft, 1902
- Octave Uzanne, The Exhibition of Primitive Art at Bruges, in The Connoisseur, 1902
- Karel van de Woestijne, De Vlaamsche Primitieven, hoe ze waren te Brugge, in Onze Kunst, 1902[13]
- Medard Verkest, Tentoonstelling van Vlaamsche Primitieven en Oude Meesters te Brugge, Tongeren, 1902
- William Henry James Weale, The Early Painters of the Netherlands as Illustrated by the Bruges Exhibition of 1902., in the first issue of The Burlington Magazine (1903)
Exhibited works
The works are listed according to their current attributions; where known, the attributions as given by the official catalogue[14] and the critical catalogue by Hulin de Loo are given as well.
| Image | Title | Cat. nr. | 1902 / Hulin attribution | Painter | Date | Current or last known location | Notes |
|---|---|---|---|---|---|---|---|
| Virgin with child, St. George, Ste. Catherine, the donors and their children | 1 | Unknown / Unknown, Flemish, c. 1420 | Unknown | 1420 | Museum Godshuis Belle | [15] | |
| Four-lobed triptych displaying the Holy Trinity and the Evangelists | 2 | Melchior Broederlam / Unknown, Flemish or Franco-Flemish, end of the 14th century | Unknown | 1390 | Gemäldegalerie | [16] | |
| Statue of the Virgin with Child, in a polychrome tabernacle with painted wings depicting episodes in the life of Mary | 3 | Melchior Broederlam(school of) / | Melchior Broederlam | 1412s 1390s |
Louvre | [17] | |
| Crucifixion with Saints Catherine and Barbara | 4 | Primitive school, c. 1400 / Unknown, Bruges, c. 1400 | Unknown | 1400 | St. Salvator's Cathedral | [18] | |
| Virgin and child, with Sts. Peter, Paul, Mary Magdalen, and the donor, the so-called Virgin with the butterfly | 5 | Unknown (Liège, 1459) / | Unknown | 1459 | Liège Cathedral | ||
| Crucifixion, with angels carrying the instruments of Passion, the Virgin, and the donor | 6 | Unknown / | Unknown | 1420s | St. Salvator's Cathedral | ||
| The Three Marys at the grave | 7 | Hubert van Eyck / Hubert van Eyck | Jan van Eyck Hubert van Eyck |
1420s 1430s |
Museum Boijmans Van Beuningen | [19] | |
| St. Romold invested as bishop of Dublin | 8 | Jan van Eyck / Unknown, Bruges, end of the 15th century | Master of the Youth of Saint Romold | 1490 | National Gallery of Ireland | [20] | |
| Шаблон:Multiple images | Adam and Eve (Wings of the Ghent Altarpiece) | 9 | Jan van Eyck / Jan van Eyck | Jan van Eyck Hubert van Eyck |
1426 | Saint Bavo Cathedral | [21] |
| Virgin and Child with Canon van der Paele | 10 | Jan van Eyck / Jan van Eyck | Jan van Eyck | 1434 1436 |
Groeningemuseum | [22] | |
| Virgin and Child | 11 | Jan van Eyck / Jan van Eyck, later copy after | Unknown | 1437 | 1902: collection of the Earl of Northbrook; current location unknown | ||
| Saint Barbara | 11.1 | Jan van Eyck / Jan van Eyck | Jan van Eyck | 1437 | Royal Museum of Fine Arts Antwerp (KMSKA) | [23] | |
| Portrait of Margaret van Eyck | 12 | Jan van Eyck / Jan van Eyck | Jan van Eyck | 1439 | Groeningemuseum | [24] | |
| Madonna at the Fountain | 13 | Jan van Eyck / Jan van Eyck | Jan van Eyck | 1439 | Royal Museum of Fine Arts Antwerp (KMSKA) | [25] | |
| Virgin and Child with donor Pieter Wijts | 14 | Jan van Eyck / Jan van Eyck, possible, but heavily overpainted | Unknown | 1630s | Groeningemuseum | [26] | |
| Portrait of a Man with a Blue Chaperon | 15 | Jan van Eyck / Jan van Eyck | Jan van Eyck | 1435s | Brukenthal National Museum | [27] | |
| Portrait of an old man | 16 | Jan van Eyck / Hans Memling, possibly | Hans Memling | 1475 | Metropolitan Museum of Art | [28] | |
| A Goldsmith in His Shop, Possibly Saint Eligius | 17 | Petrus Christus / Petrus Christus | Petrus Christus | 1449 | Metropolitan Museum of Art | [29] | |
| Portrait of a man | 18 | Petrus Christus / Petrus Christus | Petrus Christus | 1450s | National Gallery | [30] | |
| Calvary | 19 | Petrus Christus / Petrus Christus | Petrus Christus | Georgium | [31] | ||
| Deposition of Christ | 20 | Petrus Christus / Petrus Christus | Petrus Christus | 1455 | Royal Museums of Fine Arts of Belgium | [32] | |
| Virgin and Child | 21 | Unknown / Quentin Matsys | Quentin Matsys | 1470s | Royal Museums of Fine Arts of Belgium | [33] | |
| Triptych: Descent of the cross | 22 | Master of Flémalle / Master of Flémalle, copy after | Robert Campin | 1450s | Walker Art Gallery | [34] | |
| Virgin and Child before a Firescreen | 23 | Master of Flémalle / Master of Flémalle | Unknown | 1425 1430 |
National Gallery | [35] | |
| The Virgin preparing the bath of the Child | 24 | Master of Flémalle / Unknown, Flemish, c. 1500, after the Master of Flémalle | Jan Gossaert | 1500 | Bob Jones University museum and gallery | [36] | |
| Pietà | 25 | Rogier van der Weyden / Rogier van der Weyden | Rogier van der Weyden | 1441 | Royal Museums of Fine Arts of Belgium | [37] | |
| Portrait of a man | 26 | Rogier van der Weyden / Rogier van der Weyden | Rogier van der Weyden | 1455 | Thyssen-Bornemisza Museum | [38] | |
| Portrait of an unknown man | 27 | Rogier van der Weyden / Rogier van der Weyden? | Unknown | 1450 | private collection | [39] | |
| Virgin and Child | 28 | Rogier van der Weyden / Rogier van der Weyden | Rogier van der Weyden | 1460 | Art Institute of Chicago | [40] | |
| Scenes of the Life of Saint Joseph (right wing of a polyptych) | 29 | Rogier van der Weyden / Rogier van der Weyden, school of | Unknown | 1465 | Cathedral of Our Lady | [41] | |
| Virgin and Child Enthroned | 30 | Rogier van der Weyden / Rogier van der Weyden | Rogier van der Weyden | 1430s | Thyssen-Bornemisza Museum | [42] | |
| Diptych: Calvary and Virgin with Child, Saint Philip and the donor | 31 | Unknown / Unknown, Brabant | Unknown | c. 1500 | 1902: Colnaghi, London; current location unknown | ||
| Pietà with Donor | 32 | Antonello da Messina / Unknown, Southern France | Unknown | 1450s | Frick Collection | [43] | |
| Portrait of Fearless John, Duke of Burgundy | 33 | Unknown / Unknown, old copy | Unknown | 1450s | private collection | [44] | |
| Saint John the Baptist | 34 | Geertgen tot Sint Jans / Geertgen tot Sint Jans | Geertgen tot Sint Jans | 1490 | Gemäldegalerie | [45] | |
| Triptych: Martyrdom of Saint Erasmus | 35 | Dieric Bouts / Dieric Bouts | Dieric Bouts | 1458 | St. Peter's Church | [46] | |
| The Last Supper | 36 | Dieric Bouts / Dieric Bouts | Dieric Bouts | 1464 | St. Peter's Church M - Museum Leuven |
[47] | |
| Triptych: Martyrdom of Saint Hippolyte, Scene from the life of Saint Hippolyte, and The donors | 37 | Dieric Bouts / Dieric Bouts | Dieric Bouts Hugo van der Goes |
1468 | St. Salvator's Cathedral | [48] | |
| Portrait of a man | 38 | Dieric Bouts / Dieric Bouts | Dieric Bouts | 1470 | Metropolitan Museum of Art | [49] | |
| Christ in the house of Simon | 39 | Dieric Bouts / Dieric Bouts | Dieric Bouts | 1440s 1460 |
Berlin State Museums Gemäldegalerie |
[50] | |
| Crucifixion, with Virgin and Saint John | 40 | Dieric Bouts / | Unknown | 1465 | Gemäldegalerie | [51] | |
| Wings of a triptych: The Burning Bush and Gedeon's fleece | 41 | Dieric Bouts / Aelbrecht Bouts | Aelbrecht Bouts | 1490 | McNay Art Museum | [52] | |
| Triptych: Last Supper, The Angel Pascal, Elias | 42 | Unknown / Unknown, Bruges, c. 1470–1485 | Master of the Legend of Saint Catherine | 1480 | Bruges seminary | [53] | |
| Virgin and Child | 43 | Dieric Bouts / Dieric Bouts, attributed? | Master of the Tiburtine Sibyl | 1468 | private collection | [54] | |
| The Night of Christmas (fragment) | 44 | Dieric Bouts / Dieric Bouts | Dieric Bouts | 1480s | Louvre | [55] | |
| Legend of Saint Barbara, left wing of a triptych | 45 | Unknown / Unknown, Flanders (Ghent?), c. 1480 | Master of the legend of St. Barbara | 1480 | Basilica of the Holy Blood | ||
| Wings of a triptych: The Church and the Synagogue (Ecclesia and Synagoga) | 46 | Unknown / Unknown, Bruges, 1460–1475 | Master of the (Bruges) Legend of St. Ursula | 1482 | Groeningemuseum | [56][57] | |
| Wings of an altarpiece: Scenes from the Legend of Saint Ursula | 47 | Unknown / Unknown, Bruges, 1460–1475; same painter as 46 | Master of the (Bruges) Legend of St. Ursula | 1482 | Groeningemuseum | [58] | |
