Английская Википедия:First Impressionist Exhibition

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Шаблон:Short description Шаблон:Infobox event

The First Impressionist Exhibition was an art exhibition held by the Шаблон:Lang,Шаблон:Efn a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks. The exhibition was held in April 1874 at 35 Boulevard des Capucines, the studio of the famous photographer Nadar. The exhibition became known as the "Impressionist Exhibition" following a satirical review by the art critic Louis Leroy in the 25 April 1874 edition of Le Charivari entitled "The Exhibition of the Impressionists". Leroy's article was the origin of the term Impressionism.

History

Background

In mid-19th century France, artists depended on public exhibitions to connect them with patrons willing to buy their artworks. The most prestigious exhibition was the Salon in Paris. From the earliest Salons in the 17th century until the French Revolution in 1789, only members of the Académie royale de peinture et de sculpture were permitted to exhibit artworks. Following the revolution and the abolishment of the Royal Academy in 1791, non-member artists were permitted to exhibit artworks in the Salon. With the exception of a short period of a few years following the French Revolution of 1848, the artworks displayed at the Salon were chosen by a jury consisting of members of the Académie des Beaux-Arts.Шаблон:Sfn Being accepted to the Salon was vital for artists because the jury's decision affected the public's perception of artworks. Paintings that had been accepted by the Salon were more likely to sell, and the public would often refuse to purchase paintings that had been rejected. Patrons would sometimes even return paintings that had been purchased beforehand if they had been rejected by the jury.Шаблон:Sfn Artists who were rejected by the jury often complained about corruption and unfairness.Шаблон:Sfn Disagreements among artists with the official standards of the Salon and the Académie des Beaux-Arts would lead to artists seeking alternative venues for promoting their art.

The Salon of 1863 was particularly controversial with artists. A new rule was established that limited artists to three artworks each. The jury was also stricter than it had been in previous years, rejecting three-fifths of all submissions. Even artists who had been regularly admitted were rejected. Louis Martinet, who had previously displayed artworks rejected from the Salon in his gallery, did not room to host all of the rejected artists.Шаблон:Sfn After hearing about the controversy, Emperor Napoleon III visited Palais de l'Industrie where the Salon was to be held and consulted with the president of the jury. Two days later, it was announced that there would be a second elective Salon, a Salon des Refusés ("Salon of the Refused"), to exhibit the rejected artworks.Шаблон:Sfn

Файл:Edouard Manet - Luncheon on the Grass - Google Art Project.jpg
Le Déjeuner sur l'herbe by Édouard Manet, exhibited at the Salon des Refusés in 1863.

The artwork to attract the most visitors at the Salon des Refusés was the painting Le Déjeuner sur l'herbe by Édouard Manet.Шаблон:Sfn Manet had painted it specifically for the Salon, and had hoped that it would bring him success.Шаблон:Sfn When it was rejected, Manet chose to display it at the Salon des Refusés in hopes that the public would side with him against the jury and prove the jury wrong.Шаблон:Sfn The painting proved to be controversial with among critics. Many critics criticized it for the indecency of its subject matter. Manet was also widely criticized for painting technique, which some critics considered sloppy. Despite this criticism, other critics lauded his technique, and described it as "fresh" and "lively".[1]Шаблон:Sfn The scandal surrounding Édouard Manet and the Salon des Refusés brought several younger artists into his social circle.Шаблон:Sfn

Файл:Henri Fantin-Latour - A Studio at Les Batignolles - Google Art Project.jpg
A Studio at Les Batignolles by Henri Fantin-Latour

Manet was a frequent visitor at the Café Guerbois, located at 11 Grande rue des Batignolles in Paris. There he regularly met with many of his admirers, friends, and fellow artists. Some of the artists that regularly visited the café were Claude Monet, Pierre-Auguste Renoir, Frédéric Bazille, Edgar Degas, Camille Pissarro, and Paul Cézanne. Émile Zola and Edmond Maître were also occasional visitors. The famous photographer Gaspard-Félix Tournachon, better known by his pseudonym Nadar, also sometimes visited the café.Шаблон:Sfn The artists that frequented the Café Guerbois called themselves the Batignolles group. They chose to refer to themselves as a "group" rather than a "school" because, although they all had contempt for "official art", they all sought their own directions.Шаблон:Sfn

The members of the Batignolles group had differing opinions about the Salon. Manet and Renoir believed that the Salon offered them the best chance at gaining recognition. Cézanne, on the other hand, believed that they should always submit their most "offensive" pictures to the Salon as a means of challenging established customs.Шаблон:Sfn Despite their differing views, the members of the Batignolles group regularly submitted their artworks to that annual Salon. All members of the group except for Cézanne had been accepted into the Salon at least once.Шаблон:Sfn

