Английская Википедия:Fasces

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Файл:Fasces.svg
A fasces image, with the axe in the middle of the bundle of rods

Fasces (Шаблон:IPAc-en Шаблон:Respell, Шаблон:IPA; a Шаблон:Lang, from the Latin word Шаблон:Lang, meaning "bundle"; Шаблон:Lang-it) is a bound bundle of wooden rods, sometimes including an axe (occasionally two axes) with its blade emerging. The fasces is an Italian symbol that had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a Roman king's power to punish his subjects,[1] and later, a magistrate's power and jurisdiction. The axe, originally associated with the labrys (Шаблон:Lang-grc; Шаблон:Lang-la),Шаблон:Efn the double-bitted axe originally from Crete, is one of the oldest symbols of Greek civilization.

The image has survived in the modern world as a representation of magisterial power, law, and governance. The fasces frequently occurs as a charge in heraldry: it is present on the reverse of the U.S. Mercury dime coin and behind the podium in the United States House of Representatives; and it was the origin of the name of the National Fascist Party in Italy (from which the term fascism is derived).

During the first half of the twentieth century, both the fasces and the swastika (each symbol having its own unique ancient religious and mythological associations) became heavily identified with the fascist political movements of Benito Mussolini and Adolf Hitler. During this period the swastika became deeply stigmatized, but the fasces did not undergo a similar process outside Italy.

The fasces remained in use in many societies after World War II because it had already been adopted and incorporated into the iconography of numerous governments outside Italy, prior to Mussolini. Such iconographical use persists in governmental and various other contexts. In contrast, the swastika remains in common usage only in Asia, where it originated as an ancient Hindu symbol, and in Navajo iconography, where its religious significance is entirely unrelated to, and predates, early 20th-century European fascism.

Symbolism

Файл:Roman armour and accessories.png
A print depicting Roman armour and accessories including two versions of the fasces (seen in the lower right)

The fasces, as a bundle of rods with an axe, was a grouping of all the equipment needed to inflict corporal or capital punishment. In ancient Rome, the bundle was a material symbol of a Roman magistrate's full civil and military power, known as imperium. They were carried in a procession with a magistrate by lictors, who carried the fasces and at times used the birch rods as punishment to enforce obedience with magisterial commands.Шаблон:Sfn In common language and literature, the fasces were regularly associated with certain offices: praetors were referred to in Greek as the hexapelekus (Шаблон:Literally) and the consuls were referred to as "the twelve fasces" as literary metonymy.Шаблон:Sfn Beyond serving as insignia of office, it also symbolised the republic and its prestige.Шаблон:Sfn

After the classical period, with the fall of the Roman state, thinkers were removed from the "psychological terror generated by the original Roman fasces" in the antique period. By the Renaissance, there emerged a conflation of the fasces with a Greek fable first recorded by Babrius in the second century AD depicting how individual sticks can be easily broken but how a bundle could not be.Шаблон:Sfn This story is common across Eurasian culture and by the thirteenth century AD was recorded in the Secret History of the Mongols.Шаблон:Sfn While there is no historical connection between the original fasces and this fable,[2] by the sixteenth century AD, fasces were "inextricably linked" with interpretations of the fable as one expressing unity and harmony.Шаблон:Sfn

In the ancient world

Файл:2Postumia Denarius. A.POST A.F S.N ALBIN Hispania HISPAN, Togate figure fasces legionary eagle.jpg
Aquila (Legionary eagle), toga figure, and fasces on reverse side of coinage
Файл:Ascia bipenne da alto dignitario, da tomba del littore a vetulonia, 610 ac ca.jpg
Earliest depiction of a fasces, discovered as a grave good in Vetulonia in 1897

Origin

The English word fasces comes from Latin, with singular Шаблон:Lang.[3] The word is usually used in its plural to refer to magisterial insignia, but is sometimes used to refer to bushels or bundles in an agricultural context. This word itself comes from the Indo-European root Шаблон:PIE, referring to a bundle.Шаблон:Sfn