| Virgin and Child, with a donor protected by Mary Magdalen | 48 | Unknown, c. 1460 / Unknown, c. 1470–1480 | Master of the View of Ste-Gudule | 1475 | Curtius Museum | [59] | |
| Triptych: Virgin and Child, Donor Jean de Witte, Donor Marie Hoose | 49 | Hans Memling(school of) / | Bruges Master of 1473 | 1473 | Royal Museums of Fine Arts of Belgium | [60] | |
| Scenes from the Life of Saint Lucy | 50 | Unknown / | Master of the Legend of Saint Lucy | 1480 | St. James Church | [61] | |
| Death of the Virgin | 51 | Hugo van der Goes / Hugo van der Goes | Hugo van der Goes | 1472 1475 |
Groeningemuseum | [62] | |
| Triptych: Adoration, The two other Kings, and Donor protected by Saint Stephen | 52 | Hugo van der Goes / Hugo van der Goes | Unknown | 1500s | private collection | [63] | |
| Descent of the Holy Ghost | 53 | Unknown / Unknown, Bruges, c. 1490 | Master of the Baroncelli Portraits | 1490 | private collection | [64] | |
| Virgin and Child | 54 | Hugo van der Goes / Dieric Bouts, circle of | Unknown | 1460s | private collection | [65] | |
| Portrait of a Man with a Roman Medal | 55 | Hans Memling / Hans Memling | Hans Memling | 1470s | Royal Museum of Fine Arts Antwerp (KMSKA) | [66] | |
| Triptych: Virgin, Donors, and Saints (the Donne Triptych) | 56 | Hans Memling / Hans Memling | Hans Memling | 1478s | National Gallery | [67] | |
| Portrait of Thomas Portinari | 57 | Hans Memling / Hans Memling | Hans Memling | 1470 | Metropolitan Museum of Art | [68] | |
| Portrait of Maria Portinari | 58 | Hans Memling / Hans Memling | Hans Memling | 1470 | Metropolitan Museum of Art | [68] | |
| Triptych: Virgin and Child seated in an open gallery, Saint John the Baptist, and John the Evangelist on Patmos (also known as the Saint John Altarpiece, or as the Mystical Marriage of Saint Catherine) | 59 | Hans Memling / Hans Memling | Hans Memling | 1479 | Old St. John's Hospital | [69] | |
| Triptych: Adoration, Virgin looking at the Child on the ground, and John the Baptist and the woman receiving the image of the Holy face (the so-called Triptych of Jan Floreins) | 60 | Hans Memling / Hans Memling | Hans Memling | 1479 | Old St. John's Hospital | [70] | |
| Triptych: Burial of Christ, Brother Adrien Reyns, protected by Saint Adrian, and Saint Barbara (the so-called Triptych of Adriaan Reins) | 61 | Hans Memling / Hans Memling | Hans Memling | 1480 | Old St. John's Hospital | [71] | |
| Sibylla Sambetha | 62 | Hans Memling / Hans Memling | Hans Memling | 1480 | Old St. John's Hospital | [72] | |
| Mystic Marriage of St. Catherine | 63 | Hans Memling / Hans Memling | Hans Memling | 1479 | Metropolitan Museum of Art | [73] | |
| Portrait of Guillaume Moreel | 64 | Hans Memling / Hans Memling | Hans Memling | 1480 | Royal Museums of Fine Arts of Belgium | [74] diptych with #65 | |
| Portrait of Barbara van Vlaendenbergh | 65 | Hans Memling / Hans Memling | Hans Memling | 1480 | Royal Museums of Fine Arts of Belgium | [75] diptych with #64 | |
| Triptych: Saints Christoph, Maur and Gilles, The donor Guillaume Moreel with his five sons, protected by Saint Guillaume of Maleval, and The donor's wife Barbara van Vlaenderberch with their eleven daughters, protected by Saint Barbara (the so-called Moreel triptych) | 66 | Hans Memling / Hans Memling | Hans Memling | 1484 | Groeningemuseum | [76] | |
| Diptych of Maarten van Nieuwenhove | 67 | Hans Memling / Hans Memling | Hans Memling | 1487 | Old St. John's Hospital | [77] | |
| St. Ursula Shrine | 68 | Hans Memling / Hans Memling | Hans Memling | 1489 | Old St. John's Hospital | [78] | |
| Supplice of Saint Sebastian | 69 | Hans Memling / Hans Memling | Hans Memling | 1470s | Royal Museums of Fine Arts of Belgium | [79] | |
| Portrait of a man with an arrow | 70 | Hans Memling / Hans Memling | Hans Memling | 1478 | National Gallery of Art, Washington | [80] | |
| Right wing of a diptych: Portrait of a lady, part of Diptych of an elderly couple | 71 | Hans Memling / Hans Memling | Hans Memling | 1470 | Louvre | [81] | |
| Virgin and Child | 72 | Hans Memling / Hans Memling | Hans Memling | 1490 | National Museum of Art of Romania | [82] | |
| Right wing of a diptych: Portrait of a man from the Lespinette family | 73 | Hans Memling / Hans Memling | Hans Memling | 1480s | Mauritshuis | [83] | |
| Right wing of a polyptych: The donor and his son | 74 | Hans Memling / Hans Memling | Hans Memling | 1490 | National Museum of Art of Romania Brukenthal National Museum |
[84] | |
| Left wing of a polyptych: The donor's wife | 75 | Hans Memling / Hans Memling | Hans Memling | 1490 | National Museum of Art of Romania Brukenthal National Museum |
[84] | |
| The Jews demanding the condemnation of Christ | 76 | Hans Memling / Hans Memling | Unknown | 1485 | private collection | [85] | |
| Portrait of a young man at prayer | 77 | Hans Memling / Hans Memling | Hans Memling | 1475 | National Gallery | [86] | |
| Virgin and Child with an angel | 78 | Hans Memling / Hans Memling | Hans Memling | 1485 | Gemäldegalerie | [87] | |
| Virgin and Child with two angels | 79 | Hans Memling / Hans Memling | Hans Memling | 1479 | National Gallery of Art, Washington | [88] | |
| Nativity | 80 | Hans Memling / Hans Memling | Hans Memling | 1470 | Museum für Angewandte Kunst | [89] | |
| Virgin and Child with Saint Anthony and the donor | 81 | Hans Memling / Hans Memling | Hans Memling | 1472 | National Gallery of Canada | [90] | |
| Virgin and Child | 82 | Hans Memling / Hans Memling? | Hans Memling | 1485 | St Osyth's Priory | [91] | |
| Virgin and Child | 83 | Hans Memling / Hans Memling? | Unknown | 1480s | private collection | [92] | |
| Triptych: Christ and the angels | 84 | Hans Memling / Hans Memling | Hans Memling | 1489 | Royal Museum of Fine Arts Antwerp (KMSKA) | [93] | |
| Annunciation | 85 | Hans Memling / Hans Memling | Hans Memling | 1480 | Metropolitan Museum of Art | [94] | |
| Saint Jerome | 86 | Hans Memling / Hans Memling | Hans Memling | 1485 | Kunstmuseum Basel | [95] | |
| Three paintings: Saint Gregory's mass, Saint Michael and Saint Jerome | 87 | Hans Memling / Rogier van der Weyden, unknown painter from the school of | Master of the Legend of Saint Catherine | 1490s | Metropolitan Museum of Art | [96] | |
| Portrait of a man in a turban (formerly described as Portrait of Philip the Brave, Duke of Burgundy) | 88 | Petrus Christus / Unknown | Unknown | 1460s | Metropolitan Museum of Art | [97] | |
| Triptych: Virgin and Child, and two Angels playing music | 89 | Hans Memling / Unknown, start of the 16th century | Unknown | 1480s | private collection | [98] | |
| Saint James the Greater | 90 | Unknown / | Unknown | c. 1530 | 1902: collection Vincent Bareel; current location unknown | ||
| Christ being mourned by Mary, Saint John and Mary Magdalen | 91 | Hans Memling / Hans Memling | Hans Memling | 1485 | Doria Pamphilj Gallery | [99] | |
| Triptych: Christ being mourned by Mary, Saint John and Mary Magdalen, Saint Jacob Major and Saint Christopher | 92 | Hans Memling / Hans Memling | Hans Memling | 1480 | Museum Boijmans Van Beuningen | [100] | |
| Wings of a triptych: John the Baptist and Saint Jerome | 93 | Hans Memling / Adriaen Isenbrandt | Adriaen Isenbrandt | 1529 | Museum Catharijneconvent | [101] | |
| Virgin and Child | 94 | Rogier van der Weyden / Anonymous Brabant artist, 2nd half of the 15th century | Follower of Dirk Bouts | 1480 | Sold at Christie's London in 1998 for £95,000 | [102] | |
| Christ appears to the Virgin | 95 | Dieric Bouts / | Aelbrecht Bouts | 1490 | Nivaagaard | [103] | |
| Portrait of a Lady | 96 | Jan van Eyck(school of) / Rogier van der Weyden, school of | Rogier van der Weyden | private collection | [104] | ||
| Wings of a triptych: John the Baptist and John the Evangelist, and Saint Margarita and Saint Apollonia | 97 | Rogier van der Weyden / Rogier van der Weyden, school of | Unknown | private collection | [105] | ||
| Virgin and Child | 98 | Jan Van Eyck / Unknown, first half of the 16th century, Jan van Eeckele? | Jan Provoost | 1495 | Metropolitan Museum of Art | [106] | |
| Virgin and Child with inkwell | 99 | Unknown / Unknown, Bruges, last quarter of the 15th century | Master of the André Virgin | 1520 | Musée Jacquemart-André | [107] | |