The Exhibition of the Impressionists

Claude Monet and Frédéric Bazille first proposed that the Batignolles group hold their own exhibition at their own expense in 1867. The group was unable to hold an exhibition then due to a lack of funds. Following the Salon of 1873 and the Exposition artisique des oeuvres refusées, a second Salon des Refusés, Monet once again proposed that the group hold their own exhibition. Bazille, who had died in the Franco-Prussian War in 1870, did not live to participate in the exhibition that he and Monet had once envisioned.Шаблон:SfnШаблон:Sfn

Edgar Degas expressed concern that if the exhibition only consisted of members of their own group, their exhibition might be seen by the public and critics as being put on by refusés and suggested that they invite outside artists and artists who had previously had success in the salon.Шаблон:SfnШаблон:Sfn Some of the artists thought that inviting outsiders would change the character of the exhibition. Pierre-Auguste Renoir endorsed Degas's plan to invite outside artists, as a greater number of participating artists would result in a lower cost to each artist. The rest then agreed to Degas's plan.Шаблон:Sfn Some of the members of the group opposed Cézanne's participation in the exhibition, however they agreed after Monet supported his participation. Manet would ultimately not participate in the exhibition. He once told the others that it was because he would never participate in an exhibition with Cézanne, however, his main reason was that believed that the only way to succeed was to succeed at the Salon.Шаблон:Sfn

A painting of the Boulevard des Capucines in Paris by Claude Monet, painted from the window in Nadar's studio.
One of two 1873 painting of the Boulevard des Capucines in Paris by Claude Monet, painted from the window in Nadar's studio. The other version of this painting was featured in the first Impressionist Exhibition.
A photorgaph of Nadar's Studio at 35 Boulevard des Capucines in 1860
Nadar's Studio at 35 Boulevard des Capucines in 1860.

For the location of the group exhibition, Manet suggest the studio of the photographer Félix Nadar at 35 Boulevard des Capucines, which was sometimes rented out for converts. Nadar had recently vacated his studio for a larger one at 51 rue d'Anjou nearby, so it was available for the group to use.[2] Nadar's studio was on the second floor of the building. A staircase led up to a series of large rooms on two floors which received light from the windows.Шаблон:Sfn While Nadar preferred more tradition styles of art, he sympathized with the group's anti-establishment stance.[2] According to Monet, Nadar allowed the group to use his studio for free.Шаблон:Sfn

On Pissarro's suggestion, the group formed a joint-stock company. The charter was signed on December 27, 1873. The initial signers of the charter were Moner, Renoir, Sisley, Degas, Berthe Morisot, Pissarro, Béliard, Guillaumin, Lepic, Levert, and Rourt.Шаблон:Sfn For the name of the group, Renoir and Degas wanted neutral name that would not be associated with a particular style or suggest a new "school" of art.Шаблон:SfnШаблон:Sfn Degas suggested that the group be called La Capucine after their exhibition space at 35 Bouleveard des Capucines, with a capucine flower as their logo.Шаблон:SfnШаблон:Sfn In the end, the members of group settled on the name Société anonyme des artistes peintres, sculpteurs, graveurs, etc.Шаблон:Sfn

The Première exposition of the Société anonyme opened on April 15, 1874. They chose to open the exhibition two weeks before the Salon of 1874 in hopes of emphasizing to the public that it was not another Salon des Refusés.Шаблон:Sfn The exhibition was open for one month, from ten in the morning to six in the evening. It was also open from eight to ten in the evening. The entrance fee was one franc, and the catalog was sold for fifty centimes.Шаблон:Sfn Throughout its entire duration, the exhibition received about 3,500 visitors in total. This was significantly fewer than the Salon of 1874, which received about 400,000 visitors in total.Шаблон:Sfn Most of the media coverage of exhibition came from left-wing and republican publications. Most of the conservative press chose not to provide platform to those who opposed official arts policy.Шаблон:Sfn

On April 25, the satirical magazine Le Charivari published a review of the exhibition by Louis Leroy titled Шаблон:Lang.Шаблон:Efn The satirical review was written in the form of a dialog between Leroy and a fictionalШаблон:Sfn academic landscape painter named Joseph Vincent. In the review, as Leroy guides Vincent through the exhibition, Vincent is shocked and aghast at style of the paintings. Leroy begrudgingly defends each painting by saying that, while they are not accurate depictions, they have an impression of what they are supposed to depict. Vincent repeatedly mocks Leroy's use of the word "impression", and begins to refer to the artists collectively as "impressionists". When Vincent finally reaches Cézanne's A Modern Olympia, he is driven mad at its sight and begins to hallucinate that the paintings are talking to him.Шаблон:Sfn Leroy's article was intended to be just as much of a spoof of the reactions of conservative academic painters to the "Impressionists" as it was a mockery of Impressionists themselves.Шаблон:Sfn

The painting "Impression, Sunrise" by Claude Monet.
Impression, Sunrise by Claude Monet, 1873.

