Английская Википедия:Gaspar Noé
Шаблон:Short description Шаблон:Use dmy dates Шаблон:Infobox person Gaspar Noé (Шаблон:IPA-es, Шаблон:IPA-fr; born 27 December 1963) is an Argentine-Italian[1] filmmaker based in Paris, France.[2][3] He is the son of Argentine painter, writer, and intellectual Luis Felipe Noé.[4]
In the early 1990s, Noé co-founded the production company Les Cinémas de la Zone with his wife, Lucile Hadžihalilović.[5] He has directed seven feature films: I Stand Alone (1998), Irréversible (2002), Enter the Void (2009), Love (2015), Climax (2018), Lux Æterna (2019), and Vortex (2021).
Early life
Noé was born on 27 December 1963 in Buenos Aires, Argentina. His father Luis Felipe Noé has Italian and Argentine ancestry while his mother, Nora Murphy, is of Irish descent.[6] He has a sister named Paula.Шаблон:Citation needed He lived in New York City until age five,[6] and his family emigrated to France in 1976 to escape the political situation in Argentina at the time. Noé graduated from Louis Lumière College in France in 1982.[7]
Artistry
His work has been strongly associated with a collection of films often described as new extreme films. Highlighting their challenging sexual and violent bodily imagery, Tim Palmer has described them as part of a cinéma du corps (cinema of the body), and a cinema of 'brutal intimacy' because of its attenuated use of narrative, generally assaulting and often illegible cinematography, confrontational subject material, a treatment of sexual behavior as violent rather than mutually intimate, and a pervasive sense of social nihilism or despair.[8]
Noé often directly addresses the audience in confrontational ways, most notably in I Stand Alone, when an intertitle warns the audience that they have 30 seconds to leave the cinema before the final violent climax. In a different way, this can be seen in Irreversible, in which the 10-minute long single-take rape sequence has frequently been read as an assault on viewers, as well as a depiction of an assault on the female character.
Collaboration
Gaspar Noé and Lucile Hadžihalilović have repeatedly collaborated with each other on film projects. Noé operated the camera and was the cinematographer for two short films directed by Hadžihalilović: La Bouche de Jean-Pierre (1996) and Good Boys Use Condoms (1998). Similarly, Hadžihalilović produced and edited Carne (1991), edited Seul contre tous (1998) and was credited as a writer on Enter the Void (2009). The creative collaboration is made clear in the comparable stylistic choices across these early films, most clearly the credit sequences and the marketing designs.
Three of his films feature the character of a nameless butcher played by Philippe Nahon: Carne, I Stand Alone and, in a cameo, Irréversible.
The music for Irréversible was composed by Thomas Bangalter. The latter also sent Gaspar Noé a unreleased song he made circa 1995 for Climax. The song was named Sangria in reference to the movie.
In collaboration with Saint Laurent, he directed films Lux Æterna and Saint Laurent - Summer of ‘21.[9][10]
Influences
Noé stated in the September 2012 edition of Sight & Sound magazine that seeing 2001: A Space Odyssey at the age of seven changed his life, without which experience he would never have become a director.[11] A poster for the film features notably in a scene towards the end of Irreversible.
Many of his movies feature all kind of film posters, which reflects his collection and passion for them. He's believed to be the owner of one of the three known copies of the rarest poster for M (1931 film).[12] Since Irréversible, he's kept working with French film poster designer Laurent Lufroy for all his feature films: Lufroy even appears in Love (as a policeman), Climax (as a dog-handler) or Lux Æterna (using a torch).
