Английская Википедия:Francis W. Fitzpatrick

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Шаблон:Use American English Шаблон:Use mdy dates Шаблон:Infobox person Francis Willford Fitzpatrick (April 9, 1863 – July 10, 1931) was an architect in Duluth, Minnesota, Washington, DC, Omaha, Nebraska, and Evanston, Illinois. He often abbreviated his name as F. W. Fitzpatrick in publications and correspondence. Fitzpatrick was an early advocate of fireproof buildings, and he was a frequent columnist in architectural trade publications on a variety of topics.[1]

Early life

Fitzpatrick was born in Montreal, Canada East, on April 9, 1863. His parents were John and Mary Fitzpatrick. He immigrated to the United States in 1883 and began working as a drafter in the office of Minneapolis architect Leroy Buffington, remaining until 1887. Then in 1888, Fitzpatrick worked at the offices of the brothers Fremont D. Orff and George W. Orff.[2] He formed the Minnesota Decorating Company and successfully contracted for the interior painting and decorating of the 107-room Dacotah Hotel in Grand Forks, North Dakota in 1889.[3]

He joined the American Institute of Architects in 1889.[4]

Traphagen and Fitzpatrick

After completing his work at the Dacotah Hotel, Fitzpatrick moved to Duluth, Minnesota, and formed a partnership, Traphagen and Fitzpatrick, with Oliver G. Traphagen that lasted from 1890 to 1896. This was his most productive time as an architect. Noted Duluth architect Frederick German worked for the two as a draftsman at this time.[5]

List of Traphagen and Fitzpatrick designs

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  • Phoenix Block, 1890
  • Fitger Brewery Boiler House, 1890
  • A W. Wieland Store, 1890
  • Hoppmann Building, 1890
  • Lester Park Hotel, 1890
  • Philadelphia Terrace (townhouses), 1890
  • Chester Terrace (townhouses), 1890
  • Clinton & Kate Markell House, 1890
  • Alonzo & Julia Whiteman House, 1890
  • Costello Block (second), 1891
  • Lyceum Theater, 1891
  • First Presbyterian Church, 1891
  • Incline Pavilion, 1891
  • Duluth Shoe Co./Duluth Dry Goods Co., 1891
  • Selleck Block, 1891
  • Charlotte Wells Store, 1891
  • Hardy Hall, 1891
  • James Norton Rental Houses (2), 1891
  • Alexander Miles Rental Houses (6), 1891
  • Henry & Lizzie Blume House, 1891
  • Torrey Building, 1892
  • Boyle Brothers Saloon & Restaurant, 1892
  • Duluth Street Railway Co. Barn, 1892
  • Duluth Driving Park, 1892
  • Myron & Mary Bunnell House, 1892
  • William & Josephine Magie House, 1892
  • Oliver & Amelia Traphagen House, 1892
  • Munger Terrace (townhouses), 1892
  • Townsend & Mayme Hoopes House, 1892
  • William & Amelia Sherwood House, 1892
  • Charles & Maude Towne House, 1892
  • Herald Building, 1893
  • Mesaba Block, 1893
  • Stone-Ordean Warehouse, 1893
  • St. Louis Hotel (second), 1893
  • Sagar Drug, 1893
  • Hamilton & Martha Peyton House, 1893
  • Charles & Louise Schiller House, 1893
  • George & Jessica Spencer House, 1893
  • Crane Ordway Building, 1894
  • Elmer & Lizzie Matter House, 1894
  • Board of Trade Building (second), 1895
  • Tuohy Mercantile, 1895
  • P.R. L. Hardenbergh & Co. Building, 1895
  • Fitger's Brewery Settling Room, 1896[2]

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The partnership ended in 1896 when Traphagan relocated to Hawaii and Fitzpatrick moved to Washington, D.C.