Louis Leroy's review was the first use of the term "Impressionists", a term that would come to refer to the artists who painted in style of Impressionism. Leroy's use of the word "impression" derived from the title of Claude Monet's painting Impression, Sunrise. Monet chose to call his painting an "impression" after Edmond Renoir (the brother of Pierre-Auguste Renoir), the editor of the exhibition catalog, complained that the titles of his paintings were too monotonous. Monet told him "Why don't you just put Impression!"Шаблон:Sfn Critics had sometimes previously used the term "impression" in reference to the landscape paintings of Camille Corot, Charles-François Daubigny, and Johan Jongkind. The members of the Batignolles group had also previously used the term "impression" in reference to creating "impressions of nature".Шаблон:Sfn

The First Impressionist Exhibition was a commercial failure. Money earned from entrance fees, catalog sales, commissions on painting sales, etc. amounted to 10,221.50 francs. Expenses from rent, decorations, insurance, wages, etc. amounted to 9,272.20 francs. The remaining 949.20 francs were added to 2,359.50 in outstanding shares. In December of 1874, Renoir called a meet where he announced that, after paying off all debts, the Société anonyme still owed over 3,700 francs in liabilities, but only had about 278 francs remaining. All of the members still owed about 185 francs each. The group was then liquidated, and members that had already paid their dues for the next year were refunded.Шаблон:Sfn

Legacy

Шаблон:Expand section

Despite the commercial and critical failure of the First Impressionist Exhibition and the Société anonyme, the Impressionists would not be dissuaded from pursuing their own style and would hold seven more Impressionist Exhibitions. A second exhibition was held in 1876, a third 1877, a fourth in 1879, a fifth in 1880, a sixth 1881, a seventh in 1882, and an eight and final exhibition was held in 1886.Шаблон:Sfn

Participating artists

The exhibition catalog lists thirty artists as participated in the First Impressionist Exhibition in 1874.Шаблон:Sfn A thirty-first artist, the Comtesse de Luchaire, was mentioned as participating in the exhibition in a review by Marc de Montifaud, but is not listed among the participating artists in the catalog.Шаблон:Sfn[3]

Шаблон:Columns-list

List of artworks

Шаблон:Incomplete list

The exhibition catalog for the First Impressionist Exhibition lists artworks as numbered 1 through 165. Several of these entries contain multiple artworks each, and there are no entries listed for numbers 71, 72, and 73.Шаблон:Sfn Three artworks were shown at the exhibition Шаблон:Lang ("out of catalog"), meaning that they were exhibited but were not listed in the catalog. These artworks have been identified as being displayed at the exhibition through references in contemporary reviews.Шаблон:SfnШаблон:Sfn These Шаблон:Lang artworks are numbered as "HC" in the list below.

