Английская Википедия:Golden Fleece

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Файл:Jason Pelias Louvre K127.jpg
Jason returns with the Golden Fleece, shown on an Apulian red-figure calyx krater, Шаблон:Circa–330 BC

In Greek mythology, the Golden Fleece (Шаблон:Lang-grc) is the fleece of the golden-woolled,Шаблон:Efn winged ram, Chrysomallos, that rescued Phrixus and brought him to Colchis, where Phrixus then sacrificed it to Zeus. Phrixus gave the fleece to King Aeëtes who kept it in a sacred grove, from whence Jason and the Argonauts stole it with the help of Medea, Aeëtes' daughter. The fleece is a symbol of authority and kingship.

In the historical account, the hero Jason and his crew of Argonauts set out on a quest for the fleece by order of King Pelias in order to place Jason rightfully on the throne of Iolcus in Thessaly. Through the help of Medea, they acquire the Golden Fleece. The story is of great antiquity and was current in the time of Homer (eighth century BC). It survives in various forms, among which the details vary.

Nowadays, the heraldic variations of the Golden Fleece are featured frequently in Georgia, especially for Coats of Arms and Flags associated with Western Georgian (Historical Colchis) municipalities and cities, including the Coats of Arms of City of Kutaisi, the ancient capital city of Colchis.

Plot

Шаблон:Greek myth Athamas the founder of Thessaly, but also king of the city of Orchomenus in Boeotia (a region of southeastern Greece), took the goddess Nephele as his first wife. They had two children, the boy Phrixus (whose name means "curly", as in the texture of the ram's fleece) and the girl Helle. Later Athamas became enamored of and married Ino, the daughter of Cadmus. When Nephele left in anger, drought came upon the land.

Ino was jealous of her stepchildren and plotted their deaths; in some versions, she persuaded Athamas that sacrificing Phrixus was the only way to end the drought. Nephele, or her spirit, appeared to the children with a winged ram whose fleece was of gold.Шаблон:Efn The ram had been sired by Poseidon in his primitive ram-form upon Theophane, a nymphШаблон:Efn and the granddaughter of Helios, the sun-god. According to Hyginus,[1] Poseidon carried Theophane to an island where he made her into a ewe so that he could have his way with her among the flocks. There Theophane's other suitors could not distinguish the ram-god and his consort.[2]

Nephele's children escaped on the yellow ram over the sea, but Helle fell off and drowned in the strait now named after her, the Hellespont. The ram spoke to Phrixus, encouraging him,Шаблон:Efn and took the boy safely to Colchis (modern-day south-east coastal region of the Black Sea), on the easternmost shore of the Euxine (Black) Sea. There the ram was sacrificed to gods. In essence, this act returned the ram to the god Poseidon, and the ram became the constellation Aries.

Phrixus settled in the house of Aeëtes, son of Helios the sun god. He hung the Golden Fleece preserved from the ram on an oak in a grove sacred to Ares, the god of war and one of the Twelve Olympians. The fleece was guarded by a never-sleeping dragon with teeth that could become soldiers when planted in the ground. The dragon was at the foot of the tree on which the fleece was placed.[3]

In some versions of the story, Jason attempts to put the guard serpent to sleep. The snake is coiled around a column at the base of which is a ram and on top of which is a bird. Шаблон:Citation needed

Evolution of plot

Pindar employed the quest for the Golden Fleece in his Fourth Pythian Ode (written in 462 BC), though the fleece is not in the foreground. When Aeëtes challenges Jason to yoke the fire-breathing bulls, the fleece is the prize: "Let the King do this, the captain of the ship! Let him do this, I say, and have for his own the immortal coverlet, the fleece, glowing with matted skeins of gold".[4]

In later versions of the story, the ram is said to have been the offspring of the sea god Poseidon and Themisto (less often, Nephele or Theophane). The classic telling is the Argonautica of Apollonius of Rhodes, composed in the mid-third century BC Alexandria, recasting early sources that have not survived. Another, much less-known Argonautica, using the same body of myth, was composed in Latin by Valerius Flaccus during the time of Vespasian.

