Английская Википедия:Heart symbol

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The heart symbol is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion, including affection and love, especially romantic love. It is sometimes accompanied or superseded by the "wounded heart" symbol, depicted as a heart symbol pierced with an arrow or as a heart symbol "broken" into two or more pieces, indicating lovesickness.

History

Similar shapes from antiquity

Peepal leaves were used in artistic depictions of the Indus Valley civilisation: a heart-shaped pendant originating from there has been discovered and is now exhibited in the National Museum of India.[1] In the 5th–6th century BC, the heart shape was used to represent the heart-shaped fruit of the plant silphium,[2] a plant possibly used as a contraceptive and an aphrodisiac.[3][4] Silver coins from Cyrene of the 5th–6th century BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[5]

Since ancient times in Japan, the heart symbol has been called Inome (猪目), meaning the eye of a wild boar, and it has the meaning of warding off evil spirits. The decorations are used to decorate Shinto shrines, Buddhist temples, castles, and weapons.[6][7] The oldest examples of this pattern are seen in some of the Japanese original tsuba (sword guard) of the style called toran gata tsuba (lit., inverted egg shaped tsuba) that were attached to swords from the sixth to seventh centuries, and part of the tsuba was hollowed out in the shape of a heart symbol.[8][9]

Earliest use

The combination of the heart shape and its use within the heart metaphor was developed in the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart representing love developed in the 15th century, and became popular in Europe during the 16th.[10]

Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry, typically the leaves of ivy and of the water-lily.

The first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Шаблон:Lang.[11] In the miniature, a kneeling lover (or more precisely, an allegory of the lover's "sweet gaze" or Шаблон:Lang) offers his heart to a damsel. The heart here resembles a pine cone (held "upside down", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature, what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and, therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into "Novel Of The Pear" in English. Thus the heart-shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions, therefore, differ over this being the first depiction of a heart as a symbol of romantic love.[12]

Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held "upside down"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Florence Baptistery (Шаблон:Circa), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (Шаблон:Circa) and by Andrea da Firenze in Santa Maria Novella in Florence (Шаблон:Circa). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[12]

The "scalloped" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco da Barberino's Шаблон:Lang (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels.[13] The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[14] The modern indented red heart has been used on playing cards since the late 15th century.[15]

Various hypotheses attempted to connect the "heart shape" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[16] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the silphium plant, used in ancient times as an herbal contraceptive,[16][17] and stylized depictions of features of the human female body, such as the female's breasts, buttocks, pubic mound, or spread vulva.[18]

Renaissance and early modern

Файл:Achaemenid heart symbol.jpg
A heart symbol from the Achaemenid period, in the Louvre Museum, made of ivory[19]
Файл:Sasanian textile with heart symbol.jpg
A sasanian-style textile from first century AH that shows two winged horses[20][21] with one heart symbol top of them.[22]

Heart shapes can be seen on various stucco reliefs and wall panels excavated from the ruins of Ctesiphon, the Persian capital (Шаблон:Circa).[23][24][25]

The Luther rose was the seal that was designed for Martin Luther at the behest of Prince John Frederick, in 1530, while Luther was staying at the Coburg Fortress during the Diet of Augsburg. Luther wrote an explanation of the symbol to Lazarus Spengler: "a black cross in a heart, which retains its natural color, so that I myself would be reminded that faith in the Crucified saves us. 'For one who believes from the heart will be justified' (Romans 10:10)."[26]Шаблон:Unreliable source?

The aorta remains visible, as a protrusion at the top centered between the two "chambers" indicated in the symbol, in some depictions of the Sacred Heart well into the 18th century, and is partly still shown today (although mostly obscured by elements such as a crown, flames, rays, or a cross) but the "hearts" suit did not have this element since the 15th century.

Modern

Since the 19th century, the symbol has often been used on Valentine's Day cards, candy boxes, and similar popular culture artifacts as a symbol of romantic love.