Шаблон:Sticky header

Artworks at the First Impressionist Exhibition
No. Title Image Artist Date Technique Dimensions Current Location Notes
1. Le Bouquet à la Pénitente (No image) Zacharie Astruc Watercolor
2. La Leçon du vieux Torrero (No image) Zacharie Astruc Watercolor
3. Frame of figures containing:Шаблон:Ordered list (No image) Zacharie Astruc
(No image) Zacharie Astruc
(No image) Zacharie Astruc
(No image) Zacharie Astruc
Файл:Les Prèsents Chinois.jpg Zacharie Astruc Watercolor on paper Шаблон:Convert Private collection Шаблон:Sfn
Файл:Zacharie Astruc Intérieur Parisien.jpg Zacharie Astruc 1874 Watercolor on vellum paper Шаблон:Convert Musée d'Évreux Шаблон:Sfn[4]
4. Frame of landscapes containing:Шаблон:Ordered list (No image) Zacharie Astruc
(No image) Zacharie Astruc
(No image) Zacharie Astruc
(No image) Zacharie Astruc
5. Les Poupées blanches (Japon) (No image) Zacharie Astruc
6. Le Ménage mal assorti (No image) Zacharie Astruc
7. Nature morte (No image) Antoine-Ferdinand Attendu
8. Un fin Connaisseur (No image) Antoine-Ferdinand Attendu
9. Quelques réflexions (au XIIIe arrondissement) (No image) Antoine-Ferdinand Attendu
11. Nature morte: Cuisine (No image) Antoine-Ferdinand Attendu Watercolor
12. Nature morte: Cuisine (No image) Antoine-Ferdinand Attendu Watercolor
13. Le Fort de la Halle (No image) Édouard Béliard
14. Saules (No image) Édouard Béliard
15. Rue de l'Hermitage, à Pontoise (No image) Édouard Béliard
16. Vallée d'Auvers (No image) Édouard Béliard
17. Le Toulinguet, côtes de Camaret (Finistère) (No image) Eugène Boudin
18. The Coast of Portrieux, Cotes-du-Nord Файл:Eugène Boudin Cotenord.jpg Eugène Boudin 1874 Oil on canvas Шаблон:Convert Private collection Шаблон:Efn-lrШаблон:Sfn
19. The Coast of Portrieux, Cotes-du-Nord (No image) Eugène Boudin See above.
20. 4 Cadres (même numéro). Études de ciel ("4 Frames (same number). Sky studies") (No image) Eugène Boudin Pastels
21. 2 Cadres (même numéro). Études diverses ("4 Frames (same number). Various studies") (No image) Eugène Boudin Pastels
22. 4 Cadres (même numéro). Plage de Trouville ("4 Frames (same number). Trouville Beach") (No image) Eugène Boudin Watercolors
23. Portrait (No image) Félix Bracquemond Drawing
24. Frame of etchings: Portraits of MM.Шаблон:Ordered list Файл:Portrait of Louis Robert MET DP814355.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Félix Bracquemond - Meyer-Heine - 1966.163 - Cleveland Museum of Art.tif Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Hoschedé, d'après nature (NYPL b14504927-1129414).jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Edwin Edwards by Félix Bracquemond.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Auguste Comte, fondateur de la religion de l'humanité (NYPL b14504927-1129364).jpg Félix Bracquemond Etching Шаблон:Convert New York Public Library Шаблон:Sfn
Файл:Félix Bracquemond - Charles Kean - 1922.354 - Cleveland Museum of Art.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Félix Bracquemond - Alphonse Legros - 2005.242 - Cleveland Museum of Art.tif Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Félix Bracquemond (French, 1833-1914), Gazette des Beaux-Arts - Charles Méryon - 2005.256 - Cleveland Museum of Art.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Théophile Gautier by Félix Bracquemond after Nadar.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Théophile Gautier (NYPL b14504927-1129400).tiff Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Charles Baudelaire (NYPL b14504927-1129348).tiff Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Madame Granger, d'après Ingres (NYPL b14504927-1129409).tiff Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
25. Frame of etchings:Шаблон:Ordered list Файл:The Locomotive MET DP814342.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Félix Bracquemond (French, 1833-1914) - The Hare (Le Lièvre) - 2016.142 - Cleveland Museum of Art.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Un tournoi, d'après Rubens (NYPL b14693583-1153430).jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:La source, d'après Ingres (NYPL b14504923-1130986).tiff Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:La servante, d'après Leys (NYPL b14504923-1130994).tiff Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
