Английская Википедия:Frances Simpson Stevens
Шаблон:Short description Шаблон:Infobox person
Frances Simpson Stevens (1894 – July 18, 1976) was an American painter, who is best remembered as one of the few Americans to directly participate in the Futurist Movement.[1] Stevens was also one of the artists who exhibited at the landmark show Armory Show in New York City. The show included her oil painting Roof tops of Madrid ($200).[2]
Early life
Stevens was born and grew up in Chicago, Illinois.[3][4] Her mother, Ellen Welles Stevens,[5] could trace their ancestry back to 12th century England and passed down a lifetime "fascination with lineage."[6] She was a descendant of Thomas Welles, the first Governor of the Colony of Connecticut.[7]
She graduated from Dana Hall School in Wellesley, Massachusetts, and moved to New York City.[6] In 1912 she attended a summer painting class taught by Robert Henri in Spain. It was there that she painted The roof tops of Madrid, the painting that she would exhibit a year later in the Armory Show,[8] introducing America and Stevens into the concept of modern art.[9]
Career
Following the closing of the show, at the urging of Mabel Dodge, Stevens moved to Florence where she rented a studio from 1913 to 1914 with Mina Loy,[8] who had asked Dodge to find her a boarder. Stevens and Loy became fixtures in the local art scene and it was there that they became acquainted with Marinetti and the Futurists.[10] Stevens was the only American to exhibit at the 1914 Esposizione Libera Futurista Internazionale,[11] where she showed eight works. Lacerba a futurist literary journal based out of Florence, Italy acknowledged Stevens in their writing for her exhibit.
Stevens was active in World War I,[12] where she became involved in the Red Cross[13] for the war effort. After leaving Europe she returned to New York where she published a series of cartoons in Rogue magazine. She also exhibited in New York, receiving a positive review in The New York Times.[12]
Futurism
Stevens explicitly identified her work as futurist. In an article for The Popular Science Monthly, she articulated her vision:
Very little of Stevens' art has survived. One work that has is Dynamic Velocity of Interborough Rapid Transit Power Station at the Philadelphia Museum of Art.[14][15]
After her 1919 marriage, Stevens and her husband lived in Siberia for two years during the Russian Civil War. They were in Omsk while the Kolchak government was in power there, and later escaped from Vladivostok to Japan on the Russian warship Oriole, whose men were loyal to the Kerensky government. The couple returned to America, arriving in Boston on August 14, 1920, on the British steamship Persian Prince, via China.[16]
Stevens apparently continued her artistic activities for at least some time after her return to New York.[17]
Personal life
Stevens was briefly engaged to Marchese Salimbeni in Florence Italy, but the engagement was discontinued due to World War 1 and Stevens moving back to America. On April 19, 1919, Frances was married Prince Dimitry Golitzine (1882–1928), who was then the attaché to the Russian ambassador. The wedding was widely reported and American Art News identified him as a son of the last Prime Minister of Russia, Prince Nikolai Dmitriyevich Golitsyn.[18] They had reportedly met at a dinner, when the Prince was attached to the Russian Embassy in Washington.[19] They were married in a registrar's office.[19] Frances was latterly styled Princess Dimitry Golitzine. After honeymooning in California, the couple departed for Vladivostok, where the Prince had a naval command, travelling by way of Japan.[18] Frances was his second wife; his first wife was killed in 1918 in Russia, during the aftermath of the Russian Revolution.Шаблон:Citation needed
Prince Dimitri Golitzine died on May 12, 1928, in Nice, France.Шаблон:Citation needed Little is known about Stevens' life after her return to America. In 1961, she was admitted to Mendocino State Hospital in California and later died in a residential care home as a ward of the State of California on July 18, 1976.[4]
References
Шаблон:Reflist Шаблон:Futurism Шаблон:Authority control
- ↑ Petteys, Chris, ‘’Dictionary of Women Artists’’, G K Hill & Co. publishers, 1985
- ↑ Brown, Milton W., ‘’The Story of the Armory Show’’, The Joseph H. Hirshhorn Foundation, 1963, p. 293
- ↑ Шаблон:Cite journal
- ↑ 4,0 4,1 Шаблон:Cite thesis
- ↑ Шаблон:Cite book
- ↑ 6,0 6,1 Шаблон:Cite web
- ↑ Шаблон:Cite journal
- ↑ 8,0 8,1 Шаблон:Cite book
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Esposizione libera futurista internazionale : pittori e scultori italiani, russi, inglesi, belgi, nordamericani : Roma, Galleria Futurista, aprile-maggio, Rome, 1914
- ↑ 12,0 12,1 New York Times, 10 March 1916, p. 8
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite book
- ↑ 18,0 18,1 Шаблон:Cite journal
- ↑ 19,0 19,1 Шаблон:Cite journal
- Английская Википедия
- Страницы с неработающими файловыми ссылками
- 1894 births
- 1976 deaths
- 20th-century American painters
- Students of Robert Henri
- 20th-century American women painters
- Dana Hall School alumni
- Golitsyn family
- Страницы, где используется шаблон "Навигационная таблица/Телепорт"
- Страницы с телепортом
- Википедия
- Статья из Википедии
- Статья из Английской Википедии
