Английская Википедия:Guillermo Tovar y de Teresa

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Guillermo Tovar de Teresa (Mexico City, August 23, 1956 – idem, November 10, 2013) was a Mexican historian and an art collector (mainly of painting, literature and ancient books, deeply knowledgeable about the work of the great photographers in Mexico), bibliographer, philanthropist, cultural promoter,[1] and scholar.[2][3] He was a constant defender of the historical and artistic Mexican heritage, mainly from his hometown, of which he was chronicler, an appointment that was originally in charge of the Presidency and to which he resigned to propose the creation of the Council of the Chronicle of the City of Mexico. He was a specialist in the New Spain/Mexican colonial period art, history and literature.[4][5] He published several books about Colonial Mexican art and collaborated, among others, for the newspaper La Jornada.[6] He stood out for his early intelligence: he learned to read long before entering school, and at age 13 he was advisor to colonial art of the then president Gustavo Díaz Ordaz. At 23, he published his first book, Renaissance painting and sculpture in Mexico. He was a member of the Historical Center Executive Committee,[7] corresponding member of the Royal Academy of Fine Arts of San Fernando, in Madrid, and honorary member of the Hispanic Society of America, the latter based in New York City.[8] He was considered a candidate for the Aesthetic Research Institute of the National Autonomous University of Mexico,[9] but never wanted to hold a public office or receive any salary.[10] One of his brothers, Rafael Tovar y de Teresa, was since 2012 the head of National Council for Culture and the Arts and first secretary of Culture. His house became, in December 2018, a museum, and is part of the Soumaya Museum.

Early years

Файл:Altar del perdón.jpg
Detail of the Altar del Perdón, in the Metropolitan Cathedral of Mexico City. The scholarly comments of Guillermo Tovar de Teresa at the age of 11 with the then Mexican President, Gustavo Díaz Ordaz, about the fire in a structure and his criticism of restoration made him deserving of the official appointment of Counselor in Colonial Art, with a payment of a centenary.[3]

He learned to appreciate history and art books from a very young age, thanks to his grandfather, Guillermo de Teresa y Teresa, and his father, Dr. Rafael Tovar y Villa Gordoa, his "guardian figures". He said, that his grandfather had taught him to read in the pages of the newspaper... Self-taught by choice (I decided to train on my own (...) I was bored), lived away from universities.[11] At the age of seven he received, from then President Adolfo López Mateos, "a medal in recognition of his dedication to the study of Mexican history and art." At age 11 he was invited by the historian Jorge Gurría Lacroix to collaborate in the National Institute of Anthropology and History.[12] At age 12 he was appointed advisor to President Díaz Ordaz in matters of colonial art. At 14, he had already given his first lectures at the Institute of Aesthetic Research of the UNAM, and at a very young age he received a distinction from the Royal Academy of Fine Arts of San Fernando in Madrid.[13] At 16 he concluded his formal investigation into the history of Tacubaya, years later published as Historical news of the Miguel Hidalgo Delegation.[14]

Genealogy

Файл:Obras de arte en la Casa Museo Guillermo Tovar de Teresa Valladolid colonia Roma CDMX 21.jpg
Portrait of Guillermo Tovar de Teresa in his childhood, in the museum Guillermo Tovar de Teresa House (Valladolid 52, Colonia Roma, Mexico City).

He was interested in investigating all the branches of his ancestry, passing through some of the largest and oldest families in the New Spain. In 2012, he submitted a request to succeed in the title of count of Gustarredondo,[15] which litigated in Spain asking rights of possession. On the death of Guillermo Tovar, his nephew, Rafael Tovar y López-Portillo, son of Rafael Tovar y Teresa, director of Conaculta and grandson of the president José López-Portillo, requested the subrogation of the rights of his uncle in that title, because he is the firstborn.[16] Guillermo Tovar was a great-grandson of Margarita López-Portillo y Rojas, in turn the sister of the lawyer, governor of the state of Jalisco, novelist, poet, playwright, journalist and language scholar José López Portillo y Rojas. Guillermo Tovar was also the maternal nephew of the writer José Bernardo Couto and maternal great-great-grandson of the writer José Joaquín Pesado.[17]

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Topics addressed in his works

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He wrote, among others, about the following topics:[18]

The Council of the Chronicle of Mexico City

Constituted before a notary and registered in the Tax Administration Service, this organization received on August 14, 2007 authorization from the Directorate of Legal Affairs of National Institute of Fine Arts to start their functions. Chaired from 2012 to date by Román Sánchez Fernández.

Chronicle Council Publications

The publisher Editorial Trama, of Madrid, is formally the publisher of the Chronicle Council of Mexico City. Some of his publications are the following:

Collecting and other interests

Файл:Casa Museo Guillermo Tovar de Teresa Valladolid colonia Roma alcaldía Cuauhtémoc CDMX 14.jpg
Art works in his house museum Casa Guillermo Tovar de Teresa (Valladolid 52, Colonia Roma, Cuauhtémoc City Hall, Mexico City ).

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Other acknowledgments

Post Mortem

Файл:Obras de arte en la Casa Museo Guillermo Tovar de Teresa Valladolid colonia Roma CDMX 25.jpg
Museum facade of the Guillermo Tovar de Teresa House. (Valladolid 52, Colonia Roma, Cuauhtémoc City Hall, Mexico City).