26. Frame of etchings:Шаблон:Ordered list Файл:Les saules des Mottiaux (NYPL b14506647-1128843).jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
(No image) Félix Bracquemond Etching
Файл:À droite, trois bouleaux sans feuilles.. (NYPL b14506647-1128765).jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Félix Bracquemond, The Road Leading to Bellevue, 1873, NGA 57860.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Félix Bracquemond Drypoint Шаблон:Convert Шаблон:Sfn
Файл:Bachots au bords de la Seine MET DP814345.jpg Félix Bracquemond Drypoint Шаблон:Convert Шаблон:Sfn
27. Frame of engravings:Шаблон:Ordered list Файл:Le Chemin des Coutures, à Sèvres (NYPL b14506647-1128863).tiff Félix Bracquemond Etching and aquatint Шаблон:Convert Шаблон:Sfn
Файл:Unpublished frontispiece for Baudelaire's Les Fleurs du Mal MET DP814149.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Margot la Critique MET DP814024.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:Le Bois de Boulogne MET DP814034.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
Файл:The Death of Matamore MET DP814032.jpg Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
28. Frame of engravings:Шаблон:Ordered list Файл:Érasme, d'après Holbein (NYPL b14504927-1129389).tiff Félix Bracquemond Etching Шаблон:Convert Unknown Шаблон:Sfn
Файл:Hans Holbein - Erasmus (Didier Erasme) - 2016.137 - Cleveland Museum of Art.tif Félix Bracquemond Etching Шаблон:Convert Шаблон:Sfn
29. Scene in a Synagogue Файл:Scene in a Synagogue (1868-1870).jpg Jacques Émile Édouard Brandon 1869-70 Oil on canvas Шаблон:Convert Philadelphia Museum of Art Шаблон:Sfn
30. Portrait de M. A. Z. (No image) Jacques Émile Édouard Brandon
31. Watercolors (No image) Jacques Émile Édouard Brandon Watercolors
32. Exposition du corps de Sainte-Brigitte à Rome, en 1392 (No image) Jacques Émile Édouard Brandon
32b. Le Maître d'ecole Jacques Émile Édouard Brandon Lithograph Шаблон:Convert Cabinet des estamps, Bibliothèque nationale de France Шаблон:Sfn
33. Le Clocher de Jouy-le-Comte (No image) Pierre-Isidore Bureau
34. Près de l'étang de Jouy-le-Comte (No image) Pierre-Isidore Bureau
35. Moonlight on the banks of the Oise in Isle-Adam Файл:Pierre-Isidore Bureau - Clair de lune sur les bords de l'Oise à l'Isle-Adam, 1867.png Pierre-Isidore Bureau 1867 Oil on canvas Шаблон:Convert Musée d'Orsay Шаблон:Sfn
35b. Clair-de-Lune (No image) Pierre-Isidore Bureau
36. Portrait de Madame Ed. G. (No image) Adolphe-Félix Cals
37. Le Bon Père Pêcheur à Honfleur Adolphe-Félix Cals 1874 Oil on canvas Шаблон:Convert Unknown Шаблон:Sfn
38. Vieux pêcheur Файл:Adolphe-Félix Cals, Le Vieux pêcheur, 1873.jpg Adolphe-Félix Cals 1873 Oil on canvas Шаблон:Convert Private collection Шаблон:Sfn
39. Paysage (No image) Adolphe-Félix Cals
40. Bonne Femme tricotant (No image) Adolphe-Félix Cals
41. La Fileuse bleue Adolphe-Félix Cals 1860 Oil on canvas Шаблон:Convert Unknown Шаблон:Sfn
42. The Hanged Man's House Файл:La Maison du pendu, Auvers-sur-Oise, par Paul Cézanne, FWN 81.jpg Paul Cézanne 1873 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
43. A Modern Olympia Файл:Paul Cezanne, A Modern Olympia, c. 1873-1874.jpg Paul Cézanne 1873-74 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
44. Étude: Paysage à Auvers Файл:Paul Cézanne - Quartier Four, Auvers-sur-Oise.jpg Paul Cézanne 1873 Oil on canvas Шаблон:Convert Philadelphia Museum of Art Шаблон:Sfn
45. Haurra-Maria (No image) Gustave-Henri Colin
46. La Maison du Charpentier (No image) Gustave-Henri Colin
47. L'Étang aux poules d'eau (No image) Gustave-Henri Colin
48. Marchandes de poissons de Fontarabie (Espange) (No image) Gustave-Henri Colin
49. Entrée du port de Pasages (Espange) (No image) Gustave-Henri Colin
50. Un Paysan (No image) Louis Debras