| Left wing of a diptych: Portrait of Francis de Chateaubriand Presented by St. Maurice | 100 | Unknown / Jean Perréal | Jean Hey | 1500 | Kelvingrove Art Gallery and Museum | [108] | |
| Left wing of a diptych: A canon protected by Saint Jerome | 101 | Rogier van der Weyden / | Simon Marmion | 1475 | Philadelphia Museum of Art | [109] | |
| The Emperor surrounded by electors | 102 | School of Brabant / | Rogier van der Weyden | 1470s | Schloss Rohrau | [110] | |
| Portrait of Philip I of Castile | 103 | Unknown / | Master of the Story of Joseph | 1550s | Schloss Mosigkau | ||
| Portrait of Philip I of Castile | 104 | Unknown / Unknown | Unknown | 1525 | St. Salvator's Cathedral | ||
| Mater Dolorosa | 105 | Jan van Eeck / Jan van Eeckele, probably | Jan van Eeckele | 1490s | St. Salvator's Cathedral | [111] | |
| Episodes from the Life of Saint Bernhard | 106 | Jan van Eeck / Jan van Eeckele | Jan van Eeckele | 1450s | Musée des Beaux-Arts Tournai | ||
| Virgin and Child | 107 | Hugo van der Goes / Hugo van der Goes | Unknown | private collection | [112] | ||
| Portrait of a young lady | 108 | Unknown / Rogier van der Weyden | Rogier van der Weyden | 1460 | National Gallery of Art, Washington | [113] | |
| Wings of a triptych: The donor protected by Saint John l'Aumônier (right) and The donor's wife protected by Sainte Godelieve (left) | 109 | Unknown / Jan Provoost | Jan Provoost | 1520s | Groeningemuseum | Hulin was the first to recognise these as belonging to the same triptych as #157: these are the insides of the wings, the #157 were the outside of the wings (i.e. what one would see when the triptych was closed)[114] | |
| Wings of a triptych: David receives a message (right) and Salomon vitised by the Queen of Sheba (left) | 110 | Unknown / Unknown, Brabant? | Master of the legend of St. Barbara | 1480 | Metropolitan Museum of Art | [115] | |
| The Virgin appearing to Saint Ildefonso | 111 | Hans Memling / | Master of the Pacully collection | 1480 | private collection | [116] | |
| Triptych: Virgin and Child, Saint Catherine and Saint Barbara | 112 | Unknown / Unknown | Workshop of Quentin Metsys | 1510s | 1902: Holy Cross Church (called Jerusalem Church), Bruges; Adornesdomein | ||
| Virgin and Child | 113 | Unknown / Rogier van der Weyden, school of | Unknown | 1470s | Museum Mayer van den Bergh | [117] | |
| Virgin and Child surrounded by angels | 114 | Unknown / | Master of the Legend of Saint Lucy | 1500 | Royal Museums of Fine Arts of Belgium | [118] | |
| Saint Luc paints the Virgin and Child | 115 | Unknown / Dieric Bouts | Unknown | 1500 | National Trust | [119] | |
| Saint Luke Drawing the Virgin | 116 | Unknown / Rogier van der Weyden or old copy after | Rogier van der Weyden | 1435 | Museum of Fine Arts | [120] | |
| Transfiguration | 117 | Unknown / Gerard David, school of | Gerard David | 1520 | Church of Our Lady, Bruges | [121] | |
| Diptych: Virgin and Child (right) and Chrétien de Hondt, 30th abbot of Notre Dames des Dunes (Ter Duinen) (left) | 118 | Unknown / Unknown, Bruges, 1499, and other unknown, Bruges, after 1519 | Master of 1499 | 1499 | Royal Museum of Fine Arts Antwerp (KMSKA) | [122] | |
| Predella of a retable: The taking of Jerusalem | 119 | Gerard van der Meire / Unknown, Ghent, c. 1480 | Justus van Gent | 1500 | Museum of Fine Arts, Ghent | [123] | |
| Calvary | 120 | Unknown, 1500 / Unknown, Bruges, c. 1500 | Unknown | 1500 | St. Salvator's Cathedral | [124] | |
| Descent from the Cross, with the donor protected by Saint Peter and Saint Paul | 120.1 | Unknown, 1500 / | Rogier van der Weyden | 1460 | Mauritshuis | [125] | |
| Judgement of Cambyses | 121 | Gerard David / Gerard David | Gerard David | 1498 | Groeningemuseum | [126] | |
| Judgment of Cambyses: the flaying of Sisamnes | 122 | Gerard David / Gerard David | Gerard David | 1498 | Groeningemuseum | [127] | |
| Triptych: Baptism of Christ, The donor protected by John the Evangelist, and The first wife of the donor protected by Saint Elisabeth | 123 | Gerard David / Gerard David | Gerard David | 1502 | Groeningemuseum | [128] | |
| Virgin and Child, surrounded by angels and virgin saints | 124 | Gerard David / Gerard David | Gerard David | 1509s | musée des beaux-arts de Rouen | [129] | |
| Triptych: Saint Anne with the Virgin and Child, Saint Nicolas, and Saint Anthony of Padua | 125 | Gerard David / Gerard David | Unknown | 1510s | National Gallery of Art, Washington | [130] | |
| Triptych: Descent from the Cross | 126 | Gerard David / Master of the Holy Blood | Master of the Holy Blood | 1510s | Basilica of the Holy Blood | [131] | |
| Dead Christ | 127 | Gerard David / Master of the Holy Blood | Gerard David | c. 1530 | 1902: Collection Bethune, Bruges; current location unknown | ||
| Annunciation | 128 | Gerard David / Gerard David | Gerard David | 1506 | Metropolitan Museum of Art | [132][133] | |
| The preaching of John the Baptist and The Baptism of Christ | 129 | Gerard David / | Simon Bening | 1510 | Groeningemuseum | [134] | |
| Triptych: Virgin and Child, Saint Catherine and Saint Barbara | 130 | Cornelia Cnoop / unknown, traditionallyCornelia Cnoop | Simon Bening | 1520 | Museum of Fine Arts | [135] | |
| The descent of the Holy Spirit on Pentecost (miniature) | 131 | Gerard David, school of / Gerard David(school of) | Unknown | 1480 | Fitzwilliam Museum | [136] | |
| Virgin and Child | 132 | Unknown / Unknown, Flanders, probably Bruges | Unknown | c. 1530 | 1902: Collection of the Earl of Crawford, London; current location unknown | ||
| Virgin and Child | 133 | Gerard David / Unknown, Flanders, probably Bruges | Unknown | 1495 | Minneapolis Institute of Art | [137] | |
| Two wings of a polyptych: John the Baptist (right) and Vision of Saint Francis (left) | 134 | Gerard David / Gerard David | Gerard David | 1490s | Metropolitan Museum of Art | [138] | |
| Adoration of the Magi | 135 | Unknown / Gerard David | Gerard David | 1490 | Royal Museums of Fine Arts of Belgium | [139] | |
| Adoration of the Magi | 136 | Unknown / Unknown, c. 1520–1530 | Unknown | 1510s | Groeningemuseum | [140] | |
| Ecce Homo | 137 | Jeroen Bosch / Jeroen Bosch | Hieronymus Bosch | 1495s | Städel | [141] | |
| Wing of a triptych: Saint Francis of Assisi and Saint Jerome | 138 | Unknown / Gerard David | Unknown | 1510s | Gemäldegalerie | [142] | |
| Virgin and Child | 139 | Gerard David / Gerard David, school of | Gerard David | c. 1530 | 1902: Suermondt Museum, Aken; current location unknown | ||
| Virgin and Child | 140 | Dieric Bouts / Hans Memling, follower | Unknown | 1487 | Metropolitan Museum of Art | [143] | |
| Right wing of a triptych: John the Baptist, Mary Magdalen and the donor | 141 | Master of the Assumption / Aelbrecht Bouts | Aelbrecht Bouts | 1500 | Rheinisches Landesmuseum Bonn | [144] | |
| Left wing of a triptych: Saint Andreas, Saint Catherine, and the donor | 142 | Master of the Assumption / Aelbrecht Bouts | Aelbrecht Bouts | 1500 | Rheinisches Landesmuseum Bonn | [144] | |
| Portrait | 143 | Rogier van der Weyden / Unknown, c. 1480–1490 | Master of the View of Ste-Gudule | 1480 | Metropolitan Museum of Art | [145] | |
| Virgin and Child | 144 | Rogier van der Weyden / Rogier van der Weyden, unknown imitator of | Unknown | 1530 | private collection | ||
| Virgin and Child, surrounded by virgin saints | 145 | Gerard David / Adriaen Isenbrant | Adriaen Isenbrandt | 1530 | private collection | [146] | |
| Portrait of an unknown man | 146 | Petrus Christus / Unknown, Bruges, 1510–1525 | Master of the Brandon Portrait | 1510 | Mauritshuis | ||
| Saint Romold leaves his parents | 147 | Gerard David / Unknown, Bruges?, c. 1500 | Unknown | 1490 | National Gallery of Ireland | [147] | |
| Right wing of a diptych: The donor protected by Saint Clement | 148 | Unknown / Unknown, Franco-Flemish, c. 1475 | Follower of Simon Marmion | Late 1480s | National Gallery | [148] | |
| Eternal father | 149 | Jan van Eyck(school of) / Gerard David? | Gerard David | 1506 | Louvre | [149] | |
| Saint Francis of Assisi turns his back to the world | 150 | Jan Gossaert / Unknown, Bruges, possible Jan Provoost | Unknown | 1510 | Philadelphia Museum of Art | [150] | |