Noé also cites the 1983 Austrian serial killer film, Angst, by Gerald Kargl, as a major influence.[13]
Personal life
He is married to filmmaker Lucile Hadžihalilović.[14] Although he resides and works in France, he does not possess French citizenship.[15]
Noé suffered a near fatal brain hemorrhage in early 2020, which partly inspired the plot of his film Vortex.[16]
Filmography
Feature films
| Year | Title | Director | Writer | Producer | Editor |
|---|---|---|---|---|---|
| 1998 | I Stand Alone | Шаблон:Yes | Шаблон:Yes | Шаблон:Yes | Шаблон:Yes |
| 2002 | Irréversible | Шаблон:Yes | Шаблон:Yes | Шаблон:No | Шаблон:Yes |
| 2009 | Enter the Void | Шаблон:Yes | Шаблон:Yes | Шаблон:No | Шаблон:Yes |
| 2015 | Love | Шаблон:Yes | Шаблон:Yes | Шаблон:Yes | Шаблон:Yes |
| 2018 | Climax | Шаблон:Yes | Шаблон:Yes | Шаблон:No | Шаблон:Yes |
| 2019 | Lux Æterna | Шаблон:Yes | Шаблон:Yes | Шаблон:Yes | Шаблон:No |
| 2021 | Vortex | Шаблон:Yes | Шаблон:Yes | Шаблон:No | Шаблон:No |
Short films
- Tintarella di luna (1984)
- Pulpe amère (1987)
- Carne (1991)
- Une expérience d'hypnose télévisuelle (1995)
- Sodomites (1998)
- Intoxication (1998)
- Eva (2005)
- We Fuck Alone (2006) segment of Destricted
- SIDA (2008) segment of 8
- Ritual (2012) segment of 7 Days in Havana
- Shoot (2014) segment of Short Plays
- The Art of Filmmaking (2020)
- Saint Laurent - Summer of '21 (2020)
Music videos
- Animal Collective - "Applesauce"
- Arielle – "Je Suis si Mince"
- Bone Fiction – "Insanely Cheerful"
- Nick Cave and the Bad Seeds – "We No Who U R"
- Placebo – "Protège-Moi"
- SebastiAn – "Love in Motion"
- SebastiAn – "Thirst"
- Thomas Bangalter – "Outrage" and "Stress" (both from the Irréversible soundtrack)
- Travis Scott – "Modern Jam" (Segment of Circus Maximus)
Other production credits
| Year | Title | Credit |
|---|---|---|
| 1985 | El exilio de Gardel (Tangos) | Assistant Director |
| 1988 | Sur | |
| 1996 | La Bouche de Jean-Pierre | Cinematographer |
| 1998 | Good Boys Use Condoms | Camera Operator |
| 2016 | The End | Trailer Editor[17] |
Cameo and appearances
| Year | Title | Director | Role | Note |
|---|---|---|---|---|
| 1984 | Tintarella di Luna | Himself | A teenager from the village. | Shortfilm, made while at Louis Lumiere College |
| 1985 | Tangos, the Exile of Gardel | Fernando Solanas | Maria's boyfriend. | Short appearance, he doesn't talk in the movie. He was also the Assistant Director. |
| 1995 | Cinématon n°1749 | Gérard Courant | Himself | |
| 1996 | Le Rocher d'Acapulco | Laurent Tuel | Sandrine's brother | Gaspar Noé doesn't appear on-screen but his voice is used in a phone call scene. |
| 1996 | Je suis ton Châtiment | Guillaume Bréaud | The homeless | Shortfilm made for Canal+. Starring Denis Podalydès in the leading role, Albert Dupontel, Marc Caro and original soundtrack by John Powell[18] |
| 1997 | Dobermann | Jan Kounen | Kebab seller | |
| 2002 | Irréversible | Himself | A client from the club | |
| 2009 | Enter the Void | Himself | Alex | Alex is a character played by Cyril Roy. But in a nightmare scene, there is a brief moment during which Gaspar Noé is dressed up as Cyril Roy's character. |
| 2013 | 9 Month Stretch | Albert Dupontel | A prisoner | Cameo alongside with Jan Kounen. |
| 2015 | Love | Himself | Noé, the Gallery Owner | Credited as Aron Pages, which is an anagram of his own name. |
| 2020 | Mon Cousin | Jan Kounen | A patient | Cameo alongside with Albert Dupontel. |
| 2022 | Three in the Drift of the Creative Act | Fernando Solanas | Himself | Posthumous documentary in which director Fernando Solanas, Luis Felipe Noé, both of their sons (respectively Juan Solanas and Gaspar Noé) and Eduardo Pavlovsky discuss about creating arts.[19] |
| 2024 | Schirkoa: In Lies We Trust | Ishan Shuklan | - | This feature film is the longer version of Indian shortfilm Schirkoa. Gaspar Noé was announced in the cast in 2021.[19] |
| 2024 | Dans la peau de Blanche Houellebecq | Guillaume Nicloux | Gaspar, the director |
Besides being a filmmaker, he is an occasional photographer: in 2013, Noé shot the cover art for American singer-songwriter Sky Ferreira's debut album Night Time, My Time. Other celebrities, such as Agnès b., Todd Solondz or Stacy Martin were shot by Gaspar Noé, as well as several models for erotic magazines.[20]
Reception
Many of Noé's films were polarizing or controversial with viewers due to their inclusion of graphic scenes of violence and sexual violence. I Stand Alone, Irreversible, Enter the Void, We Fuck Alone, Love and Climax were all considered controversial for their challenging sexual and violent imagery.