51. Une Nature morte (No image) Louis Debras
52. San Juan de la Rapita (Espagne) (No image) Louis Debras Drawing
53. Rembrandt dans son atelier (No image) Louis Debras
54. Examen de danse au théâtre (No image) Edgar Degas
55. The Dancing Class Файл:Edgar Degas - Chasse de danse.jpg Edgar Degas 1871 Oil on wood Шаблон:Convert Metropolitan Museum of Art, New York Шаблон:Sfn
56. Intérieur de coulisse (No image) Edgar Degas Destroyed by artist Шаблон:Sfn
57. Blanchisseuse (No image) Edgar Degas
58. Départ de Course (No image) Edgar Degas Sketch drawing
59. Faux Départ (No image) Edgar Degas Drawing
60. Ballet Rehearsal on Stage Файл:Edgar Degas - Ballet Rehearsal on Stage - Google Art Project.jpg Edgar Degas 1874 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:SfnШаблон:Efn-lr
61. Une Blanchisseuse Файл:Degas La Repasseuse Musee dOrsay.JPG Edgar Degas 1869 Charcoal, white chalk, and pastel on paper Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
62. Après le bain (No image) Edgar Degas Drawing
63. At the Races in the Countryside Файл:Edgar Degas - At the Races in the Countryside - Google Art Project.jpg Edgar Degas 1869 Oil on canvas Шаблон:Convert Museum of Fine Arts, Boston Шаблон:Sfn
64. View of the Seine, Paris Файл:Armand Guillaumin - View of the Seine, Paris - Google Art Project.jpg Armand Guillaumin 1871 Oil on canvas Шаблон:Convert Museum of Fine Arts, Houston Шаблон:Sfn
65. Temps pluvieux (landscape) (No image) Armand Guillaumin
66. Soleil couchant à Ivry Файл:Armand Guillaumin - Soleil couchant à Ivry - 1869.jpg Armand Guillaumin 1869 Oil on canvas Шаблон:Convert Musée d'Orsay Шаблон:Sfn
67. Clocher de Berk (pas-de-Calais) (No image) Louis Latouche
68. Vue des Quais (Paris) (No image) Louis Latouche
69. La Plage, marée basse à Berck (Pas-de-Calais) (No image) Louis Latouche
70. Sous bois (No image) Louis Latouche
74. L'Arrivée de la marée à Cayeux (No image) Ludovic-Napoléon Lepic Watercolor
75. La pêche (No image) Ludovic-Napoléon Lepic Watercolor
76. Golfe de Naples (No image) Ludovic-Napoléon Lepic Watercolor
77. Le Départ pour la pêche du hareng (No image) Ludovic-Napoléon Lepic Etching
78. L'Escalier du château d'Aix en Savoie Ludovic-Napoléon Lepic 1863 Etching Шаблон:Convert Шаблон:Sfn
79. César, Portrait de chien Файл:Ludovic Lepic - Cesar.jpg Ludovic-Napoléon Lepic 1861 Etching Шаблон:Convert Шаблон:Sfn
80. Jupiter, Portrait de chein Файл:Ludovic-Napoléon Lepic - Jupiter, 1861.jpg Ludovic-Napoléon Lepic 1861 Etching Шаблон:Convert Шаблон:Sfn
81. Le canal Saint-Denis (No image) Stanislas Lépine
82. La rue Cortot (No image) Stanislas Lépine
83. Bank of the Seine Файл:Stanislas Lépine - Paysage (Landscape), 1896.jpg Stanislas Lépine 1869 Oil on canvas Шаблон:Convert Musée d'Orsay Шаблон:Sfn
84. Bords de l'Essonne (No image) Léopold Levert
85. Le Moulin de Touiaux (No image) Léopold Levert
86. Près d'Auvers (No image) Léopold Levert
HC1 Lieutenant des lanciers (No image) Comtesse de Luchaire Шаблон:Efn-lrШаблон:Sfn
87. Estienne Marcel, prévôt des marchands (No image) Alfred Meyer Enamel
88. Doña Maria Pacheco, épouse de Don Jaun de Padilla, chef de l'insurrection, qui avait pris le nom de Sainte Ligue des communes sous Charles-Quint (No image) Alfred Meyer Enamel
89. Le Firmament (No image) Alfred Meyer Enamel
90. Figure d'après Raphaël (No image) Alfred Meyer Enamel
91. Figure d'après Raphaël (No image) Alfred Meyer Enamel
91b. Idylle (No image) Alfred Meyer Drawing
92. The Comming Storm Auguste de Molins 1874 Oil on panel Шаблон:Convert Private collection, Lausanne Шаблон:Sfn
93. Rendez-Vous de chasse Auguste de Molins Oil on canvas Шаблон:Convert Private collestion Шаблон:Efn-lrШаблон:Sfn
94. Relai de chiens (No image) Auguste de Molins
94b. Rendez-Vous de chasse (No image) Auguste de Molins
95. Poppies at Argenteuil Файл:Claude Monet - Poppy Field - Google Art Project.jpg Claude Monet 1873 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
96. Fishing Boats Leaving the Port of Le Havre Файл:Claude Monet, Fishing Boats Leaving the Harbor, Le Havre.jpg Claude Monet 1874 Oil on canvas Шаблон:Convert Private collection Шаблон:Sfn