| The Virgin appears to Saint Ildefonso | 151 | Unknown / Adriaen Isenbrandt | Adriaen Isenbrandt | 1500 | Carnegie Museum of Art | [151] | |
| Virgin and Child | 152 | Unknown / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530 | Rijksmuseum | [152] | |
| Virgin and Child | 153 | Unknown / Adriaen Isenbrandt, imitator of | Unknown | c. 1530 | 1902: collection Visart de Bocarmé, Bruges; current location unknown | ||
| Virgin and Child near a fountain | 154 | Jan Gossaert / Bernard van Orley? | Bernard van Orley | 1518 | Kelvingrove Art Gallery and Museum | [153] | |
| Triptych: Virgo Deipara, Vision of the Ara Caeli, and Vision of Saint John on Pathmos | 155 | Unknown / Master of the Holy Blood, c. 1510 | Master of the Holy Blood | 1510 | St. James Church | ||
| Saint Gregory's Mass | 156 | Unknown / Rogier van der Weyden, copy or imitator | Robert Campin Master of Flémalle Rogier van der Weyden |
1440 | Royal Museums of Fine Arts of Belgium | [16][154] | |
| Diptych: Death and the miser | 157 | Unknown / Jan Provoost | Jan Provoost | 1520s | Groeningemuseum | [155] | |
| Virgin and Child, Saint Jacob Major, Saint Barbara, and the donor protected by Saint Peter | 158 | Unknown / Unknown, early 16th century | Master of Frankfurt | 1505 | Queensland Art Gallery | [156] | |
| Saint Anna, the Virgin and Child, Saint Augustinus and Saint Jerome | 159 | Justus van Gent / Unknown, early 16th century | Justus van Gent | c. 1530 | 1902: collection C. Davis, London; current location unknown | ||
| The donor Antonio Siciliano protected by Saint Antonius | 160 | Jan van Eyck / Unknown, Antwerp?, painting in Italy early 16th century, Jan Gossaert? | Jan Gossaert | 1508 | Doria Pamphilj Gallery | [157] | |
| Portrait (possibly Floris van Egmond) | 161 | Jan Gossaert / Jan Gossaert | Unknown | 1520s | private collection | [158] | |
| Diptych: Virgin and Child and Portrait of Willem van Bibaut | 162 | Unknown, c. 1520 / | Master of Willem van Bibaut Master of the Legend of the Magdalen |
1523 | private collection | [159] | |
| Polyptych: Death of the Virgin, Presentation of the Virgin, Annunciation, Visitation, Nativity, Presentation in the Temple and Adoration of the Magi | 163 | Bernard van Orley / Bernard van Orley or his workshop | Bernard van Orley | 1520 | Musée de l'Assistance Publique, Brussels | [160] | |
| King Sapor of Persia humiliating Emperor Valerian | 164 | Bernard van Orley / Bernard van Orley, attributed? | Unknown | 1520 | Worcester Art Museum | [161] | |
| Wings of a triptych: Mary Magdalene" and "Saint Mary of Egypt | 165 | Unknown / Quentin Matsys, style of | Quentin Matsys | 1515 | Philadelphia Museum of Art | [162] | |
| Virgin and Child | 166 | Joachim Patinir / Unknown, Bruges, c. 1540–1550 | Joachim Patinir | c. 1530 | 1902: collection Gustave Dreyfus, Paris; current location unknown | ||
| Last Judgment | 167 | Jan Provoost / Jan Provoost | Jan Provoost | 1525 | Groeningemuseum | [163] | |
| Last Judgment | 168 | Jan Provoost / Jan Provoost | Jan Provoost | 1500 | Kunsthalle Hamburg | [16][164] | |
| Last Judgment | 169 | School of Bruges, 15th century / Jan Provoost | Jan Provoost | 1500 | Fogg Museum | [165] | |
| Central panel of a triptych: Crowning of the Virgin | 170 | Albert Cornelis / Albert Cornelis | Albert Cornelis | 1520 | St. James Church | [166] | |
| Saint Bruno retiring to the Chartreuse | 171 | Unknown / Unknown, Bruges, third quarter of the 15th century | Unknown | 1500s | 1902: collection of baron Bethune, Bruges; current location unknown | ||
| Saint Jerome | 172 | Gerard David / Gerard David | Unknown | 1501 | National Gallery | [167] | |
| Virgin and Child | 173 | Unknown / Unknown, Bruges, c. 1480–1490 | Master of the (Bruges) Legend of St. Ursula | 1488 | Suermondt-Ludwig-Museum | [168] | |
| Triptych: Virgin and Child, Saint Catherine and Saint Barbara | 174 | Unknown / Master of the Legend of the Magdalen | Master of the Legend of the Magdalen | 1500 | Museum Mayer van den Bergh | [169] | |
| Wings of a triptych: The donor protected by Saint Andreas (right) and The donor's wife protected by Saint Catherine | 175 | Unknown / Unknown, Bruges, c. 1520 | Unknown | 1550s | 1902: collection De Somzée, Brussels; current location unknown | ||
| Polyptych: The Eternal Father surrounded by angels, Death, Hell, Vanity, Skull, and some heraldic weapons | 176 | Hans Memling / Hans Memling | Hans Memling | 1485 | Musée des Beaux-Arts de Strasbourg | [170] | |
| Triptych: Virgin and Child, and two Angels playing music | 177 | Unknown / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530 | At auction in 2016 at Dumouchelles in Detroit for $250,000 | [171][172] | |
| Mater Dolorosa | 178 | Unknown, c. 1530 / Adriaen Isenbrandt | Adriaen Isenbrandt | 1520 | Church of Our Lady, Bruges | [173] | |
| Right wing of a diptych: The donors Joris van de Velde and Barbara Le Marie and their children protected by Saint George and Saint Barbara | 179 | Unknown, c. 1530 / Adriaen Isenbrandt | Adriaen Isenbrandt | 1520 | Church of Our Lady, Bruges | [174] | |
| Wings of a triptych: The donor protected by John the Evangelist (right) and The donor's wife protected by Saint Barbara (left) | 180 | Jan Mostaert / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530s | Richard von Kaufmann | [175] | |
| Left wing of a diptych: A female donor protected by Mary Magdalen | 181 | Unknown / Jean Perréal | Jean Hey | 1490 | Louvre | [176] | |
| Mary Magdalen in a landscape | 182 | Jan Mostaert / Adriaen Isenbrandt | Adriaen Isenbrandt | 1510 | National Gallery | [177] | |
| Virgin and Child, the donor and his family | 183 | Master of the Seven Sorrows / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530s | Gallery Van Diemen in 1967, current location unknown | [178] | |
| Triptych: Presentation of Christ, The donor Philip Wielant protected by Saint Philip, and The donor's wife Jeanne van Halewyn protected by John the Evangelist | 184 | Master of the Seven Sorrows / Adriaen Isenbrandt | Unknown | 1510 | St. Salvator's Cathedral | [179] | |
| Saints Andreas, Michael, and Franciscus, and the Calvary | 185 | Gerard David / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530s | Museum of Fine Arts, Budapest | [180] | |
| Calvary | 186 | Unknown / Unknown | Unknown | 1490s | National Gallery in Prague | [181] | |
| Saint Luc | 187 | Master of the Seven Sorrows / Adriaen Isenbrandt | Unknown | 1530s | private collection | [182] | |
| Mary Magdalen | 188 | Jan Mostaert / Adriaen Isenbrandt | Adriaen Isenbrandt | 1530s | Palazzo Doria-Pamphilj | [183] | |
| Diptych: Christ carrying the cross (right) and Portrait of a minor brother (left) | 189 | Unknown / Jan Provoost | Jan Provoost | 1522 | Old St. John's Hospital | [184] | |
| Portrait of a canon | 190 | Quentin Matsys / Quentin Matsys | Quentin Matsys | 1510s | Liechtenstein Museum Eugène Secrétan |
[185] | |
| Triptych: Adoration of the Magi, The Descent of the Holy Spirit on Pentecost, and The glorious Virgin | 191 | Jan Gossaert / Unknown, Brabant c. 1520, certainly not by Gossaert | Jan Gossaert | 1500s | private collection | [186] | |
| Triptych: Saint Catherine and the philosophers | 192 | Jan Gossaert / Unknown, Brabant, c. 1520 | Goswin van der Weyden | 1510 | Southampton City Art Gallery | [187] | |
| Saviour | 193 | Unknown / Jan Provoost, school of | Unknown | 1490 | 1902: Saint Gilles Church, Bruges; current location unknown | ||
| Mater Dolorosa | 194 | Unknown / Jan Provoost, school of | Unknown | 1490 | 1902: Saint Gilles Church, Bruges; current location unknown | ||
| Triptych: Virgin and Child, John the Baptist and Saint Jerome | 195 | Pieter Pucheel / Adriaen Isenbrandt | Adriaen Isenbrandt | c. 1530 | 1902: collection Baron Bethune, Bruges; current location unknown | ||
| Christ at Emmaüs | 196 | Jan van Hemessen / Unknown, 16th century | Unknown | 1530 | Private collection | [188] | |
| Wings of a triptych: Scenes from the legends of Saint Anthony and Saint Paul | 197 | Unknown / Unknown, Flanders, first half of the 16th century | Lancelot Blondeel | 1530 | City Archive, Nieuwpoort | [189] | |
| Christ on the cross, the Virgin and Saint John | 198 | Joachim Patinir / Quentin Matsys | Quentin Matsys | 1520 | National Gallery of Canada | [190] | |