The earliest archaeological remains of a fasces are those discovered in a necropolis near the Etruscan hamlet now called Vetulonia by the archaeologist Isidoro Falchi in 1897.Шаблон:Sfn The discovery is now dated to the relatively narrow range of 630–625 BC, which coincides with the traditional dating of Rome's legendary fifth king Lucius Tarquinius Priscus.Шаблон:Sfn An Etruscan origin, furthermore, is supported by ancient literary evidence: the poet Silius Italicus, who flourished in the late 1st century AD, posited that Rome adopted many of its emblems of office – viz the fasces, the curule chair, and the toga praetexta – specifically from Vetulonia.Шаблон:Sfn A story of Etruscan origin is further supported by Dionysius of Halicarnassus in his antiquarian work, Roman Antiquities.Шаблон:Sfn

Rome

Regal period

Ancient Roman literary sources are unanimous in describing the ancient kings of Rome as being accompanied by twelve lictors carrying fasces. Dionysius, in Roman Antiquities, gave a complex story explaining this number: for him, the practice originated in Etruria and each bundle symbolised one of the twelve Etruscan city-states; the twelve states together represented a joint military campaign and were given to the Etruscan king of Rome, Tarquinius Priscus, on his accession to the throne.Шаблон:Sfn While Livy concurred with Dionysius' story, he also relates a different story ascribing fasces to the first Roman king – Romulus – who selected twelve to correspond to the twelve birds which appeared in augury at the foundation of the city.Шаблон:Sfn

Later stories gave different aetiologies: some described fasces as coming from Latium, others from Italy in general. Macrobius, writing in the 5th century AD, have the Romans taking fasces from the Etruscans as spoils of war rather than adopted by cultural diffusion. In general, it seems that by the sixth century BC, fasces had become a common symbol in central Italy and Etruria – if not also into southern Italy, as Livy impliesШаблон:Sfn – for royal prestige and coercive power.Шаблон:Sfn The ancient Roman literary record largely depicts the fasces of their time as carried largely symbolically by lictors who were present primarily to defend their charges from violence. However, the same stories depict fasces far more negatively in the context of tyrannies or regal displays.Шаблон:Sfn

Plutarch, in his Life of Publicola, describes an incident in which Lucius Junius Brutus, the first consul, has lictors scourge with rods and decapitate with axes – components of the fasces – his own sons who were conspiring to restore the Tarquins to the throne.[4] After Brutus' alleged death in battle, Publicola then passes reforms subordinating magisterial use of fasces for coercion to the people: consuls would lower the fasces before the people during speeches and there would be appeal to the people against a magistrate ordering capital or corporal punishment.Шаблон:Sfn

Republican period

Файл:Q. Servilius Caepio (M. Junius) Brutus, denarius, 54 BC, RRC 433-1.jpg
Denarius minted by Marcus Junius Brutus depicting a personification of Libertas on left and Lucius Junius Brutus with lictors carrying bladed fasces on rightШаблон:SfnШаблон:Sfn
Файл:S Paolo FLM - nel chiostro fasci pretore 1120843.JPG
Rome, cloister of San Paolo, outside wall: marble panel depicting six fasces

During the republic, the Romans used the number of fasces accompanying a magistrate to mark out rank and distinction. The two consuls each had 12 lictors, as did the traditional dictators.Шаблон:Sfn The late republican dictators – of which Sulla was the first – were accompanied by 24 lictors and fasces.[5] However, the consuls alternated initiative by month. The consul without initiative would retain a negative on the other consul's actions but would be preceded only by an Шаблон:Lang and be followed by lictors bearing reduced fasces.Шаблон:Sfn

Praetors normally held six fasces and were so described on campaign in Greek sources. There were, however, some exceptions. After 197 BC, praetors sent to Spain were dispatched with proconsular status and therefore received twelve fasces. Around the same time, in the lex Plaetoria, the number of fasces accompanying a praetor in court was reduced to merely two, possibly because a praetor in court "with six fasces might seem imperious".Шаблон:Sfn

