Английская Википедия:Gene Roddenberry filmography
Eugene Wesley "Gene" Roddenberry (August 19, 1921 – October 24, 1991) was an American screenwriter and producer of several television series, best known for his work in creating the Star Trek franchise. He began a writing career while he was a Sergeant in the Los Angeles Police Department (LAPD) and his first work to be bought by a network was The Secret Defense of 117, although it took four years to be broadcast.Шаблон:Sfn During that time, he wrote four episodes of the police procedural Highway Patrol under the pseudonym "Robert Wesley",Шаблон:Sfn as the LAPD required employees to seek formal permission to work a second job.Шаблон:Sfn After leaving the force, he wrote for several series, such as Have Gun – Will Travel but wanted to become a producer.Шаблон:Sfn
He wrote pilots for a series of his own, but these were turned down by the studios until he began work on The Lieutenant. This ran for a single season on NBC on Saturday nights. While involved in that series, he began working on a science fiction premise that became Star Trek.Шаблон:Sfn He oversaw the production of the series for the first two seasons, but following budget cuts and the move to an unfavorable timeslot for the third season, he stepped back from working on Star Trek but remained credited as an executive producer.Шаблон:Sfn Following the cancellation of the series, he wrote and produced his first feature film, Pretty Maids All in a Row.[1] He also produced several new science fiction pilots: Genesis II (also re-worked into a second pilot, called Planet Earth),Шаблон:Sfn The Questor Tapes and Spectre.Шаблон:Sfn Of these, Questor was approved to go to a full season, but following disagreements between Roddenberry and the studio over suggested changes, it was canceled.Шаблон:Sfn
Star Trek was resurrected twice, first as an animated series,Шаблон:Sfn and then as Star Trek: The Motion Picture.Шаблон:Sfn The studio brought in a new producer for the sequel to the film, to which Roddenberry demanded creative control or else he would refuse an executive producer credit, instead only willing to be credited as creative consultant. This credit started with Star Trek II: The Wrath of Khan and continued through to Star Trek VI: The Undiscovered Country.Шаблон:SfnШаблон:Sfn He took Star Trek back to television during the late 1980s, with Star Trek: The Next Generation. In order to maintain complete control, he decided to release the series directly into broadcast syndication in order to avoid the interference of networks.Шаблон:Sfn Following his death in 1991, two of his 1970s science fiction ideas were re-worked, resulting in Earth: Final Conflict and Andromeda.[2][3]
Films
Year | Title | Credited as | Notes | Ref. | ||
---|---|---|---|---|---|---|
Executive consultant | Producer | Writer | ||||
1971 | Pretty Maids All in a Row | Шаблон:Yes | Шаблон:Yes | [1] | ||
1979 | Шаблон:Sort | Шаблон:Yes | Also uncredited wrote outline for film and wrote novelisation | Шаблон:Sfn | ||
1982 | Шаблон:Sort | Шаблон:Yes | Шаблон:Sfn | |||
1984 | Шаблон:Sort | Шаблон:Yes | Шаблон:Sfn | |||
1986 | Шаблон:Sort | Шаблон:Yes | Шаблон:Sfn | |||
1989 | Шаблон:Sort | Шаблон:Yes | Шаблон:Sfn | |||
1991 | Шаблон:Sort | Шаблон:Yes | [4] |
Television
Annotations
References
Sources
External links
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