| Triptych: Rest on the Flight to Egypt, John the Baptist and Saint Cornelius | 199 | Joachim Patinir / Joachim Patinir | Joachim Patinir | 1516 | private collection | Damaged by fire in 1904.[191] | |
| Rest on the flight to Egypt | 200 | Joachim Patinir / Joachim Patinir | Joachim Patinir | 1515 | Thyssen-Bornemisza Museum | [192] | |
| The miraculous fishing | 201 | Joachim Patinir / Jan van der Elburcht | Unknown | 1520 | Wadsworth Atheneum | [193] | |
| Rest on the flight to Egypt | 202 | Unknown / | Unknown | c. 1530 | 1902: for sale at Colnaghi, London; current location unknown | ||
| Saint Jerome | 203 | Joachim Patinir / Joachim Patinir, school of | Joachim Patinir | c. 1530 | 1902: collection De Meester, Bruges; current location unknown | ||
| Saint Jerome | 204 | Joachim Patinir / Joachim Patinir, school of | 1902: collection Helbig, Liège; current location unknown | ||||
| Saint Jerome | 205 | C N A, 1547 / CNA or CMA, 1547 | Cornelis Massijs | 1547 | Royal Museum of Fine Arts Antwerp (KMSKA) | [194] | |
| Holy Trinity | 206 | Master of Flémalle / Master of Flémalle | Rogier van der Weyden | 1430s | M - Museum Leuven | [195] | |
| The preaching of a saint | 207 | Unknown / Unknown, 15th century | 1902: Musée des Beaux-Arts Tournai; current location unknown | ||||
| The glory of the Virgin | 208 | Unknown / Unknown, Bruges, second quarter of the 16th century | Albert Cornelis | 1515 | Brighton Museum & Art Gallery | [196] | |
| Virgin and Child | 209 | Gerard David / Gerard David, workshop of | Unknown | 1510 | Musée des Beaux-Arts de Strasbourg | [197] | |
| Virgin and Child | 210 | Unknown / Unknown, early 16th century | Master of the Khanenko Adoration | 1490s | Schloss Mosigkau | [198] | |
| Virgin and Child | 211 | Joachim Patinir / Joachim Patinir? | Unknown | 1530s | Sold at Galerie Fischer in Luzern in 1987, current location unknown | [199] | |
| Virgin and Child | 212 | Joachim Patinir / Adriaen Isenbrandt, school of | Adriaen Isenbrandt | 1520s | Museum of Fine Arts, Ghent | [200] | |
| Three angels | 213 | Master of Flémalle / Unknown, first half of the 16th century | 1902: collection Charles-Léon Cardon, Brussels; current location unknown | ||||
| The deposition | 214 | Rogier van der Weyden / Unknown, end of the 15th century | Adriaen Isenbrandt | 1480s | Ashmolean Museum | ||
| Virgin and Child | 215 | Hans Memling / Hans Memling, school of, possiblyPasschier van der Mersch? Probably same artist as #140 above | Unknown | 1490s | Metropolitan Museum of Art | [201] | |
| Virgin and Child | 216 | Hans Memling / Unknown | 1902: collection Simkens, Antwerp; current location unknown | ||||
| Portrait | 217 | Gerard David / | Master of the Brandon Portrait | 1515 | Gemäldegalerie | ||
| The Virgin embracing the head of the dead Christ | 218 | Gerard David or workshop | Gerard David | 1510s | private collection | [202] | |
| John the Baptist (grisaille) | 219 | Unknown / Dieric Bouts, school of | Unknown | 1480 | Cleveland Museum of Art | [203] | |
| Sibylle Persane | 220 | Jan Mostaert / Ambrosius Benson | Ambrosius Benson | 1430s | private collection | [204] | |
| Portrait of a young women as Mary Magdalen | 221 | Jan Gossaert / Jan Gossaert orBernard van Orley | Jan Gossaert | 1530 | Royal Museums of Fine Arts of Belgium | [205] | |
| Portrait of a lady | 222 | Hans Memling / Unknown, c. 1540–1550 | 1902: collection Emile Pacully, Paris; current location unknown | ||||
| Portrait of Justus van Bronckhorst | 223 | Unknown / Jan Mostaert | Jan Mostaert | 1520 | Petit Palais | [206] | |
| Portrait of Margaretha of Austria | 224 | Jan Gossaert / Bernard van Orley | Bernard van Orley | 1520 | private collection | [207] | |
| Hercules and Antaeus | 225 | Jan Gossaert / Jan Gossaert | Unknown | 1523 | private collection | [208] | |
| Portrait of Richard III of England | 226 | Unknown / Unknown, English | 1902: collection Charles-Leon Cardon, Brussels; current location unknown | ||||
| Backside of the wing of a triptych: The prophet Elia and the widow of Sarepta | 227 | Unknown / Unknown, Bruges, c. 1510–1520 | Unknown | 1515 | Groeningemuseum | [209] | |
| Holy Family | 228 | Unknown / | 1902: collection of Count d'Oultremont, Brussels; current location unknown | ||||
| Virgin and Child | 229 | Unknown / | 1902: collection C. Baus, Ypres; current location unknown | ||||
| John the Baptist | 230 | Unknown / Unknown, first half of the 16th century | 1902: at Colnaghi, London; current location unknown | ||||
| Portrait of a lady | 231 | Unknown / Unknown, French, c. 1475? | 1902: collection Somzée, Brussels; current location unknown | ||||
| Portrait of a man | 232 | Unknown / Unknown, Dutch, c. 1520 | 1902: collection of Count Harrach, Vienna; current location unknown | ||||
| Wing of a retable: Nativity | 233 | Herri met de Bles / Herri met de Bles | Jan de Beer | 1520 | Barber Institute of Fine Arts | [210] | |
| Saint Christopher | 234 | Herri met de Bles / Unknown, first half of the 16th century | Master of Frankfurt | 1520s | National Gallery in Prague | [211] | |
| Rest of the Holy Family | 235 | Marcellus Coffermans / Marcellus Coffermans | Marcellus Coffermans | 1560s | private collection | [212] | |
| Triptych; Christ on the cross, the Virgin and Saint John | 236 | Joachim Patinir / | 1902: collection Stowe, Buckingham; current location unknown | ||||
| Christ with the crown of thorns | 237 | Master of the Assumption / Unknown, School of Leuven, end of the 15th century | 1902: collection Götz Martius, Kiel; current location unknown | ||||
| Christ | 238 | Quentin Matsys / Dieric Bouts or workshop | Aelbrecht Bouts | 1490 | 1902: collection Somzée, Brussels; current location unknown | [213] | |
| Christ | 239 | Quentin Matsys / | 1902: collection Peyralbe, Brussels; current location unknown | ||||
| Saint Jerome | 240 | Jan Matsys / Unknown, second quarter of the 16th century | 1902: collection Peyralbe, Brussels; current location unknown | ||||
| Judith with the head of Holophernes | 241 | Jan Matsys / Jan Matsys | Jan Matsys | 1543 | Museum of Fine Arts | [214] | |
| Portrait of a man | 242 | Marinus van Reymerswaele / Unknown, Dutch, second quarter of the 16th century | Unknown | 1530s | Philadelphia Museum of Art | [215] | |
| Holy Family | 243 | Unknown / Jan Matsys | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | ||||
| Christ mourned by his mother and the holy women | 244 | Unknown / Cornelis Engebrechtsz. | Unknown | 1540s | private collection | [216] | |
| Pieta | 245 | Unknown / Unknown, Dutch, end of the 15th century | Master of the Virgo inter Virgines | 1480s | 1902: collection Le Roy, Paris; current location unknown | ||
| Adoration of the Magi | 246 | Unknown / Unknown, Bruges, c. 1520 | Simon Bening | 1520s | Louvre | [217] | |
| A Saint | 247 | Unknown / Unknown, German | 1902: collection Bequet, Namur; current location unknown | ||||
| Head of Christ | 248 | Quentin Matsys / | 1902: collection Bequet, Namur; current location unknown | ||||
| Front and back of the wings of a triptych: The Easter Lamb, The celestial manna, David dansing in front of the arch, Christ at Emmaüs | 249 | Gillis van Coninxloo / Not in exposition | Église de Saint Sauveur, Bruges | According to Hulin, this panel was not in the exposition | |||
| Part of a triptych: Saint Nicolas of Tolentin | 250 | Unknown / Unknown, Bruges | Pieter Pourbus | 1560s | Groeningemuseum | [209] | |
| Saint Catherine | 251 | Unknown / Unknown, c. 1520–1530 | 1902: collection Van Speybrouck, Bruges; current location unknown | ||||
| Christ with the crown of thorns | 252 | Unknown / Unknown, School of Leuven, fourth quarter of the 15th century | Aelbrecht Bouts | 1490 | private collection | [218] | |
| Mater Dolorosa | 253 | Unknown / Unknown, School of Leuven, fourth quarter of the 15th century | Aelbrecht Bouts | 1490 | private collection | [219] | |
| The miraculous fishing | 254 | Jan Rombouts I / Jan Rombouts I | Jan Rombouts I | M - Museum Leuven | [220] | ||
| Calvary | 255 | Geertgen tot Sint Jans / Unknown, Dutch, c. 1510 | 1902: collection Glitza, Hamburg; current location unknown | ||||