By the late second century BC, magistrates who had won victories abroad that were proclaimed imperator – a victory title – were decorated with laurel. This acclamation was a necessary prerequisite for celebrating a triumph, a prestigious award for which commanders might wait years.Шаблон:Sfn Within the pomerium, Rome's sacred city boundary, the magistrates normally removed the axes from their fasces to symbolise the appealable nature of their civic powers.Шаблон:Sfn However, an exception was made during a triumph, when the triumphing general's military auspices were extended into the city so that he could make sacrifices at the Temple of Jupiter on the Capitoline hill. The laurels decorating the triumphator's axed fasces were removed and decided in a ceremony, placing them in the lap of the cult statue of the Capitoline Jupiter.Шаблон:Sfn

During the republic, only persons possessing Шаблон:Lang were granted full complements of fasces; the number granted to promagistrates for their analogous rank was not diminished.Шаблон:Sfn Lieutenants exercising delegated Шаблон:Lang were, in the late republic, regularly granted two fasces.Шаблон:Sfn Yet others were sometimes assigned lictors as bodyguards or otherwise to assist in official duties, they probably did not carry fasces.[6] Italian municipal officials during the republic were usually accompanied by local lictors, but these lictors did not carry fasces until imperial times.Шаблон:Sfn

Popular resistance to magistrates during the late republic sometimes took the form of mobs smashing magisterial fasces. In 133 BC, Tiberius Gracchus incited a mob to take and break a praetor's fasces; two praetors, a certain Brutus and Servilius, were dispatched in 88 BC to order Lucius Cornelius Sulla, then consul, to desist from his march on Rome and had their insignia of office defaced and destroyed; Marcus Calpurnius Bibulus's lictors were set upon in 59 BC when he – along with some plebeian tribunes – attempted to veto Julius Caesar's land reform bill during their joint consulship, leading to his lictors' fasces being lost entirely.Шаблон:Sfn This last breaking of fasces was "a ritualistic act of symbolic violence (the People thus disposing of tokens of the imperium that was in their gift) that substituted for direct physical violence against the person of the consul".[7]

Imperial period

Файл:Caracalla, sestercius, AD 202-204, RIC IV 422A.jpg
Sestertius of Caracalla, 202–204. The reverse depicts the emperors Caracalla and Septimius on a platform (central characters); on the right is a lictor holding the new curved fascis.[8]

During the Roman Empire, the number of people who were entitled to fasces and lictors expanded. Fasces were first granted to Vestal Virgins by the Senate in 42 BC when the six vestals were allowed one lictor each.Шаблон:Sfn They were joined by fasces granted to the three major flamines. Single lictors also preceded members of the sodales Augustales, who were priests of the imperial cult.Шаблон:Sfn At the death of the first emperor, Augustus, in AD 14, his widow Livia was voted a lictor by the Senate, though sources disagree as to whether she ever exercised the privilege.[9]

The division of the Roman provinces into imperial and senatorial provinces, with Augustus holding proconsular imperium over the imperial provinces and administering them through legates, also further expanded the number of fasces.Шаблон:Sfn Augustus appointed legates with imperium pro praetore as governors, each of which was granted five lictors. When Italy was divided into fourteen regions in 7 BC, the curator of each region was granted two lictors while in office and on station. After the creation of the aerarium militare in AD 6, the three ex-praetors administering it were each granted two lictors as well.Шаблон:Sfn Municipal magistrates' lictors also gained fasces during the imperial period.Шаблон:Sfn

