Английская Википедия:Fuyuhiko Kitagawa
Шаблон:Short description Шаблон:Infobox person
Шаблон:Nihongo (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was Шаблон:Nihongo. While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway,[1] and then graduated from Tokyo University.[2] He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context.[1] His work was praised by Riichi Yokomitsu,[3] and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era.[2]
He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.[4]
See also
- Lesescenario — Kitagawa referred to Lesescenario in his books Reports on Pure Cinema (Junsui Eiga ki 純粋映画記 1936 [1]) and Charms of Scenarios (Shinario no miryoku シナリオの魅力)[5]
- Motojiro Kajii admired Kitagawa's poetry[6]
- Iku Takenaka
- The True Story of Ah Q: He dramatized it in screenplay form[7]
References
External links
- a paper on Kitagawa's <full length epic> :focusing on the connection with scenario by Taiwanese researcher Yi-ching Tsai
- ↑ 1,0 1,1 Шаблон:Cite journal
- ↑ 2,0 2,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ The page57 of Kitagawa's book 'Charms Of Scenarios(Shinario No Miryoku シナリオの魅力)' published by Shakai-Shiso-Kenkyukai-Shuppambu(1953),in an essay titled 'Future of Scenario-Literature-Movement(シナリオ文学運動の将来性)'
- ↑ On page 18 about The Call of the Wild (1935 film) directed by William A. Wellman of Reports on pure cinema and page 62 of Charms of scenarios
- ↑ aozora-bunko
- ↑ Charms of Scenarios