97. Boulevard des Capucines Файл:Claude Monet 009.jpg Claude Monet 1873 Oil on canvas Шаблон:Convert Pushkin Museum, Moscow Шаблон:SfnШаблон:Efn-lr
98. Impression, Sunrise Файл:Monet - Impression, Sunrise.jpg Claude Monet 1872 Oil on canvas Шаблон:Convert Musée Marmottan Monet, Paris Шаблон:SfnШаблон:Sfn
99. Deux croquis ("Two sketches") (No image) Claude Monet Pastel
100. Deux croquis ("Two sketches") (No image) Claude Monet Pastel
101. Deux croquis ("Two sketches") (No image) Claude Monet Pastel
102. Un croquis ("A sketch") (No image) Claude Monet Pastel
103. The Luncheon Файл:Claude Monet - The Luncheon - Google Art Project.jpg Claude Monet 1868-69 Oil on canvas Шаблон:Convert Städel Museum, Frankfurt Шаблон:Sfn
104. The Cradle Файл:Berthe Morisot 008.jpg Berthe Morisot 1872 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
105. The Mother and Sister of the Artist Файл:Berthe Morisot 006.jpg Berthe Morisot 1869-70 Oil on canvas Шаблон:Convert National Gallery of Art, Washington, DC Шаблон:Sfn
106. Hide-and-Seek Файл:Morisot - hide-and-seek.jpg Berthe Morisot 1873 Oil on canvas Шаблон:Convert Private collection, New York Шаблон:Sfn
107. The Harbor at Lorient Файл:Berthe Morisot The Harbor at Lorient.jpg Berthe Morisot 1869 Oil on canvas Шаблон:Convert National Gallery of Art, Washington, DC Шаблон:Sfn
108. Portrait of Madeleine Thomas Berthe Morisot 1873 Oil on canvas Шаблон:Convert Private collection, New York Шаблон:Sfn
109. Le village de Maurecourt Berthe Morisot Pastel on paper Шаблон:Convert Private collection, New York Шаблон:Sfn
110. Sur la falaise Файл:Morisot - Sur la falaise, RF 3429, Recto.jpg Berthe Morisot Watercolor on paper Шаблон:Convert Musée d'Orsay Шаблон:Sfn
111. Jeune Femme et enfant sur un banc Berthe Morisot Watercolor on paper Шаблон:Convert Musée d'Orasy Шаблон:Sfn
112. Femme et enfant assise dans un pré Berthe Morisot Watercolor on paper Шаблон:Convert Private collection Шаблон:Sfn
HC2 Portrait of Madame Pontillon Файл:Morisot - Portrait de Madame Pontillon, soeur de l'artiste, assise, sur un canapé, RF 5262, Recto.jpg Berth Morisot 1871 Pastel on paper Шаблон:Convert Musée d'Orasy Шаблон:Efn-lrШаблон:Sfn
113. Barques à plomb (No image) Mulot-Durivage
114. La Rampe (No image) Mulot-Durivage
115. Paysage près de Blois (No image) Giuseppe De Nittis
116. Lever de Lune. Vésuve (No image) Giuseppe De Nittis
117. Campagne du Vésuve (No image) Giuseppe De Nittis
118. Études de femme (No image) Giuseppe De Nittis
118b. Route en Italie (No image) Giuseppe De Nittis
119. Amour et Psyché (No image) Auguste-Louis-Marie Ottin Marble group
120. Acis et Galathée Файл:Paris 6e - Jardin du Luxembourg - Fontaine Médicis - Acis et Galatée.jpg Auguste-Louis-Marie Ottin Bronze reduction Unknown Шаблон:Efn-lrШаблон:Sfn
121. Jeune Faune Файл:Pan par Auguste Ottin - Fontaine de Médicis.jpg Auguste-Louis-Marie Ottin Bronze reduction Unknown Шаблон:Efn-lrШаблон:Sfn
122. Nymphe chasseresse Файл:Diane par Auguste Ottin - Fontaine de Médicis.jpg Auguste-Louis-Marie Ottin Bronze reduction Unknown Шаблон:Efn-lrШаблон:Sfn
123. Jeune Femme portant un vase (No image) Auguste-Louis-Marie Ottin Terracotta
124. Jeune Femme portant un vase (No image) Auguste-Louis-Marie Ottin Terracotta
125. Buste (No image) Auguste-Louis-Marie Ottin Terracotta
126. Buste de Ingress (No free image)Шаблон:Efn-lr Auguste-Louis-Marie Ottin 1840 Plaster reduction Шаблон:Convert Musée Ingres, Montauban Шаблон:Sfn
127. Le Dernier Mousse du Vengeur (No image) Auguste-Louis-Marie Ottin Plaster
128. Buste de M. B*** (No image) Auguste-Louis-Marie Ottin Terracotta
129. Après la messe à la campagne (No image) Léon-Auguste Ottin
130. Au Château (sannois) (No image) Léon-Auguste Ottin
131. La Butte Montmartre, versant sud (No image) Léon-Auguste Ottin
132. La Fête chez Thérèse (No image) Léon-Auguste Ottin Watercolor
133. Une Bergerie sans moutons (No image) Léon-Auguste Ottin Lithograph
134. At home (No image) Léon-Auguste Ottin