By the reign of the Severans at the start of the third century, fasces had been redesigned. Depicted on a sestertius struck Шаблон:Circa, fasces no longer took the form of a bundle of sticks, but rather took the form of a long curved stick or two of such sticks bound together. The number of fasces granted to imperial governors titled proconsul stayed at twelve into the late fourth century AD; governors of the rank consularis received five fasces, but most governors – with the rank Шаблон:Lang – had no fasces at all.Шаблон:Sfn This later form persisted through to the Eastern Roman Empire: the Byzantine antiquarian, John the Lydian, writing in the sixth century AD described fasces as "long rods evenly bound together" with red straps and axes held aloft.Шаблон:Sfn[10] Into the mediaeval period, Byzantine emperors remained guarded by men – by the 14th century, Varangians – carrying staves and axes.Шаблон:Sfn

Post-classical reception

Файл:V&A - Raphael, The Conversion of the Proconsul (1515).jpg
Raphael's Conversion of the Proconsul (1515), depicting fasces to the left of the magistrate

While the Latin word Шаблон:Lang did not fall out of use in the mediaeval period, its technical meaning was forgotten. By the end of the first millennium, it was glossed as "somehow connot[ing] 'supreme power' or 'official honoursШаблон:'".Шаблон:Sfn For example, Шаблон:Circa, Jean de Rovroy, when translating Frontinus' Stratagems, was deceived by a false cognate and thought Шаблон:Lang referred to ribbons Roman magistrates would wear on their heads; such misconceptions were apparently common, and dated back to the 11th century.Шаблон:Sfn Visual representations of the bundle itself were rare – the 11th century AD Junius manuscript excepted – until the Renaissance.Шаблон:Sfn

Renaissance

Renaissance humanists, especially those who read more Latin, however, quickly became well-informed on fasces and their legal technicalities, including the customary removal of axes within the city, lowering before the people, and alternation by the consuls. By the first decade of the 16th century, references to fasces in a more Roman context started to appear.Шаблон:Sfn At the same time, recognisable depictions started to reappear in Italy, such as Raphael's painting Conversion of the Proconsul (Шаблон:Circa).Шаблон:Sfn

By the mid-1500s, the fasces also began to symbolise other things which would have been "unimportant or even unknown to the Romans".Шаблон:Sfn Pope Clement VIII's reassertion of Papal juridicial authority after the sack of Rome in 1527 started iconographic developments that would associate fasces with personifications of Justice.Шаблон:Sfn

Файл:Blason Jules Mazarini (alias Mazarin) (1602-1661).svg
Coat of arms of Cardinal Mazarin, the first to include fasces on arms in modern timesШаблон:Sfn

Syncretism of fasces with the Aesop fable of a bundle of sticks being harder to break than each stick alone associated fasces also with domestic concord and in art with personifications of Concord.Шаблон:Sfn This symbology also merged with that of justice in that unbinding the rods and axes promoted reflection over just action.Шаблон:Sfn In this context, Cardinal Mazarin placed fasces on his coat of arms, "the first individual in the modern era to do so".Шаблон:Sfn

From here, depictions of fasces exploded. Antje Middeldorf-Kosegarten, in Reallexikon zur Deutschen Kunstgeschichte,

Шаблон:Blockquote

By the mid-seventeenth century, fasces had become "well established throughout Europe as a catch-all symbol for stable and competent governance". It also expanded to symbolise competent corporate governance.Шаблон:Sfn Yet, due to a massive expansion in meaning, the symbol seemed to have died by the 1760s, muddled as little more than a reference to the past.Шаблон:Sfn

Revolution

Файл:George Washington by Jean-Antoine Houdon - DSC05829.JPG
A bronze cast of Jean-Antoine Houdon's statue of George Washington. Washington's left arm rests on a cloak over fasces with thirteen rods.Шаблон:Sfn

As an emblem, fasces made their way to the colonies in British North America.Шаблон:Sfn There, during the American Revolution, the fasces' symbology as referencing strength through unity was adopted as a symbol of the united colonial effort against British rule.Шаблон:Sfn