Irreversible
Irreversible was hugely divisive amongst critics with journals such as Sight and Sound (UK) and Positif (France) allowing critics to openly voice their disagreements about the film.[21][22][23] It caused substantial outrage in many countries for its central scene of rape, filmed in a single take and lasting nearly ten minutes in total, with some critics comparing it to pornography because of its length and the use of a static camera,[24][25] as well as considering the film as a whole to be deeply homophobic for its hellish portrayal of a gay S&M club.[26] On the other hand, it was also frequently praised for its brutal portrayal of the horrors of rape, and its implicit challenge to viewers of the scene. Eugenie Brinkema, for instance, describes Irreversible as "ethically, generically, subjectively" disruptive: "the rape [...] is real, it is private, it is contained – it is insufferably present. [...] it interrogates vehicles of receptivity and the power and violence done to bodies by bodies".[27]
Awards
References
Sources
- Frey, Mattias. (2016). Extreme Cinema: The Transgressive Rhetoric of Today’s Art Film Culture. Rutgers University Press.
- Horeck, Tanya, & Kendall, Tina. (Eds.). (2011). The New Extremism in Cinema: From France to Europe. Edinburgh University Press.
- Palmer, Tim. (2011). Brutal intimacy: Analyzing Contemporary French cinema. Wesleyan University Press.
- Palmer, Tim. (2015). Irreversible. Palgrave Macmillan.
- Russell, Dominique. (Ed.). (2010). Rape in Art Cinema. Continuum.
External links
- Шаблон:IMDb name
- Le Temps Détruit Tout : Unofficial & International website about Gaspar Noé
- Interview with Gaspar Noé about 'Enter the Void' Part 1 (Spanish)
- Interview with Gaspar Noé about 'Enter the Void' Part 2 (Spanish)
- 2014 Bomb Magazine discussion between Matthew Barney & Gaspar Noé Шаблон:Webarchive
Шаблон:Gaspar Noé Шаблон:Authority control
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite webШаблон:Cbignore
- ↑ https://medias.unifrance.org/medias/217/179/242649/presse/earwig-dossier-de-presse-anglais.pdf Шаблон:Bare URL PDF
- ↑ 6,0 6,1 Шаблон:Cite magazine
- ↑ Шаблон:Cite book
- ↑ Palmer, Tim (2011). Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan University Press, Middleton CT. Шаблон:ISBN.
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite magazine
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ 19,0 19,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite journal
- ↑ Шаблон:Cite web
- Английская Википедия
- 1963 births
- Living people
- Argentine atheists
- Argentine cinematographers
- Argentine emigrants to Italy
- Argentine expatriates in France
- Argentine expatriates in Italy
- Argentine expatriates in Switzerland
- Argentine expatriates in the United States
- Argentine film directors
- Argentine film editors
- Argentine film producers
- Argentine screenwriters
- Academic staff of European Graduate School
- Argentine male screenwriters
- Psychedelic drug advocates
- Writers from Buenos Aires
- Postmodernist filmmakers
- Страницы, где используется шаблон "Навигационная таблица/Телепорт"
- Страницы с телепортом
- Википедия
- Статья из Википедии
- Статья из Английской Википедии