| Institution of the devotion of the rosary | 256 | Unknown / | 1902: collection Turner, London; current location unknown | ||||
| Portrait of a man | 257 | Lucas van Leyden / Lucas van Leyden | Aertgen van Leyden | 1530 | Thyssen-Bornemisza Museum | [221] | |
| Portrait of Agatha van Schoonhoven, 1568 | 258 | Jan van Scorel / Jan van Scorel? | Unknown | 1568 | private collection | [222] | |
| Self portrait | 259 | Rogier van der Weyden / Joos van Cleve | Joos van Cleve | 1519 | Thyssen-Bornemisza Museum | [223] | |
| Triptych: Holy Family, Saint Catherine and Saint Barbara | 260 | Master of the Death of the Virgin / Master of the Holy Blood | Master of the Holy Blood | 1510s | Kunsthalle Hamburg | [16][224][225] | |
| The martyrdom of Saint Matthew | 261 | Unknown / Unknown, German | 1902: collection Oesterrieth-Mols, Antwerp | ||||
| Pieta | 262 | Barthel Bruyn the Elder / Unknown, c. 1520 | 1902: at Sedelmeyer, Paris; current location unknown | ||||
| A concert | 263 | Master of the Female Half-Lengths / Master of the Female Half-Lengths | Master of the Female Half-Lengths | ca. 1530 | Schloss Rohrau | [226] | |
| Rest in Egypt | 264 | Master of the Female Half-Lengths / Master of the Female Half-Lengths | 1902: at Colnaghi, London; current location unknown | ||||
| A lady writing a letter | 265 | Master of the Female Half-Lengths / Master of the Female Half-Lengths | Master of the Female Half-Lengths | 1520s | private collection | [227] | |
| Rest in Egypt | 266 | Master of the Female Half-Lengths / Master of the Female Half-Lengths | Master of the Female Half-Lengths | 1510s | private collection | [228] | |
| Wings of a triptych: Annunciation (right) and Visitation (left) | 267 | Gerard David / | 1902: collection of Count of Harrach, Vienna; current location unknown | ||||
| Virgin and Child | 268 | Gerard David / Gerard David or workshop | Collection of Baron of Bethune, Bruges; current location unknown | ||||
| Virgin and Child | 269 | Dieric Bouts / Dieric Bouts? or workshop? | 1902: collection of Count Pourtalès, The Hague; current location unknown | ||||
| Triptych: Descent from the Cross, Crown of thorns and Ecce Homo | 270 | Master of Oultremont / Jan Mostaert | Jan Mostaert | 1520s | Royal Museums of Fine Arts of Belgium | [229] | |
| Descent from the cross | 271 | Quentin Matsys / Unknown, first half of the 16th century | 1902: collection Novak, Prague; current location unknown | ||||
| Triptych: Herodias receives the head of John the Baptist | 272 | Lucas van Leyden / Unknown, c. 1520, imitator of Lucas van Leyden? | Lucas van Leyden | 1550s | 1902: collection Somzée, Brussels; current location unknown | ||
| Head of Family at the Chateau of Rumbeke | 273 | Unknown / Unknown, Flemish, c. 1535 | Master of the Female Half-Lengths | 1530s | private collection | [230] | |
| Triptych; Carrying the cross, Calvary and Resurrection | 274 | Unknown / Unknown, Bruges, c. 1520–1530, in the style of Herri met de Bles | Master of 1518 | 1510s | Basilica of the Holy Blood | [231] | |
| Triptych: Virgin and Child, Saint Catherine and Saint Barbara, The donor protected by John the Baptist and The donor's wife protected by Saint Catherine | 275 | Unknown / Unknown, Bruges, c. 1530 | Unknown | 1500 | Museo de Arte de Ponce | [232] | |
| Annunciation | 276 | Master of the Death of Mary / Joos van Cleve | Joos van Cleve | 1525 | Metropolitan Museum of Art | [233] | |
| Salomon visited by the Queen of Sheba and David refuses to drink the water of Bethlehem | 277 | Jan van Eyck / Herri met de Bles | 1902: collection of Countess de Pourtalès, Paris; current location unknown | ||||
| Virgin and Child | 278 | Quentin Matsys / Quentin Matsys, pupil of, perhaps his sonJan Matsys | Unknown | 1540 | Metropolitan Museum of Art | [234] | |
| Crown of thorns | 279 | Bernard van Orley / Unknown, second quarter of the 16th century | Bernard van Orley | 1530s | Lower Saxony State Museum | [235] | |
| Carrying the cross | 280 | Bernard van Orley / Unknown, second quarter of the 16th century | Bernard van Orley | 1530s | Oriel College | [236] | |
| Triptych: Virgin and Child, Saint Peter protects two man and a little girl, and Mary Magdalen protects two women and a girl | 281 | Jacob Cornelisz van Oostsanen / Jacob Cornelisz van Oostsanen | 1902: collection Miethke, Vienna; current location unknown | ||||
| Episode from the Legend of Mary Magdalen | 282 | Unknown / Master of the Legend of the Magdalen | Master of the Legend of the Magdalen | 1520s | Bode Museum | [237] | |
| Preaching of Mary Magdalen | 283 | Unknown / Master of the Legend of the Magdalen | Master of the Legend of the Magdalen | 1515 | Philadelphia Museum of Art | [238] | |
| Frame of an horloge | 284 | Quentin Matsys / Unknown, Leuven, c. 1500 | Unknown | 1500s | M - Museum Leuven | ||
| Christ Carrying the Cross | 285 | Hieronymus Bosch / Hieronymus Bosch | Hieronymus Bosch | 1510s | Museum of Fine Arts, Ghent | [239] | |
| Christ in Limbo | 286 | Hieronymus Bosch / Jan Mandijn? | 1510 | 1902: collection of Count Harrach, Vienna; current location unknown | |||
| The temptation of Saint Anthony and Flemish Proverbs | 287 | Hieronymus Bosch / Hieronymus Bosch, after | Unknown | 1500s | private collection | [240] | |
| Last Judgment | 288 | Hieronymus Bosch / Hieronymus Bosch, unknown imitator of | Unknown | 1500s | private collection | [241] | |
| Garden of earthly delights | 289 | Hieronymus Bosch / Hieronymus Bosch, after | Unknown | 1550s | Germanisches Nationalmuseum | [242] | |
| Left wing of a diptych: The donor Margareta van Metteneye protected by Saint Margarita | 290 | Lancelot Blondeel / Lancelot Blondeel | Lancelot Blondeel | 1525 | Groeningemuseum | [243] | |
| Scenes from the legend of Saints Cosmas and Damian | 291 | Lancelot Blondeel / Lancelot Blondeel | Unknown | 1523 | St. James Church | [244] | |
| Saint Luc painting the Virgin and Child | 292 | Lancelot Blondeel / Lancelot Blondeel | Lancelot Blondeel | 1545 | Groeningemuseum | [245] | |
| Madonna with the patron saints of the guild of painters of Bruges | 293 | Lancelot Blondeel / Lancelot Blondeel | Lancelot Blondeel | 1545 | St. Salvator's Cathedral | [246] | |
| Christ healing the sick | 294 | Lucas Gassel / Lucas Gassel | 1538 | Sale from Weber collection, 1912: current location unknown | [16] | ||
| Vocation of Saint Matthew | 295 | Marinus van Reymerswaele / Marinus van Reymerswaele | Marinus van Reymerswaele | 1530 | Thyssen-Bornemisza Museum | [247] | |
| Saint Jerome | 296 | Marinus van Reymerswaele / Marinus van Reymerswaele | Marinus van Reymerswaele | 1541 | Royal Museum of Fine Arts Antwerp (KMSKA) | [248] | |
| Portrait of Otto Stochove | 297 | Unknown / Unknown, dated 1542 | Ambrosius Benson | 1542 | Groeningemuseum | [249] | |
| Portrait of Pierre Lootyns, 1557 | 298 | Unknown / Unknown, Bruges, dated 1557 | Unknown | 1557 | St. Salvator's Cathedral | ||
| Portrait of Jean Fernagant | 299 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1551 | Groeningemuseum | [250] | |
| Portrait of Jacquemyne Buuck | 300 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1551 | Groeningemuseum | [251] | |
| Triptych: Lady of Sorrows, The donor protected by Saint Josse and The donor's wife protected by Saint Catherine | 301 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1556 | St. James Church | [252] | |
| Wings of a triptych: Portraits of the members of the Brotherhood of the Holy Blood | 302 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1556 | Basilica of the Holy Blood | [253] | |
| Triptych: Last Supper, Meeting of Abraham and Melchidesek and Elia under the juniper tree | 303 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1559 | St. Salvator's Cathedral | [254] | |
| Portrait of Pierine Hellinc | 304 | Pieter Pourbus / Pieter Pourbus | 1902: collection Coppieters 't Wallant, Bruges; current location unknown | ||||
| Wings of a triptych: Saint Anthony (right) and Abbot Antonius Wydoot (left) | 305 | Pieter Pourbus / Pieter Claeissens the Elder? | Pieter Claeissens the Elder | 1560s | Groeningemuseum | [255] | |
| Portrait of a man | 306 | Pieter Pourbus / Pieter Pourbus | Pieter Pourbus | 1574 | private collection | [256] | |