Fasces similarly came to adopt a privileged symbology during the French Revolution. First referring to the 83 departments of 1789, as a symbol of unity, it came to be associated with fraternité and a united French people.Шаблон:Sfn Topped with a Phrygian cap, fasces were seen as a reference to the "imagined spirit of the early Roman republic [and] its assertion of ideals of liberty and justice against tyranny".Шаблон:Sfn In France, however, use of fasces as a symbol declined starting with the establishment of the Consulate in 1799 through to the proclamation of the Second Republic in 1848.Шаблон:Sfn

Similar usage proliferated in the aftermath of the French Revolution. Haiti, in its revolution against France, coined with many depictions of fasces, as did Mexico during its first republic, Ecuador, Chile, and the Roman Republic of 1798.Шаблон:Sfn

Modern usage

Numerous governments and other authorities have used the image of the fasces as a symbol of power since the end of the Roman Empire. It also has been used to hearken back to the Roman Republic, particularly by those who see themselves as modern-day successors to that republic or its ideals.

The Ecuadorian coat of arms incorporated the fasces in 1830, although it had already been in use in the coat of arms of Gran Colombia.

Italy

The Italian word fascio (Шаблон:Plural form: fasci), etymologically related to fasces, was used by various political organizations in the late 19th and early 20th centuries with the figurative meaning of "league" or "union".

Italian Fascism, which derives its name from the fasces, arguably used this symbolism the most in the twentieth century. The British Union of Fascists also used it in the 1930s. The fasces, as a widespread and long-established symbol in the West, however, has avoided the stigma associated with much of fascist symbolism (except in Italy, where exhibiting the fasces can lead to an indictment) and many authorities continue to display them, including the federal government of the United States.

France

A review of the images included in Les Grands Palais de France : Fontainebleau[11][12] reveals that French architects used the Roman fasces (faisceaux romains) as a decorative device as early as the reign of Louis XIII (1610–1643) and continued to employ it through the periods of Napoleon I's Empire (1804–1815).

The fasces typically appeared in a context reminiscent of the Roman Republic and of the Roman Empire. The French Revolution used many references to the ancient Roman Republic in its imagery. During the First Republic, topped by the Phrygian cap, the fasces is a tribute to the Roman Republic and means that power belongs to the people. It also symbolizes the "unity and indivisibility of the Republic",[13] as stated in the French Constitution. In 1848 and after 1870, it appears on the seal of the French Republic, held by the figure of Liberty. There is the fasces in the arms of the French Republic with the "RF" for République française (see image below), surrounded by leaves of olive tree (as a symbol of peace) and oak (as a symbol of justice). While it is used widely by French officials, this symbol never was officially adopted by the government.[13]

President Valéry Giscard d'Estaing placed one on his presidential flag.[14] In 2015, a logo representing a stylized Fasces was used for internet communication by the Presidency of the French Republic.[15] Since 1870, it has also appeared on the badges of deputies and senators known as barometers, which they place conspicuously on their vehicles.

The fasces appears on the helmet and the buckle insignia of the French Army's Autonomous Corps of Military Justice, as well as on that service's distinct cap badges for the prosecuting and defending lawyers in a court-martial.Шаблон:Citation needed

United States

Файл:Seal of the United States Senate.svg
Seal of the United States Senate with two fasces at bottom

Since the original founding of the United States in the 18th century, several offices and institutions in the United States have heavily incorporated representations of the fasces into much of their iconography.

Federal fasces iconography

Файл:1943D Mercury Dime reverse.jpg
The reverse of the Mercury dime, with a fasces
Файл:Emancipation Memorial.jpg
Emancipation Memorial

