Английская Википедия:Fallt mit Danken, fallt mit Loben, BWV 248 IV

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Шаблон:Short description

Шаблон:Good article Шаблон:Use shortened footnotes Шаблон:Use dmy dates Шаблон:Infobox Bach composition Шаблон:Lang (Fall with thanks, fall with praise),Шаблон:Sfn BWV 248IV (also written as BWV 248 IV),Шаблон:Sfn is a Christmas cantata by Johann Sebastian Bach, composed in 1734 as PartШаблон:NbspIV of his six-part Christmas Oratorio. Each part of the oratorio is a cantata, written for performance on one of the feast days of the Christmas period. Fallt mit Danken, fallt mit Loben is meant for the New Year's Day feast of the circumcision and naming of Jesus. Based on a libretto by an unknown author, it tells the naming of Jesus from the Nativity of Jesus, according to the Gospel of Luke.

Bach structured the cantata in seven movements, and scored it for three vocal soloists, a four-part choir, and a festive Baroque orchestra with horns, oboes and strings. The opening chorus and the two arias are based on his earlier secular cantata Шаблон:Lang, composed for the 11th birthday of the crown prince of Saxony on 5Шаблон:NbspSeptember 1733.

The tenor soloist, in the role of the Evangelist,Шаблон:Efn-ua narrates the Biblical verse in recitative style. The choir sings the elaborate opening movement and the closing chorale, a four-part setting of a stanza from Johann Rist's "Hilf, Herr Jesu, laß gelingen". Four solo movements reflect the name of Jesus, and life for him. Bach led the first performances at the two main churches of Leipzig in a morning service and a vespers service on 1Шаблон:NbspJanuary 1735. Шаблон:TOC limit

Background and text

Шаблон:See also Bach composed Шаблон:Lang in 1734, eleven years after he became Thomaskantor in Leipzig, director of music in major churches in the town in the Electorate of Saxony. The cantata forms Part IV of his Christmas Oratorio which was performed on six occasions of Christmastide, beginning with Part I on Christmas Day:Шаблон:Sfn

The prescribed readings for the feast day were "by faith we inherit" from the Epistle to the Galatians (Шаблон:Sourcetext), and from the Gospel of Luke, the ritual circumcision and naming of Jesus eight days after his birth (Шаблон:Sourcetext).Шаблон:Sfn

The librettist of the text is unknown; scholars debate whether he was Picander, who had collaborated with Bach before.Шаблон:SfnШаблон:Sfn After an opening chorus, the Evangelist narrates the short gospel about the naming of Jesus from the Gospel of Luke. It is reflected in the following movements, recitative and arias. Bach structured the work in nine movements, and scored it for four vocal parts and a festive Baroque orchestra with two natural horns, oboes and strings. Several movements rely on music which he had composed earlier, from the secular cantata Шаблон:Lang (Let us take care, let us watch over), a dramma per musica describing the story of "Hercules at the Crossroads", written for 11th birthday of Crown Prince Friedrich Christian of Saxony and first performed on 5 September 1733.Шаблон:SfnШаблон:Sfn

The tenor soloist narrates the verse from Martin Luther's translation of the Bible in recitative as the Evangelist (Шаблон:Sourcetext). Bach incorporates two chorales, two stanzas from "Jesu, du mein liebstes Leben" by Johann Rist for a soprano complement to bass recitatives, and the 15th stanza of the same hymnist's "Hilf, Herr Jesu, laß gelingen" which the choir sings in a four-part setting with independent orchestra.Шаблон:SfnШаблон:Sfn

Bach led the first performance at the Nikolaikirche with the Thomanerchor in a morning service on New Year's Day 1735, repeated in a vespers service at the Thomaskirche the same day.Шаблон:Sfn

Music

Scoring and structure

The cantata is structured in seven movements:Шаблон:Sfn it opens with an extended choral movement that expresses the call to fall down with thanks and praise, followed by a brief recitative that provides the account from the Luther Bible of the naming of Jesus on the day of his circumcision. Four movements then reflect on the name of Jesus in meditation and prayer,Шаблон:Sfn and the composition is closed with an affirming chorale.Шаблон:Sfn