Bibliography

Authorship

He published (some co-authored, but most individually) a total of 39 works in 44 volumes, including:[18]

  • Pintura y escultura del Renacimiento en México (Painting and sculpture of the Renaissance in Mexico) (1979)
  • Noticias históricas de la Delegación Miguel Hidalgo (Historical news of the Miguel Hidalgo Delegation[14]
  • México barroco (Baroque Mexico) (1981)
  • Apuntes y fotografías de México a mediados del siglo XIX – Álbum fotográfico mexicano – 1858– fotografías de Désiré Charnay (Notes and photographs of Mexico in the mid-19th century – Mexican photo album – 1858– photographs of Désiré Charnay published by Julio Michaud Publisher: Celanese mexicana) (1981)
  • Renacimiento en México: artistas y retablos (Renaissance in Mexico: artists and altarpieces) (1982)
  • La ciudad de México y la utopía en el siglo XVI (Mexico City and utopia in the 16th century) (1987)
  • El arte de los Lagarto, iluminadores novohispanos de los siglos XVI y XVII (The art of the Lagarto, New Spanish illuminators of the 16th and 17th centuries) (1988)
  • Bibliografía novohispana de arte (New Spanish bibliography of art) (two volumes, 1988)
  • Miguel Cabrera, pintor de cámara de la reina celestial (Miguel Cabrera, chamber painter of the celestial queen) (1985)[6]
  • Gerónimo de Balbás en la Catedral de México (Gerónimo de Balbás in the Cathedral of Mexico) (1990)
  • Los escultores mestizos del Barroco novohispano (The mestizo sculptors of the New Spanish Baroque) (1991)
  • Pintura y escultura en Nueva España (Painting and sculpture in New Spain (1557–1640)) (four volumes, 1992)
  • La ciudad de los palacios (The city of palaces) Publisher: Vuelta, (1990); prologue by Enrique Krauze[26]
  • Arte novohispano (New Spanish art) (three volumes, 1992)
  • La utopía novohispana del siglo XVI: lo bello, lo verdadero y lo bueno (The 16th-century New Spanish utopia: the beautiful, the true and the good) (1992, in collaboration with Miguel León-Portilla and Silvio Zavala)[18]
  • Repertorio de artistas en México: artes plásticas y decorativas (Directory of artists in Mexico: plastic and decorative arts (three volumes, 1995)
  • Cartas a Mariano Otero: 1829–1845 (Letters to Mariano Otero: 1829–1845) (1996)
  • Catálogo de la colección de ex libris de Guillermo Tovar de Teresa (Collection catalog of ex libris by Guillermo Tovar de Teresa) (2002)
  • La ciudad de los palacios: crónica de un patrimonio perdido (The city of palaces: chronicle of a lost heritage)[18]
  • La ciudad: un palimpsesto (The city: a palimpsest) (2004)
  • El Pegaso o el mundo barroco novohispano en el siglo XVII (The Pegasus or the baroque world of New Spain in the 17th century (1993, reissue 2006)[18]
  • Crónica de una familia entre dos mundos: los Ribadeneira en México y España (Chronicle of a family between two worlds: the Ribadeneira in Mexico and Spain) (2009)[18]
  • Diccionario de artistas del siglo XX (Dictionary of artists of the twentieth century) (the new edition, which would include artists born before 1955, was being prepared)[9]

Editions of the Council of the Chronicle of Mexico City

Other collaborations

About Guillermo Tovar de Teresa

Unpublished

  • History of Mexico[3]

See also

External links

References

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  1. Шаблон:Cite web
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  3. 3,0 3,1 3,2 3,3 Шаблон:Cite web
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  6. 6,0 6,1 Шаблон:Cite web
  7. Шаблон:Cite web
  8. Castaños y Cañedo, FJ (2005). Gustarredondo County: Austria, Spain, Guatemala and Mexico: studies and documents. 1667–2005. Prologues of Fernando Muñoz Altea, José Alberto Saíd; Carlos González Manterola, ed. Institute of Historical and Genealogical Research of Mexico. Шаблон:ISBN
  9. 9,0 9,1 Interview with Teresa del Conde, cited in: Шаблон:Cite web
  10. Шаблон:Cite web
  11. Шаблон:Cite web
  12. Шаблон:Cite web
  13. Шаблон:Cite web
  14. 14,0 14,1 14,2 Шаблон:Cite web
  15. Шаблон:Cite web
  16. Шаблон:Cite web
  17. Castaños y Cañedo, FJ (2005) . Gustarredondo County: Austria, Spain, Guatemala and Mexico: studies and documents. 1667–2005. Prologues by Fernando Muñoz Altea, José Alberto Saíd; ed., Carlos González Manterola. Institute of Historical and Genealogical Research of Mexico.Шаблон:ISBN
  18. 18,0 18,1 18,2 18,3 18,4 18,5 Шаблон:Cite web
  19. 19,0 19,1 19,2 Шаблон:Cite web
  20. Шаблон:Cite web
  21. 21,0 21,1 Шаблон:Cite web
  22. Шаблон:Cite web
  23. Note in the evening broadcast of the news of the station "Radio Antenna"; August 7, 2014.
  24. Шаблон:Cite web
  25. Macmasters, M. (2019). The house of the historian Guillermo Tovar de Teresa can be visited; his file has already been digitized and is available La Jornada , Tuesday, February 12, supplement La Jornada de Enmedio, Culture section, p. 4th (Accessed Tuesday, February 12, 2019)
  26. Шаблон:Cite web
  27. Шаблон:Cite web
  28. Шаблон:Cite web