| Wings of a polyptych: Episodes of the Legend of Saint George | 307 | Unknown / Unknown, Bruges, c. 1490 | Unknown | 1500s | Groeningemuseum | [257] | |
| Legend of Saint George | 308 | Lancelot Blondeel / Lancelot Blondeel | Lancelot Blondeel | 1540 | Groeningemuseum | [258] | |
| Portrait of Robrecht Holman | 309 | Antoine Claeis / Pieter Claeissens the Elder? | Unknown | 1571 | 1902: Seminary, Bruges; current location unknown | ||
| The Saviour adored by Robert Holman, abbot of Ter Duinen | 310 | Gilles Claeis / Gilles Claeis? | Pieter Claeissens the Elder | 1565 | private collection | [259] | |
| Vision of Saint Bernard | 311 | Antoine Claeis / | Antoon Claeissens | 1608 | St. Salvator's Cathedral | ||
| Patron Saints of the guild of farmers, poultry merchants and dairies | 312 | Unknown, 1574 / Lancelot Blondeel, imitator of, probablyAntuenis Claeis | Pieter Claeissens | 1574 | Groeningemuseum | [260] | |
| Portraits: three men | 313 | Frans Pourbus / Frans Pourbus? | 1902: collection Verhaeghen, Merelbeke; current location unknown | ||||
| The flagellation | 314 | Unknown / Unknown, Brussels, c. 1510–1520 | Master of the Beighem Altarpiece | 1520s | Beigem | [261] | |
| Ecce Homo | 315 | Unknown / Unknown, Brussels, c. 1510–1520; same artist as 314 | Master of the Beighem Altarpiece | 1520s | Beigem | [261] | |
| Calvary | 316 | Unknown / Unknown, Brussels, c. 1510–1520; same artist as 314 | Master of the Beighem Altarpiece | 1520s | Beigem | [261] | |
| Resurrection | 317 | Unknown / Unknown, Brussels, c. 1510–1520; other artist than 314-316 | Master of the Beighem Altarpiece | 1520s | Beigem | [261] | |
| Wings of a triptych: Doctors of the Church | 318 | Unknown / Unknown, Antwerp? or Guelders?, c. 1510? | Unknown | 1510 | private collection | [262] | |
| Last Supper | 319 | Unknown / Unknown, France | Unknown | 1490s | Art Institute of Chicago | [263] | |
| Saint Hugh of Lincoln | 320 | Unknown / Unknown, France | Unknown | 1490s | Art Institute of Chicago | [264] | |
| Episode of the Legend of Saint George | 321 | Unknown / Unknown, School of Avignon, first half of the 15th century | Bernat Martorell | 1435s | Louvre | [265] | |
| Portrait of a man | 322 | Lucas van Leyden / Unknown, Italian (Lombard?), date unknown | Unknown | 1525 | Metropolitan Museum of Art | [266] | |
| Adoration of the magi | 323 | Rogier van der Weyden / Unknown, Flanders, c. 1500 | Justus van Gent | 1490s | private collection | [267] | |
| Agony in the garden | 324 | Joachim Patinir / Unknown, c. 1515 | 1902: collection S. Röhrer, Munich; current location unknown | ||||
| Pieta | 325 | Petrus Christus / Petrus Christus | Petrus Christus | 1435 1435s |
Louvre | [268] | |
| Adoration of the magi | 326 | Unknown / Unknown c. 1520–1530 | Hugo van der Goes | 1505 | Saint Louis Art Museum | [269] | |
| Triptych: Adoration of the magi, Annunciation and Nativity, and Flight to Egypt and Presentation in the Temple | 327 | Margareta van Eyck / Unknown, c. 1515–1525 | 1902: collection Donaldson, London; current location unknown | ||||
| Virgin and Child between two groups of angels | 328 | Unknown / Jan Gossaert, copy after | Jan Gossaert | 1513 | private collection | [270] | |
| The vision of Saint Bernard | 329 | Unknown / Unknown, Brabant, first half of the 16th century | Unknown | 1500s | private collection | [271] | |
| Virgin and Child | 330 | Jan Gossaert / Bernard van Orley | Bernard van Orley | 1520 | Polesden Lacey | [272] | |
| Portrait of Lady Heneage | 331 | Hans Holbein the Elder / Unknown, France | 1902: collection Simon, Berlin; current location unknown | ||||
| The Conversion of Saint Paul | 332 | Jacob Cornelisz van Oostsanen / Unknown, Ghent? or Tournai? | Jehan Bellegambe | 1520s | 1902: collection Verhaeghen, Merelbeke; current location unknown | ||
| Baptism of Christ | 333 | Joachim Patinir / Joachim Patinir, school of | Joachim Patinir | c. 1530 | 1902: Musée des Beaux-Arts Tournai; current location unknown | ||
| Center and left wing of a triptych: Birth of the Virgin and The meeting of Joachim and Anna | 334 | Unknown / Unknown, Flanders, c. 1520–1530 | Unknown | 1520s | Groeningemuseum | [209] | |
| Descent from the cross | 335 | Unknown / | 1902: collection Jurié de Lavandal, Vienna; current location unknown | ||||
| Portrait of Pierre de Cuenync | 336 | Unknown / Unknown, Bruges, dated 1609 | Pieter Claeissens | 1609 | St. Salvator's Cathedral | ||
| Portrait of Leonard Neyts | 337 | Unknown / Unknown, Bruges, end of the 16th century | 1902: St. Salvator's Cathedral; current location unknown | ||||
| Man of sorrows | 338 | Unknown / Jan Mostaert | Unknown | 1520s | National Gallery | [273] | |
| Pilatus washing his hands | 339 | Unknown / Unknown, German | 1902: collection of Viscount de Ruffo Bonneval, Brussels; current location unknown | ||||
| Portrait of Abel van de Coulster | 340 | Master of Oultremont / Jan Mostaert? | Jan Mostaert | 1510s | Royal Museums of Fine Arts of Belgium | [274] | |
| Episodes from the legend of Saint Joseph | 341 | Unknown / Jacques Daret, copy after | unknown | 1450s | St. Catherine's Church, Hoogstraten | [275] | |
| Virgin and Child | 342 | Unknown / Jan Provoost | Jan Provoost | 1510 | Musée des Beaux-Arts de Strasbourg | [276] | |
| Virgin and Child | 343 | Quentin Matsys / Gerard David, possibly | Unknown | 1520 | private collection | [277] | |
| A minor brother praying in front of bishops | 344 | Unknown / | Rogier van der Weyden | 1470s | private collection | [278] | |
| (Mistake in catalogue: same as 217) | 345 | / | (Mistake in catalogue: same as 217) | ||||
| Virgin and Child | 346 | Petrus Christus / Unknown, Flanders, 16th century | Rogier van der Weyden | 1460s | Museum Godshuis Belle | [279] | |
| Christ on the cross, the Virgin and Saint John | 347 | Master of the Death of Maria / Joos van Cleve | Joos van Cleve | c. 1530 | 1993: sold at Sotheby's: current location unknown | [280] | |
| A Saint | 348 | Unknown / | 1902: collection Schloss, Paris; current location unknown | ||||
| Triptych: Descent from the cross, The donor protected by Saint Louis and An Augustin canon, protected by John the Evangelist | 349 | Unknown / Unknown, Flanders, 16th century | 1902: collection Carpentier, Beernem; current location unknown | ||||
| Virgin and Child | 350 | Unknown / Quentin Matsysor his workshop | Quentin Matsys | 1490 | sold at the Dorotheum in 1999 | [281] | |
| Portrait of a man | 351 | Quentin Matsys / Quentin Matsys? | Quentin Matsys | 1517 | Musée Jacquemart-André | [282] | |
| Descent in limbo | 352 | Jean Bellegambe / Unknown, Spain? or Tyrol? | 1902: collection Thibaut-Sisson, Paris; current location unknown | ||||
| Triptych: Calvary, Carrying the cross, and Descent from the cross | 353 | Unknown / Unknown, Ghent? or Tournai?, c. 1515–1525; later work from the same hand as 332 | Cornelis Engebrechtsz. | 1520s | Seminary school of Tournai | [283] | |
| Calvary | 354 | Unknown / Unknown | Unknown | 1520 | Rijksmuseum | [284] | |
| Christ chasing the merchants from the Temple | 355 | Hieronymus Bosch / Hieronymus Bosch, imitator of | Unknown | 1580s | Kelvingrove Art Gallery and Museum | [285] | |
| Adoration of the magi | 356 | Pieter Bruegel the Elder / Pieter Bruegel the Elder | 1902: collection Rott, Vienna; current location unknown | ||||
| The Land of Cockaigne | 357 | Pieter Bruegel the Elder / Pieter Bruegel the Elder | Pieter Brueghel the Elder | 1567 | Alte Pinakothek | [286] | |
| The Census at Bethlehem | 358 | Pieter Bruegel the Elder / Pieter Bruegel the Elder | Pieter Brueghel the Elder | 1566 | Royal Museum of Fine Arts Antwerp (KMSKA) | [287] | |
| The ill-matched lovers | 359 | Quentin Matsys / Quentin Matsys | Quentin Matsys | 1520 | National Gallery of Art, Washington | [288] | |
| Triptych: Descent from the cross, Saint Philip, and The donor protected by Saint George | 360 | Antoon Claeissens / Antoon Claeissens | Antoon Claeissens | 1609 | St. Salvator's Cathedral | [289] | |
| Wings of a triptych: The donor Juan II Pardo protected by John the Evangelist (right) and The wifes of the donor protected by Saint Anna and the Virgin | 361 | Antoon Claeissens / Antoon Claeissens | Antoon Claeissens | 1580 | Groeningemuseum | [290] | |