The work features three vocal soloists, a four-part choir (Шаблон:Abbr) and a Baroque instrumental ensemble of two natural horns (Co), two oboes (Ob), two violins (Vl), viola (Va) and basso continuo.Шаблон:Sfn Other sections of the Christmas Oratorio (such as Jauchzet, frohlocket, the opening chorus of Part I, and in Part VI both the opening chorus, Herr, wenn die stolzen Feinde schnauben, and the closing chorale fantasia, Nun seid ihr wohl gerochen) have a brighter feel than Fallt mit Danken, fallt mit Loben. Its music, in F major, is dominated by two horns and has a more intimate character than the sections with bright trumpets which precede and follow it. Alfred Dürr gives the duration as 27 minutes.Шаблон:SfnШаблон:Sfn

In the following table, the movement numbers of the Christmas Oratorio are added in brackets. The scoring follows the Шаблон:Lang (New Bach Edition). The keys and time signatures are from Dürr, and use the symbol for common time.Шаблон:Sfn No key is shown for the recitatives, because they modulate. The continuo, played throughout, is also not shown.

Шаблон:Classical movement header

Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:Classical movement row Шаблон:End

Movements

1

Файл:Idsteiner Kantorei, Carsten Koch, Unionskirche Idstein.jpg
Performance of the cantata in 2018 at Unionskirche, Idstein, a Protestant church decorated in the 17th century, 2018

The opening chorus, "Шаблон:Lang" (With gratitude, with praise, fall before the Almighty's throne of grace!),Шаблон:Sfn is a complex long form (ABA'). The instrumental ritornello is dominated by two natural horns.Шаблон:Sfn

The voices enter in unison. In the middle section, the vocal lines are also mostly homophonic. The last section uses the material from the first section, but differently.Шаблон:Sfn

2

The tenor sings in a secco recitative the verse from the Biblical Christmas story, "Шаблон:Lang" (And when eight days had passed, when the child would be circumcised),Шаблон:Sfn after Luke 2:21.

3

In a combination of recitative and chorale, the bass recitative, "Шаблон:Lang" (Who can rightly exalt this love),Шаблон:Sfn is balanced with line-by-line commentary by the chorus. The commentary is the first stanza from Rist's hymn "Шаблон:Lang" (Jesus, o my dearest life).Шаблон:Sfn The voices are supported by strings.Шаблон:Sfn

4

In the central soprano da capo aria, "Шаблон:Lang" (O my Savior, does your name instill even the very tiniest seed of that powerful terror?),Шаблон:Sfn the singer asks Jesus three questions and imagines the answers as "no", "no" and "yes", illustrated in the form of an echo-aria. An oboe is the obbligato instrument.Шаблон:Sfn

5

In symmetry to the third movement, another bass recitative, "Шаблон:Lang" (Well then, Your name alone shall be in my heart!),Шаблон:Sfn is commented on by another stanza, "Шаблон:Lang" (Jesus, my joy and delight)Шаблон:Sfn from the same hymn.Шаблон:Sfn The voices are again supported by strings.Шаблон:Sfn

6

The tenor aria, "Шаблон:Lang" (I will live only for Your honor),Шаблон:Sfn expresses a vow to revere Jesus. It is a fugal trio composition with two solo violins.Шаблон:Sfn

7

The cantata is closed with the chorale "Шаблон:Lang" (May Jesus order my beginning),Шаблон:SfnШаблон:Sfn the 15th stanza of Rist's hymn "Шаблон:Lang".Шаблон:Sfn All instruments play interludes which recall the opening movement.Шаблон:Sfn

Footnotes

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References

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Cited sources

Bach Digital

Books

Online sources

External links

Шаблон:Masses, Magnificat, Passions and Oratorios by Johann Sebastian Bach Шаблон:Church cantatas by Johann Sebastian Bach Шаблон:Bach cantatas

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