135. Marette (No image) Léon-Auguste Ottin
136. Orchard in Bloom, Louveciennes Файл:Camille Pissarro, Le verger (The Orchard), 1872.jpg Camille Pissarro 1872 Oil on linen Шаблон:Convert National Gallery of Art, Washington, DC Шаблон:Sfn
137. Hoarfrost Файл:Camille Pissarro - Gelée blanche, ancienne route d´Ennery, Pontoise - 1873.jpg Camille Pissarro 1873 Oil on canvas Шаблон:Convert Musée d'Orsay, Paris Шаблон:Sfn
138. The Chestnut Trees at Osny Файл:Pissarro, Camille, Les chataigniers a Osny (The Chestnut Trees at Osny), 1873.jpg Camille Pissarro 1873 Oil on canvas Шаблон:Convert Private collection, New York Шаблон:Sfn
139. The Public Garden at Pontoise Файл:Camille Pissarro - La Jardin de la Ville, Pontoise - 1874.jpg Camille Pissarro 1874 Oil on canvas Шаблон:Convert Metropolitan Museum of Art Шаблон:Sfn
140. June Morning at Pontoise Файл:June Morning at Pontoise - Camille Pissarro - Google Cultural Institute.jpg Camille Pissarro 1873 Oil on canvas Шаблон:Convert Staatliche Kunsthalle Karlsruhe Шаблон:Sfn
141. The Dancer Файл:Pierre-Auguste Renoir, Danseuse.jpg Pierre-Auguste Renoir 1874 Oil on canvas Шаблон:Convert National Gallery of Art, Washington, DC Шаблон:Sfn
142. La Loge, ("The Theatre Box") Файл:La Loge de P.-A. Renoir (Fondation Vuitton, Paris) (46499625955).jpg Pierre-Auguste Renoir 1874 Oil on canvas Шаблон:Convert Courtauld Gallery, London Шаблон:Sfn
143. La Parisienne Файл:Pierre-Auguste Renoir 089.jpg Pierre-Auguste Renoir 1874 Oil on canvas Шаблон:Convert Amgueddfa Cymru – Museum Wales Шаблон:Sfn[5]
144. Harvesters Файл:Pierre-Auguste Renoir - Les Moissonneurs.jpg Pierre-Auguste Renoir 1873 Oil on canvas Шаблон:Convert Private collection Шаблон:Sfn
145. Mixed Flowers in an Earthenware Pot Файл:Pierre-Auguste Renoir - Mixed Flowers in an Earthenware Pot - Google Art Project.jpg Pierre-Auguste Renoir 1869 Oil on canvas Шаблон:Convert Museum of Fine Arts, Boston Шаблон:Sfn
146. Croquis (No image) Pierre-Auguste Renoir Pastel
147. Tête de femme Pierre-Auguste Renoir Oil on canvas Шаблон:Convert Unknown Шаблон:Sfn
148. Ferme bretonne (No image) Henri Rouart
149. Levée d'étang (No image) Henri Rouart
150. Vue de Melun (No image) Henri Rouart
151. Village (No image) Henri Rouart
152. Forêt (No image) Henri Rouart
153. Route bretonne (No image) Henri Rouart
154. Ferme bretonne (No image) Henri Rouart Watercolor
155. Maisons béarnaises (No image) Henri Rouart Watercolor
155. Maisons béarnaises (No image) Henri Rouart Watercolor
157. Eau-forte (No image) Henri Rouart
158. Eau-forte (No image) Henri Rouart
159. Jeunes filles dans les foins en fleurs (No image) Léopold Robert
160. Cadre (No image) Léopold Robert Watercolor
161. The Route from Saint-Germain to Marly Файл:The Route from Saint-Germain to Marly by Alfred Sisley.jpg Alfred Sisley 1872 Oil on canvas Шаблон:Convert McNay Art Museum Шаблон:Sfn[6]
162. The Ferry of the Ile de la Loge Flood Файл:Le Bac de l'île de la Loge, inondation.jpg Alfred Sisley 1872 Oil on canvas Шаблон:Convert Ny Carlsberg Glyptotek, Copenhagen Шаблон:Sfn
163. The Machine at Marly Файл:Alfred Sisley 043.jpg Alfred Sisley 1873 Oil on canvas Шаблон:Convert Ny Carlsberg Glyptotek, Copenhagen Шаблон:Sfn
164. Orchard Alfred Sisley 1873 Oil on canvas Шаблон:Convert Private collection, Paris Шаблон:Sfn
165. Port Marly, soiré d'hiver (No image) Aldred Sisley
HC3 Autumn: Banks of the Seine near Bougival Файл:Alfred Sisley, L'automne - Bords de la Seine pres Bougival (Autumn - Banks of the Seine near Bougival), 1873.jpg Alfred Sisley 1873 Oil on canvas Шаблон:Convert Montreal Museum of Fine Arts Шаблон:Efn-lrШаблон:Sfn

Catalog notes

Шаблон:Notelist-lr

See also

Notes

Шаблон:Notelist

References

Шаблон:Reflist

Bibliography

Шаблон:Refbegin

Шаблон:Refend

External links

Шаблон:Impressionism

Партнерские ресурсы
Криптовалюты
Магазины
Хостинг
Разное

  1. ↑ Шаблон:Cite book
  2. ↑ 2,0 2,1 Шаблон:Cite book
  3. ↑ Шаблон:Cite book
  4. ↑ Шаблон:Cite web
  5. ↑ Шаблон:Cite web
  6. ↑ Шаблон:Cite web
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