The use of the heart symbol as a logograph for the English verb "to love" derives from the use in "I ♥ NY," introduced in 1977.[29]

Heart symbols are frequently used to symbolize "health" or "lives" in video games. Super Mario Bros. 2 (1987, 1988) had a "life bar" composed of hexagons, but in 1990s remakes of these games, the hexagons were replaced by heart shapes (the Castlevania franchise being a notable exception, where the hearts are ammunition for the secondary weapons instead of representing health). Since the 1990s, the heart symbol has also been used as an ideogram indicating health outside of the video gaming context, e.g., its use by restaurants to indicate heart-healthy nutrient content claim (e.g., "low in cholesterol"). A copyrighted "heart-check" symbol to indicate heart-healthy food was introduced by the American Heart Association in 1995.[30]

Heraldry

Шаблон:Hatnote

Файл:COA family de Fürsten von Lüneburg.svg
Coat of arms of the Principality of Lüneburg, originating with William of Winchester, Lord of Lüneburg (d. 1213) who married Helena, daughter of Valdemar I of Denmark, and therefore adopted the "Danish tincture" to the arms of his father, Henry the Lion[31]
Файл:Laukaa.vaakuna.svg
A heart pictured in the coat of arms of the Laukaa municipality

The earliest heart-shaped charges in heraldry appear in the 12th century; the hearts in the coat of arms of Denmark go back to the royal banner of the kings of Denmark, in turn based on a seal used as early as the 1190s. However, while the charges are clearly heart-shaped, they did not depict hearts in origin, or symbolize any idea related to love. Instead, they are assumed to have depicted the leaves of the water-lily. Early heraldic heart-shaped charges depicting the leaves of water-lilies are found in various other designs related to territories close to rivers or a coastline (e.g. Flags of Frisia).

Inverted heart symbols have been used in heraldry as stylized testicles (coglioni in Italian) as in the canting arms of the Colleoni family of Milan.[32]

A seal attributed to William, Lord of Douglas (of 1333) shows a heart shape, identified as the heart of Robert the Bruce. The authenticity of this seal is "very questionable",[33] i.e. it could possibly date to the late 14th or even the 15th century.[34]

Heraldic charges actually representing hearts became more common in the early modern period, with the Sacred Heart depicted in ecclesiastical heraldry, and hearts representing love appearing in bourgeois coats of arms. Hearts also later became popular elements in municipal coats of arms.

Botanical symbolism

Шаблон:Main There has been some conjecture regarding the link between the traditional heart symbol and images of the fruit of silphium, a (probably) extinct plant known to classical antiquity and belonging to the genus Ferula, used as a condiment and medicine, (the medicinal properties including contraceptive and abortifacient activity, linking the plant to sexuality and love).[35] Silver coins from the ancient Libya of the 6th to 5th centuries BC bear images strongly reminiscent of the heart symbol, sometimes accompanied by images of the silphium plant.[36][37] The related Ferula species asafoetida – which was actually used as an inferior substitute for silphium – is regarded as an aphrodisiac in Tibet and India, suggesting yet a third amatory association relating to silphium.[38]

Encoding

Шаблон:Main article

Parametrisation

A number of parametrisations of approximately heart-shaped curves have been described. The best-known of these is the cardioid, which is an epicycloid with one cusp;[39] though as the cardioid lacks the point, it may be seen as a stylized water-lily leaf, a so-called seeblatt, rather than a heart. Other curves, such as the implicit curve (x2+y2−1)3−x2y3=0, may produce better approximations of the heart shape.[40] Шаблон:Multiple image Шаблон:Multiple image

