Английская Википедия:Flute sonata in G major (HWV 363b)

Материал из Онлайн справочника
Перейти к навигацииПерейти к поиску

Шаблон:Use dmy dates The Flute sonata in G major (HWV 363b) was composed (c. 1711–16) by George Frideric Handel in F major for the oboe, and was transposed by an unknown hand to G major, for flute and basso continuo. The work is also referred to as Opus 1 No. 5, as it was first published in 1726 or slightly later by the London publisher Walsh, in an edition falsely attributed to Jeanne Roger of Amsterdam. Other catalogues of Handel's music have referred to the work as HG xxvii, 19; and HHA iv/3,28. The sonata was originally composed as an oboe sonata in F major (HWV 363a).[1]

Both of the Walsh editions and the Chrysander edition (based on Walsh) indicate that the work is for flute ("traversiere" or "traverso"), and published it as Sonata V.

A typical performance of the work takes about seven and a half minutes.

Movements

The work consists of five movements:

Movement Type Key signature Time signature Bars Notes
1 Adagio G major Шаблон:Music 16 Concludes with a B major chord.
2 Allegro G major Шаблон:Music 53 Begins in fugal form—with the bass answering the melody in bar 5.
3 Adagio E minor Шаблон:Music 43 Starts with a ground bass, however the movement develops to absorb the bass texture into the music as a whole. Concludes with a B major chord.
4 Bourrée G major Шаблон:Music 22 Two sections (8 and 14 bars)—each with repeat markings.
5 Minuet G major Шаблон:Music 24 Two sections (8 and 16 bars)—each with repeat markings.Based on a favourite theme of Handel's.

(Movements do not contain repeat markings unless indicated. The number of bars is taken from the Chrysander edition, and is the raw number in the manuscriptШаблон:Clarify—not including repeat markings.)

See also

References

Шаблон:Reflist

Шаблон:George Frideric Handel Шаблон:Authority control


Шаблон:Sonata-stub

  1. Anthony Hicks, "Handel, George Frideric", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001): 10:802.