Английская Википедия:Hetaira

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Файл:Banqueters Met 1979.11.8.jpg

Greek Шаблон:Transl and her client, approx. 430 BC. The fact that she is on the couch with him is telling, as wives were not allowed into the symposium.

A Шаблон:Transl, Шаблон:IPAc-en (Шаблон:Plural form: Шаблон:Transl, Шаблон:IPAc-en), also Шаблон:Transl, Шаблон:IPAc-en (Шаблон:Plural form: Шаблон:Transl, Шаблон:IPAc-en) (Шаблон:Lang-grc, 'companion'; Шаблон:Plural form: Шаблон:Lang; Шаблон:Lang-la; Шаблон:Plural form: Шаблон:Lang), was a type of courtesan or prostitute in ancient Greece, who served as an artist, entertainer and conversationalist in addition to providing sexual service. Custom excluded the wives and daughters of Athenian citizens from the symposium, but this prohibition did not extend to Шаблон:Transl, who were often foreign born and could be highly educated. Other female entertainers made appearances in the otherwise male domain, but Шаблон:Transl joined the male guests in their sexual joking, sometimes evidencing a wide knowledge of literature in their contributions.

Summary

Файл:Banqueters hetaera Louvre Myr272.jpg

Two banqueters and a psalterion-playing Шаблон:Transl sitting together on a klinē. Terracotta from Myrina, Mysia, Шаблон:Circa BC. The harp is an angular harp.

Traditionally, historians of ancient Greece have distinguished between Шаблон:Transl and pornai, another class of prostitute in ancient Greece. In contrast to pornai, who provided sex for numerous clients in brothels or on the street, Шаблон:Transl were thought to have had only a few men as clients at any one time, to have had long-term relationships with them, and to have provided companionship and intellectual stimulation as well as sex. For instance, Charles Seltman wrote in 1953 that "hetaeras were certainly in a very different class, often highly educated women".

More recently, however, historians have questioned the extent to which there was really a distinction between Шаблон:Transl and pornai. The second edition of the Oxford Classical Dictionary, for instance, held that Шаблон:Transl was a euphemism for any kind of prostitute. This position is supported by Konstantinos Kapparis, who holds that Apollodorus' famous tripartite division of the types of women in the speech Against Neaera ("We have courtesans for pleasure, concubines for the daily tending of the body, and wives in order to beget legitimate children and have a trustworthy guardian of what is at home.") classes all prostitutes together, under the term Шаблон:Transl.

A third position, advanced by Rebecca Futo Kennedy, suggests that Шаблон:Transl "were not prostitutes or even courtesans". Instead, she argues, Шаблон:Transl were "elite women ... who participated in sympotic and luxury culture", just as Шаблон:Transl – the masculine form of the word – was used to refer to groups of elite men at symposia.

Файл:Hetaira playing kottabos - Greek Getty Villa Collection.jpg

This painting, on the inside of a kylix, depicts a Шаблон:Transl playing kottabos, a drinking game played at symposia in which the participants flicked the dregs of their wine at a target.

Even when the term Шаблон:Transl was used to refer to a specific class of prostitute, though, scholars disagree on what precisely the line of demarcation was. Kurke emphasises that Шаблон:Transl veiled the fact that they were selling sex through the language of gift-exchange, while pornai explicitly commodified sex. Leslie Kurke claims that both Шаблон:Transl and pornai could be slaves or free, and might or might not work for a pimp. Kapparis says that Шаблон:Transl were high-class prostitutes, and cites Dover as pointing to the long-term nature of hetairai's relationships with individual men. Miner disagrees with Kurke, claiming that Шаблон:Transl were always free, not slaves.

Along with sexual services, women described as Шаблон:Transl rather than Шаблон:Transl seem to have often been educated, and have provided companionship. According to Kurke, the concept of hetairism was a product of the symposium, where Шаблон:Transl were permitted as sexually available companions of the male party-goers. In Athenaeus' Deipnosophistai, Шаблон:Transl are described as providing "flattering and skillful conversation": something which is, elsewhere in classical literature, seen as a significant part of the hetaira's role. Particularly, "witty" and "refined" (Шаблон:Lang) were seen as attributes which distinguished Шаблон:Transl from common pornai. Hetairai are likely to have been musically educated, too.

Free Шаблон:Transl could become very wealthy, and control their own finances. However, their careers could be short, and if they did not earn enough to support themselves, they might have been forced to resort to working in brothels, or working as pimps, in order to ensure a continued income as they got older.

• A prostitute putting on her himation in front of her client. The lyre shows that she is a musician called for a banquet. Tondo of an Attic cup with red figures . Euphronius v. 490 BC , British Museum.

  A prostitute putting on her himation in front of her client. The lyre shows that she is a musician called for a banquet. Tondo of an Attic cup with red figures . Euphronius v. 490 BC , British Museum.

• Drunken banqueter with a drinking dish, flirting with a musician holding a lyre or barbiton

  Drunken banqueter with a drinking dish, flirting with a musician holding a lyre or barbiton

• Symposium, men on couches, the only woman present is a Шаблон:Transl.

  Symposium, men on couches, the only woman present is a Шаблон:Transl.

• Party musicians are often associated with prostitution. Bottom painting of a bowl from Attica, with red clay figures on a black background. The author is the so-called Painter of Colmar, Шаблон:Circa. The Louvre Museum.

  Party musicians are often associated with prostitution. Bottom painting of a bowl from Attica, with red clay figures on a black background. The author is the so-called Painter of Colmar, Шаблон:Circa. The Louvre Museum.

• Man and Шаблон:Transl in symposium

  Man and Шаблон:Transl in symposium

• 19th century interpretation of the Шаблон:Transl: Jean-Léon Gérôme's painting Phryne Before the Areopagus depicts the Шаблон:Transl Phryne on trial. The sight of her nude body, according to legend, persuaded the jurors to acquit her.

  19th century interpretation of the Шаблон:Transl: Jean-Léon Gérôme's painting Phryne Before the Areopagus depicts the Шаблон:Transl Phryne on trial. The sight of her nude body, according to legend, persuaded the jurors to acquit her.

See also

• Aspasia: common law wife of Pericles, sometimes alleged to have been a Шаблон:Transl
• Oiran: class of courtesans in Edo period and Imperial Japan
• Qayna: class of courtesans in pre-modern Islamic world
• Phryne: famed Шаблон:Transl tried for impiety
• Prostitution in ancient Rome
• Thaïs: Шаблон:Transl of Ptolemy I Soter
• Hetair-, a Greek linguistic root

Further reading

• Шаблон:Cite book
• An essay on women’s lives in classical Athens
• The hetaerae of Athens - from Book 13 of Athenaeus