| Calvary | 362 | Unknown / Unknown, Brabant, early 16th century | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | ||||
| Holy Family | 363 | Unknown / Unknown, second quarter of the 16th century | 1902: collection Thibaut-Sisson, Paris; current location unknown | ||||
| Christ on the cross, the Virgin and Saint John | 364 | Unknown / Adriaen Isenbrandt, style of | 1902: collection De Bruyne, Antwerp; current location unknown | ||||
| Mater Dolorosa | 365 | Rogier van der Weyden / Unknown | Unknown | 1500 | 1902: collection Van Speybrouck, Bruges; current location unknown | [291] | |
| Triptych: Virgin and Child, a Bishop-Saint, and Saint Louis | 366 | Gillis van Coninxloo / Unknown, Brabant, c. 1530? | Unknown | 1520s | National Gallery | [292] | |
| Saint Christoph | 367 | Herri met de Bles / Unknown | Sale from Weber collection, 1912: current location unknown | [16] | |||
| Triptych: Temptation of Saint Anthony | 368 | Pieter Bruegel the Elder / Hieronymus Bosch, imitator of | Unknown | 1550s | Georgium | [293] | |
| Adoration of the magi | 369 | Unknown / | 1902: collection Snyers, Brussels; current location unknown | ||||
| Saint Donatian | 370 | Jan Gossaert / Jan Gossaert | Jan Gossaert | 1520 | Musée des Beaux-Arts Tournai | [294] | |
| Wing of a triptych: John the Evangelist and Saint Agnes | 371 | Quentin Massys / Quentin Massys | Quentin Matsys | 1510s | Wallraf-Richartz Museum | [295] | |
| Virgin and Child | 372 | Quentin Massys / Unknown, c. 1515–1525 | Master of the Mansi Magdalen | 1520 | Metropolitan Museum of Art | [296] | |
| Christ | 373 | Unknown / Quentin Massys, after | 1902: collection of Baron de Schickler, Paris; current location unknown | ||||
| Triptych: Saints Christoph, Jerome and Anthony | 374 | Unknown / Unknown, Brabant, first half of the 16th century | Master of the Legend of the Magdalen | 1510s | Museum Mayer van den Bergh | [297] | |
| Triptych: Christ mourned by his mother, Saint John and the Holy Women, Saint Anna, the Virgin and Child and Saint Francis receiving the stigmata | 375 | Herri met de Bles / Herri met de Bles, style of | 1902: collection Turner, London; current location unknown | ||||
| Holy Family | 376 | Master of the Death of Mary / Joos van Cleve, copy | Unknown | 1530s | private collection | [298] | |
| The agony of Christ in the Garden of Olives | 377 | Unknown / Master of the Holy Kinship | Unknown | 1489 | private collection | [299] | |
| Six apostles | 378 | Unknown / Unknown, German | Derick Baegert | 1550 | Royal Museums of Fine Arts of Belgium | [300] | |
| Calvary | 379 | Unknown, 16th century / Jacob Cornelisz van Oostsanen | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | ||||
| Triptych: Adoration of the magi, Nativity and The presentation in the Temple | 380 | Rogier van der Weyden / Unknown, Utrecht, c. 1520–1530 | Unknown | 1510 | 1902: collection Glitza, Hamburg; current location unknown | [301] | |
| Portrait of a monk | 381 | Rogier van der Weyden / Unknown, late 15th century | Unknown | 1480 | National Gallery of Art, Washington | [302] | |
| Two monks in prayer (The Hypocrites) | 382 | Unknown / Quentin Massys, imitator of | Unknown | 1520 | Doria Pamphilj Gallery | [303] | |
| Saint Anna, the Virgin and Child | 383 | Unknown / | Unknown | 1530 | private collection | [304] | |
| Episodes from the life of the Virgin | 384 | Unknown / Lancelot Blondeel? | Lancelot Blondeel | 1550 | Tournai Cathedral | [305] | |
| Virgin and Child | 385 | Unknown / Adriaen Isenbrandt | 1902: collection of Baron Surmont de Volsberghe, Ypres; current location unknown | ||||
| Portrait of a man, 1541 | 386 | Unknown / | 1902: collection of the Count of Harrach, Vienna; current location unknown | ||||
| Portrait of a man | 387 | Frans Pourbus / Adriaen Key | 1902: collection Porgès, Paris; current location unknown | ||||
| Descent from the cross | 388 | Unknown / Hugo van der Goes, copy after? 16th century | Unknown | 1470s | Musée des Beaux-Arts Tournai | [306] | |
| The creation of Eve, the sin of Adam, the expulsion from Paradise | 389 | Unknown / | 1902: St Martin's Cathedral, Ypres; current location unknown | ||||
| Christ with the crown of thorns | 390 | Unknown / Bernard van Orley? | 1902: Tournai Cathedral | ||||
| Christ carrying the cross | 391 | Lucas van Leyden / Hendrick Goltzius? | 1902: collection Schloss, Paris; current location unknown | ||||
| Christ insulted by the soldiers | 392 | Lucas van Leyden / Hendrick Goltzius? | 1902: collection Schloss, Paris; current location unknown | ||||
| Last Supper, Passion and Resurrection | 393 | Hendrick Goltzius / | 1902: collection Cardon, Brussels; current location unknown | ||||
| Christ chasing the merchants from the Temple | 394 | Quentin Massys / | Quentin Matsys | 1520s | Royal Museum of Fine Arts Antwerp (KMSKA) | [307] | |
| Diptych: The conversion of Saint Paul (right) and The fall of Simon the magician (left) | 395 | Jan van Rillaer / | Jan Rombouts I | 1520s | M - Museum Leuven | [308] | |
| Christ in Emmaüs | 396 | Herri met de Bles / Unknown, mid-16th century | 1902: collection Helbig, Liège; current location unknown | ||||
| Adoration of the magi | 397 | Unknown / Unknown, Bruges, c. 1510 | Unknown | 1500s | Groeningemuseum | [209] | |
| Holy Family | 398 | Unknown / Unknown | 1902: collection Novak, Prague; current location unknown | ||||
| Descent from the cross | 399 | Jan Massys / | 1902: collection Novak, Prague; current location unknown | ||||
| Virgin and Child | 400 | Unknown / Unknown | 1902: collection Servais, Liège; current location unknown | ||||
| Portrait of a young man | 401 | Unknown / Unknown, second half the 16th century | 1902: collection Errera, Brussels; current location unknown | ||||
| Descent from the cross | 402 | Unknown / Unknown, Flanders, c. 1540 | 1902; collection Iweyns d'Eeckhout, Sint-Kruis-Brugge; current location unknown | [309] | |||
| Saint Jerome | 403 | Jan Massys / Unknown | 1902: collection Van Even, Leuven; current location unknown | ||||
| Saint Barbara | 404 | Unknown / Unknown, Flanders, probably Bruges, c. 1500 | Master of the Embroidered Foliage | 1500 | Museum Boijmans Van Beuningen | [310] | |
| Saint Catherine | 405 | Unknown / Unknown, Flanders, probably Bruges, c. 1500, same hand as 404, wings of same triptych? | Master of the Embroidered Foliage | 1500 | Museum Boijmans Van Beuningen | [311] | |
| The meeting between Esau and Jacob | 406 | Lambert Lombard / Unknown | 1902: collection Scheen, Vonck; current location unknown | ||||
| Portrait of a woman carrying a vase of flowers | 407 | Bernard van Orley / | 1902: at Sedelmeyer, Paris; current location unknown | ||||
| Wings of the libraries of the abbey Ter Duinen with the portraits of the abbots and the counts and countesses of Flanders | 408-413 | Unknown / Unknown, Bruges, dated 1480 | Unknown | 1480 | Bruges seminary | [312] | |
| Adoration of the Magi | 414 | Ambrosius Benson / | Ambrosius Benson | 1530 | private collection | not in catalog[313] |
Notes
External links
- Exposition des primitifs flamands et d'art ancien : Bruges : 15 juin au 15 septembre, 1902 : première section, tableaux : catalogue', by Weale, W. H. James, Bruges, 1902, on archive.org
- ↑ Шаблон:Cite book
- ↑ 2,0 2,1 2,2 Шаблон:Cite book
- ↑ 3,0 3,1 3,2 Шаблон:Cite book
- ↑ 4,0 4,1 Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ 16,0 16,1 16,2 16,3 16,4 16,5 Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web, Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite webШаблон:Dead link
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ 68,0 68,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ 84,0 84,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web; the RKD incorrectly identifies this work with the #72 of the exhibition, which had the same owner in 1902, but different subject and dimensions
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ 144,0 144,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
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- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite web, Шаблон:Cite web
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