See also

References

Inline citations

Шаблон:Reflist

Works cited

General references

External links

Шаблон:Sister project links Шаблон:Authority control

  1. Шаблон:Cite web
  2. Шаблон:Cite journal
  3. Did the ancient Romans use a natural herb for birth control?, The Straight Dope, October 13, 2006
  4. Шаблон:Cite web
  5. Шаблон:Cite journal
  6. Шаблон:Cite web
  7. Шаблон:Cite web
  8. Шаблон:Cite web
  9. Шаблон:Cite web
  10. Martin Kemp. (2011). "Christ to Coke: How Image Becomes Icon", 1st ed. Oxford University Press, Шаблон:ISBN, pp.368, p.96–99.
  11. (National Library FR MS. 2086, plate 12)
  12. 12,0 12,1 Vinken (2001).
  13. MS 4459–70, fol 192v. Royal Library of Belgium
  14. Vinken (2001): "The change from the spherical to the scalloped form of the heart base happened more or less in train with the differing way in which the heart was held, and has dominated visual representations of the heart ever since."
  15. A Brief History of Playing Cardes, by Charles Knutson, Renaissance Magazine 2001 Шаблон:Cite web
  16. 16,0 16,1 The Shape of My Heart: Where did the ubiquitous Valentine's symbol come from? by Keelin McDonell, Slate.com, Tuesday, Feb. 13, 2007.
  17. Шаблон:Cite web
  18. Proposed by Gloria Steinem in the 1998 introduction to the Vagina Monologues online copy Шаблон:Dead link; "For example, the shape we call a heart—whose symmetry resembles the vulva far more than the asymmetry of the organ that shares its name—is probably a residual female genital symbol. It was reduced from power to romance by centuries of male dominance.", based on an earlier suggestion by Tanzer (1969) that the shape was used as a symbol indicating brothels in ancient Pompeii. Tanzer (1969). The Common People of Pompeii. A study of the graffiti. With illustrations and a map
  19. Шаблон:Cite web
  20. Шаблон:Cite journal
  21. Шаблон:Cite web
  22. Шаблон:Cite web
  23. Roundel with radiating palmettes. (n.d.). Retrieved April 7, 2015, from http://metmuseum.org/exhibitions/view?exhibitionId={60853040-AE7E-4162-8FA7-525505D6B633}&oid=322631
  24. Fragments of stucco roundels in situ, Taq-i Kisra, south building, Ctesiphon, Iraq, 1931–32. (n.d.). Retrieved April 7, 2015, from http://www.metmuseum.org/met-around-the-world/images/wb_large/wb_Ctesiphon2.jpg
  25. "Wall panel with a guinea fowl [Sasanian] (32.150.13)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/32.150.13 (March 2012)
  26. gamesmuseum.uwaterloo.ca Шаблон:Webarchive, i-p-c-s.org Шаблон:Cite web antiquemapsandprints.com, obviously more research is needed here.
  27. Cologne Mn Kn 28-1181 fol. 116
  28. fol. 13r
  29. "Subsequently the heart symbol became a shorthand for enthusiasm for everything from software to Yorkshire terriers. It was a stamp that validated lifestyles. People could ♥ their grandchildren or line dancing or Buddha." Stephen Amidon, Thomas Amidon, The Sublime Engine: A Biography of the Human Heart (2011), p. 193.
  30. "the heart-check mark that began to appear on a wide array of food packaging in 1995. The symbol consists of a heart branded with a bold, efficient check mark. It is copyrighted by the American Heart Association (AHA), which licenses it for a nominal fee to companies whose products meet the organization's criteria for saturated fat and cholesterol content." Stephen Amidon, Thomas Amidon, The Sublime Engine: A Biography of the Human Heart (2011), p. 193.
  31. C. Weyers in: Stengel (ed.), Archiv für Diplomatik: Schriftgeschichte, Siegel, und Wappenkunde, Volume 54, 2008, p. 100.
  32. Woodward, John and George Burnett (1969). Woodward's a treatise on heraldry, British and foreign, page 203. Originally published 1892, Edinburgh: W. & A. B. Johnson. Шаблон:ISBN. Шаблон:LCCN
  33. McAndrew, Scotland's Historic Heraldry, 2006, p. 141
  34. McAndrew 2006, p. 213.
  35. Favorito, E. N.; Baty, K. (February 1995). "The Silphium Connection". Celator. 9 (2): 6–8.
  36. T. V. Buttrey, "The Coins and the Cult", Expedition magazine vol. 34, Nos. 1–2 "Special Issue: Gifts to the Goddesses—Cyrene's Sanctuary of Demeter and Persephone", Spring–Summer 1992.
  37. Шаблон:Cite journal
  38. Шаблон:Cite web
  39. Weisstein, Eric W., "Cardioid" from MathWorld.
  40. Eric W. Weisstein, "Heart Curve." From MathWorld