Английская Википедия:Georg Christian Lehms

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Файл:Galante Poetinnen 0001.png
Georg Christian Lehms, copper engraving c. 1713

Georg Christian Lehms (Шаблон:IPA-de; 1684 – 15 May 1717) was a German poet and novelist who sometimes used the pen-name Pallidor. He published poetry, novels, libretti for operas, and the texts of cantatas.

Life

Born in Liegnitz (now in Poland) in 1684, Lehms attended the Gymnasium (high school) in Görlitz and later studied at the University of Leipzig.[1]

After spending some time at the court of Johann Georg, Duke of Saxe-Weissenfels, at the end of 1710 Lehms gained a position as court librarian and poet in Darmstadt, capital of the Landgraviate of Hesse-Darmstadt, where by 1713 he had been appointed to the Prince's council.[1]

Lehms died of tuberculosis on 15 May 1717, aged about thirty-three.[1][2]

Works

Файл:Galante Poetinnen 0002.png
Teutschlands Galante Poetinnen, title page

Lehms's "gallant" novels (a term referring to fiction aimed at readers of both sexes) were among the earliest of such productions in German literature and began to appear early in his career under the pen-name of Pallidor. The first of these was Die unglückselige Princessin Michal und der verfolgte David ('The hapless Princess Michal and David pursued'), published in Hanover in 1707, followed in 1710 by Des israelitischen Printzens Absolons und seiner Prinzcessin Schwester Thamar Staats- Lebens- und Helden-Geschichte ('The Heroic Life and History of the Israelite Prince Absolom and his Princess Sister Tamar'), published by Zieger in Nuremberg; in 1712 the series continued with Der weise König Salomo ('Wise King Solomon').[2]

Lehms made his name with the collection Teutschlands Galante Poetinnen (Germany's Gallant Poetesses). The title page of Teutschlands Galante Poetinnen sums up the work thus: Шаблон:Cquote

Lehms wrote libretti for operas and cantatas. The cantatas, while being religious works performed as part of the Lutheran services of the Darmstadt court, can be seen as influenced by secular poetry like the cantatas of Neumeister. They were set to music by Christoph Graupner, the Kapellmeister, and his assistant Gottfried Grünewald. The texts were published and it is assumed that Johann Sebastian Bach obtained a copy.[3] While working at Weimar, Bach set words by Lehms for his first two solo cantatas. He avoided the poet's larger-scale work, going on to use the more intimate texts for another eight of his surviving cantatas. There is also evidence for a lost cantata (Cantata BWV Anh. 209) set to words by Lehms.[4]

Selected works

  • Die unglückselige Princessin Michal und der verfolgte David (The hapless Princess Michal and persecuted David) (Hanover: Nicolaus Förster, 1707)[2]
  • Des israelitischen Printzens Absolons und seiner Prinzcessin Schwester Thamar Staats- Lebens- und Helden-Geschichte (The Heroic Life and History of the Israelite Prince Absolom and of his Princess Sister Tamar)(Nuremberg: Zieger, 1710)[2]
  • Der weise König Salomo, in einer Staats- und Helden-Geschichte (The Royal and Heroic History of Wise King Solomon) (Hamburg & Leipzig: Johann von Wiering, 1712)[2]
  • Das singende Lob Gottes, in einem Jahrgang andächtiger und Gottgefälliger Kirch-Music (The Hymning of God, in an Annual Volume of devotional Church Music pleasing to God) (Darmstadt: Johann Georg John, 1712)
  • Teutschlands Galante Poetinnen (Germany's Gallant Poetesses), in two parts, (Frankfurt am Main: Samuel Tobias Hocker, 1714–15; new editions at Darmstadt, Josef Gotthard Blaschke Verlag, 1966, and Leipzig, 1973)

Bach cantatas based on texts by Lehms

The table of cantatas which Bach set to music is sortable by time of first performance, occasion in the liturgical year, BWV catalogue, Incipit and translation of the incipit.[1]

Cantatas set by Bach on texts by Lehms
Date Occasion BWV Incipit Translation
Шаблон:Sortdate Шаблон:Hs Seventh Sunday after Trinity 54 Шаблон:Lang Stand firm against sin
Шаблон:Sortdate Шаблон:Hs Eleventh Sunday after Trinity 199 Шаблон:Lang My heart swims in blood
Шаблон:Sortdate Шаблон:Hs Christmas Day 110 Шаблон:Lang May our mouth be full of laughter
Шаблон:Sortdate Шаблон:Hs St. Stephen's Day 57 Шаблон:Lang Blessed is the Man
Шаблон:Sortdate Шаблон:Hs Third Day of Christmas 151 Шаблон:Lang Sweet comfort, my Jesus comes
Шаблон:Sortdate Шаблон:Hs New Year's Day 16 Шаблон:Lang Lord God, we praise You
Шаблон:Sortdate Шаблон:Hs First Sunday after Epiphany 32 Шаблон:Lang Beloved Jesus, my desire
Шаблон:Sortdate Шаблон:Hs Second Sunday after Epiphany 13 Шаблон:Lang My sighs, my tears
Шаблон:Sortdate Шаблон:Hs Sixth Sunday after Trinity 170 Шаблон:Lang Delightful rest, beloved pleasure of the soul
Шаблон:Sortdate Шаблон:Hs Twelfth Sunday after Trinity 35 Шаблон:Lang Spirit and soul become confused
Шаблон:Circa1714? 1725? Шаблон:Hs Seventh Sunday after Trinity Шаблон:Nowrap Шаблон:Lang

Notes and references

Шаблон:Reflist

Sources

  • E. Noack, "Georg Christian Lehms, ein Textdichter Johann Sebastian Bachs", in Bach-Jahrbuch 1970, pp. 7–18
  • Liselotte Brögelmann: Studien zum Erzählstil im idealistischen Roman (Studies on the narrative style in the idealistic novel), Dissertation, University of Göttingen 1953 (typescript)
  • Christiane Brokmann-Noorens: Weibliche Bildung im 18. Jahrhundert (The Education of Women in the 18th century), Dissertation, University of Oldenburg, 1992, Шаблон:ISBN
  • Alfred Dürr: Die Kantaten von Johann Sebastian Bach (The cantatas of Johann Sebastian Bach), 6th Edition, Munich / Bärenreiter, Cassel, 1995
  • Christoph Wolff (ed.): Die Welt der Bach-Kantaten (The World of the Bach cantatas), special edition in 3 vols., Metzler, Stuttgart / Bärenreiter, Cassel 2006, Шаблон:ISBN Metzler, Stuttgart / Bärenreiter, Kassel 2006, Шаблон:ISBN
  • Gerhard Dünnhaupt: "Georg Christian Lehms", in Personalbibliographien zu den Drucken des Barock, vol. 4., Stuttgart: Hiersemann 1991, pp. 2576–88. Шаблон:ISBN

External links

Works online

Шаблон:Authority control

  1. 1,0 1,1 1,2 1,3 Georg Christian Lehms (Librettist) at bach-cantatas.com, Retrieved 1 January 2012
  2. 2,0 2,1 2,2 2,3 2,4 Germanic Notes and Reviews, vols. 26–28 (1995), p. 18
  3. Alfred Dürr, Richard D. P. Jones, The Cantatas of J. S. Bach: with their librettos in German-English (2006), p. 16
  4. Шаблон:Cite web