Where the written sources fail, through accidents of history, sometimes the continuity of a mythic tradition can be found among the vase-painters. The story of the Golden Fleece appeared to have little resonance for Athenians of the Classic age, for only two representations of it on Attic-painted wares of the fifth century have been identified: a krater at the Metropolitan Museum of Art and a kylix in the Vatican collections.Шаблон:EfnШаблон:Efn[5] In the kylix painted by Douris, Шаблон:Circa–470, Jason is being disgorged from the mouth of the dragon, a detail that does not fit easily into the literary sources; behind the dragon, the fleece hangs from an apple tree. Jason's helper in the Athenian vase-paintings is not Medea— who had a history in Athens as the opponent of Theseus—but Athena.

Interpretations

The very early origin of the myth in preliterate times means that during the more than a millennium when it was to some degree part of the fabric of culture, its perceived significance likely passed through numerous developments.

Several euhemeristic attempts to interpret the Golden Fleece "realistically" as reflecting some physical cultural object or alleged historical practice have been made. For example, in the 20th century, some scholars suggested that the story of the Golden Fleece signified the bringing of sheep husbandry to Greece from the east;Шаблон:Efn in other readings, scholars theorized it referred to golden grain,Шаблон:Efn or to the Sun.Шаблон:Efn

Файл:Placermine.jpg
A sluice box used in placer mining

A more widespread interpretation relates the myth of the fleece to a method of washing gold from streams, which was well attested (but only from Шаблон:Circa) in the region of Georgia to the east of the Black Sea. Sheep fleeces, sometimes stretched over a wooden frame, would be submerged in the stream, and gold flecks borne down from upstream placer deposits would collect in them. The fleeces would be hung in trees to dry before the gold was shaken or combed out. Alternatively, the fleeces would be used on washing tables in alluvial mining of gold or on washing tables at deep gold mines.Шаблон:Efn Judging by the very early gold objects from a range of cultures, washing for gold is a very old human activity.

Strabo describes the way in which gold could be washed:

It is said that in their country gold is carried down by the mountain torrents, and that the barbarians obtain it by means of perforated troughs and fleecy skins, and that this is the origin of the myth of the golden fleece—unless they call them Iberians, by the same name as the western Iberians, from the gold mines in both countries.

Another interpretation is based on the references in some versions to purple or purple-dyed cloth. The purple dye extracted from the purple dye murex snail and related species was highly prized in ancient times. Clothing made of cloth dyed with Tyrian purple was a mark of great wealth and high station (hence the phrase "royal purple"). The association of gold with purple is natural and occurs frequently in literature.Шаблон:Efn

Main theories

Файл:Douris cup Jason Vatican crop.jpg
The Douris cup, depicting Jason being regurgitated by the dragon protecting the fleece

The following are the chief among the various interpretations of the fleece, with notes on sources and major critical discussions:

  1. It represents royal power.[6][7][8][9][10]
  2. It represents the flayed skin of Krios ('Ram'), companion of Phrixus.[11]
  3. It represents a book on alchemy.[12][13]
  4. It represents a technique of writing in gold on parchment.[14]
  5. It represents a form of placer mining practiced in Georgia, for example.[15][16][17][18][19][20]
  6. It represents the forgiveness of the Gods.[21][22]
  7. It represents a rain cloud.[23][24]
  8. It represents a land of golden grain.[24][25]
  9. It represents the spring-hero.[24][26]
  10. It represents the sea reflecting the sun.[24][27][28]
  11. It represents the gilded prow of Phrixus' ship.[24][29]
  12. It represents a breed of sheep in ancient Georgia.[30][31][32]
  13. It represents the riches imported from the East.[33]
  14. It represents the wealth or technology of Colchis.[34][35][36]
  15. It was a covering for a cult image of Zeus in the form of a ram.[37]
  16. It represents a fabric woven from sea silk.[38][39][40]
  17. It is about a voyage from Greece, through the Mediterranean, across the Atlantic to the Americas.[41]
  18. It represents trading fleece dyed murex-purple for Georgian gold.[42]