State, local and other fasces iconography

Файл:MN Supreme Court Chamber, ornate woodwork on railing-02.jpg
Ornate woodwork on railing in Minnesota Supreme Court Chamber
  • The main entrance hallways in the Wisconsin State Capitol have lamps that are decorated with stone fasces motifs; in the woodwork before the podium of the speaker of the assembly, several double-bladed fasces are carved, and in the woodwork before the podium of the senate president are several single-bladed fasces.
  • The grand seal of Harvard University inside Memorial Church is flanked by two inward-pointing fasces; the seal is located directly below the 112 m (368 ft) steeple and the Great Seal of the United States inside the Memorial Room; the walls of the room list the names of Harvard students, faculty, and alumni who gave their lives in service of the United States during World War I along with an empty tomb depicting Alma Mater holding a slain Harvard student.
  • The fasces appears on the state seal of Colorado, US, beneath the "All-seeing eye" (or Eye of Providence) and above the mountains and mines.
  • The hallmark of the Kerr & Co silver company was a fasces.
  • On the seal of the New York City borough of Brooklyn, a figure carries a fasces; the seal appears on the borough flag; fasces also can be seen in the stone columns at Grand Army Plaza and on a flagpole in Washington Square Park.
  • The symbol is used as part of the Knights of Columbus emblem (designed in 1883, replaced by a bayonet from 1926 to 1947).
  • Commercially, a small fasces appeared at the top of one of the insignia of the Hupmobile automobile.
  • A fasces appears on the statue of George Washington by Jean-Antoine Houdon that is now in the Virginia State Capitol; fasces are used as posts of the 1818 cast-iron fence surrounding the capitol building.
  • Columns in the form of fasces line the entrance to Buffalo City Hall.
  • In Newark Penn Station, the exit to Raymond Plaza West is bordered on both sides by 10-foot vertical fasces (each with a double axe-head).
  • VAW-116 have a fasces on their unit insignia.
  • San Francisco's Coit Tower has two fasces-like insignia (without the axe) carved above its entrance, flanking a phoenix.
  • Two monuments erected in Chicago at the time of the Century of Progress Exposition are adorned with fasces; the monument to Christopher Columbus (1933) in Grant Park has them on the ends of its exedra; the Balbo Monument in Burnham Park, (1934) a gift from Benito Mussolini, has the vandalized remains of fasces on all four corners of its plinth.[18]

Examples of US fasces iconography

Modern authorities and movements

The following cases involve the adoption of the fasces as a symbol or icon, although no physical re-introduction has occurred.

See also

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Notes

Шаблон:Notelist

References

Citations

Шаблон:Reflist

Sources

Шаблон:Refbegin

Шаблон:Refend

External links

Шаблон:Commons Шаблон:EB1911 Poster

Шаблон:Authority control

  1. Шаблон:Cite book
  2. Шаблон:Harvnb
  3. Шаблон:Cite web
  4. Шаблон:Harvnb, citing Plut. Pub. 6.
  5. Шаблон:Harvnb, adding that Caesar during his dictatorship, was voted 72 fasces for his triumphs, but also noting that this backfired politically.
  6. Шаблон:Harvc
  7. Шаблон:Cite book
  8. Шаблон:Cite book
  9. Шаблон:Harvnb, explaining that while Cassius Dio reports Livia was voted a lictor, Tacitus says Tiberius flatly refused to allow her use of one.
  10. Шаблон:Harvnb
  11. Les Grands Palais de France : Fontainebleau, I re Série, Styles Louis XV, Louis XVI, Empire, Labrairie Centrale D'Art Et D'Architecture, Ancienne Maison Morel, Ch. Eggimann, Succ, 106, Boulevard Saint Germain, Paris, 1910
  12. Les Grands Palais de France : Fontainebleau , II me Série, Les Appartments D'Anne D'Autriche, De François I er, Et D'Elenonre La Chapelle, Labrairie Centrale D'Art Et D'Architecture, Ancienne Maison Morel, Ch. Eggimann, Succ, 106, Boulevard Saint Germain, Paris, 1912
  13. 13,0 13,1 Шаблон:Cite web
  14. Шаблон:Cite web.
  15. Шаблон:Cite web.
  16. Шаблон:Cite web
  17. Шаблон:Cite web
  18. Шаблон:Cite book