Chicago Federal Building

In 1896 Fitzpatrick accepted a position as assistant to the Supervising Architect at the United States Treasury. Prior to the Tarsney Act of 1893, federal buildings were designed by architects at the treasury. Fitzpatrick entered government service at a time when federal architects were becoming advisors and supervisors on federal building contracts with design work more in the hands of private architects.[6] At the treasury, Fitzpatrick worked for Jeremiah O'Rourke and then for William Aiken. Fitzpatrick was assigned to the Chicago Federal Building project as an assistant to architect Henry Ives Cobb, and he moved to Chicago to become one of many supervisors of construction. Soon Fitzpatrick was the only supervisor of construction,[7] and his relationship with Cobb deteriorated for reasons of procurement and process related to construction.[8] Fitzpatrick resigned from the project in 1903 and returned to private practice two years before the building was completed.[9]

Private practice

Fitzpatrick became a consulting architect in 1903, and he specialized in fire prevention designs. He also worked with other architects to solve design problems. His favorite area of expertise may have been Architectural rendering, and he enjoyed submitting drawings for competition awards.[10]

By 1917, Fitzpatrick joined the Bankers Realty Investment Company in Omaha, Nebraska as head of the architectural department. The company designed and built residential and commercial structures capitalized by investors. While at Bankers, he designed the Hotel Yancey in Grand Island, Nebraska, the Blackstone Hotel in Omaha, and a hotel in Sioux City, Iowa. The job did not last long, and in 1919 Fitzpatrick moved to Evanston, Illinois and continued as a consulting architect.[2]

Invention of the skyscraper

An editorial in the June 22, 1907, issue of The American Architect and Building News reported that three architects had claimed credit for inventing the skyscraper:

The editorial stated that in the opinion of the American Institute of Architects (AIA), Jenny had the better claim, although his design was similar to the framing of an 1856 shot tower in the great swamp of New York City.[11]

The July 13, 1907, issue of The American Architect and Building News contained a letter from F. W. Fitzpatrick refuting the conclusions of the AIA titled, "The Origination of the Steel Skeleton Idea." In his letter, Fitzpatrick claimed that he himself had designed steel skeletons in support of church towers prior to 1883, and he had sketched the steel column and horizontal beam design for Buffington's 12-story Tribune building when he was working for Buffington in 1883.[12]

Then in 1912, an article in The Washington Post credited Fitzpatrick with inventing the skyscraper.[13] Claims about Fitzpatrick's role in early skyscraper design were not actively contested, but the opinion of the AIA may have been more accurate.

Ideas, opinions, and quotations

Fitzpatrick was a frequent contributor to various trade publications and newspapers. In his research, historic preservationist Ed Zimmer counted over 200 articles and letters to the editor by Fitzpatrick on architecture and other topics.[14] Fitzpatrick's style was frequently grandiloquent and passionate, but his vision was often accurate.

Шаблон:Col-begin Шаблон:Col-1-of-2 On the United States Capitol Building,

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On progress,

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On government,

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A poem on China,

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On Social Security (postal insurance),

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On the handwriting of President Cleveland,

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On corruption at City Hall,

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Шаблон:Col-2-of-2 On the use of concrete in construction,

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On step-back construction in urban planning,

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On plate glass,

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On the Lincoln Memorial,

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On the boring work of fellow architects,

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On the invention of the skyscraper,

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Death

While crossing the street in Evanston, Fitzpatrick was fatally struck by a car on July 10, 1931. An obituary at the time described his life,[1]

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References

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External links

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  • "One sweet résumé" A list of Duluth buildings by Traphagen and Fitzpatrick with a drawing of the Lyceum Theater
  • Francis W. Fitzpatrick A presentation by Ed Zimmer for the Preservation Association of Lincoln, Nebraska

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  7. In the Treasury's appropriation for public works in 1901, he was listed as foreman at the siteШаблон:Cite web
  8. Cobb insisted on the use of large granite blocks and other materials from the eastern states, and he preferred to employ non-union workers when possible. The slow process in cutting and moving granite, the refusal to purchase local materials, and the challenges with labor relations angered many people in Chicago and Washington. Cobb also bid on other unrelated projects, many in New York, and he was often absent. These points are made in Wolner.
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