See also

Notes

Шаблон:Notelist

References

Шаблон:Reflist

Bibliography

Шаблон:Refbegin

Шаблон:Refend

External links

Шаблон:Argonautica Шаблон:Greek religion

Шаблон:Authority control

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  1. ↑ Hyginus, Fabulae, 163
  2. ↑ Karl Kerenyi The Gods of the Greeks, (1951) 1980:182f
  3. ↑ Шаблон:Cite book
  4. ↑ Translation in Шаблон:Cite journal.
  5. ↑ Шаблон:Cite journal
  6. ↑ Marcus Porcius Cato and Marcus Terentius Varro, Roman Farm Management, The Treatises of Cato and Varro, in English, with Notes of Modern Instances
  7. ↑ Шаблон:Harvp
  8. ↑ Шаблон:Cite journal
  9. ↑ Newman, John Kevin (2001) "The Golden Fleece. Imperial Dream" (Theodore Papanghelis and Antonios Rengakos (eds.). A Companion to Apollonius Rhodius. Leiden: Brill (Mnemosyne Supplement 217), 309–40)
  10. ↑ Шаблон:Harvp
  11. ↑ Diodorus Siculus 4. 47; cf. scholia on Apollonius Rhodius 2. 1144; 4. 119, citing Dionysus' Argonautica
  12. ↑ Palaephatus (fourth century BC) 'On the Incredible' (Festa, N. (ed.) (1902) Mythographi Graeca III, 2, Lipsiae, p. 89
  13. ↑ John of Antioch fr.15.3 FHG (5.548)
  14. ↑ Haraxes of Pergamum (c. first to sixth century) (Jacoby, F. (1923) Die Fragmente der griechischen Historiker I (Berlin), IIA, 490, fr. 37)
  15. ↑ Strabo (first century BC) Geography I, 2, 39 (Jones, H.L. (ed.) (1969) The Geography of Strabo (in eight volumes) London Шаблон:Cite web
  16. ↑ Шаблон:Cite journal
  17. ↑ Шаблон:Cite web
  18. ↑ Shuker, Karl P. N. (1997), From Flying Toads To Snakes With Wings, Llewellyn
  19. ↑ Renault, Mary (2004), The Bull from the Sea, Arrow (Rand)
  20. ↑ refuted in Шаблон:Harvp and Шаблон:Harvp
  21. ↑ Müller, Karl Otfried (1844), Orchomenos und die Minyer, Breslau
  22. ↑ refuted in Шаблон:Harvp
  23. ↑ Forchhammer, P. W. (1857) Hellenica Berlin p. 205 ff, 330 ff
  24. ↑ 24,0 24,1 24,2 24,3 24,4 refuted in Шаблон:Harvp
  25. ↑ Faust, Adolf (1898), Einige deutsche und griechische Sagen im Lichte ihrer ursprünglichen Bedeutung. Mulhausen
  26. ↑ Schroder, R. (1899), Argonautensage und Verwandtes, Poznań
  27. ↑ Vurthiem, V (1902), "De Argonautarum Vellere aureo", Mnemosyne, New Series, XXX, pp. 54–67; XXXI, p. 116
  28. ↑ Wilhelm Mannhardt, in Zeitschrift für Ethnologie, VII, p. 241 ff, 281 ff
  29. ↑ Шаблон:Cite journal
  30. ↑ Шаблон:Cite journal
  31. ↑ Шаблон:Cite journal
  32. ↑ Шаблон:Cite journal
  33. ↑ Шаблон:Harvp
  34. ↑ Akaki Urushadze (1984), The Country of the Enchantress Medea, Tbilisi
  35. ↑ Шаблон:Cite web
  36. ↑ Шаблон:Cite web
  37. ↑ Robert Graves (1944/1945), The Golden Fleece/Hercules, My Shipmate, New York: Grosset & Dunlap
  38. ↑ Verrill, A. Hyatt (1950), Shell Collector's Handbook, New York: Putnam, p. 77
  39. ↑ Abbott, R. Tucker (1972), Kingdom of the Seashell, New York: Crown Publishers, p. 184; Шаблон:Cite web
  40. ↑ refuted in Шаблон:Harvp and Шаблон:Harvp
  41. ↑ Bailey, James R. (1973), The God Kings and the Titans; The New World Ascendancy in Ancient Times, St. Martin's Press
  42. ↑ Silver, Morris (1992), Taking Ancient Mythology Economically, Leiden: Brill Шаблон:Cite web
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