Английская Википедия:Huadian (make-up)

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Шаблон:Short descriptionШаблон:Infobox clothing typeШаблон:Infobox Chinese

Шаблон:Transliteration (Шаблон:Lang-zh), also known as Шаблон:Transliteration (Шаблон:Lang-zh),[1] Шаблон:Transliteration (Шаблон:Lang-zh), Шаблон:Transliteration (Шаблон:Lang-zh),[2] plum blossom makeup[3] or plum makeup[4] (Шаблон:Lang-zh or Шаблон:Lang-zh) or Shouyang makeup[3] (Шаблон:Lang-zh), is a form of traditional Chinese women ornamental forehead makeup,[3] which is located between the eyebrows[5][6] and sometimes on the cheeks,[1] the temples,[7] and the dimples.[8] According to a folklore legend, the Шаблон:Transliteration in floral shape originated in the Southern dynasty period;[3] its creation is attributed to Princess Shouyang,[9][6] a daughter of Emperor Wu of Liu Song (420 – 479 AD).[4] However, the origins of the Шаблон:Transliteration can be traced back earlier than the folklore legends to the Qin and Han dynasties,[7] and even in the pre-Qin period[10] with its customs arising as early as the Spring and Autumn period (c. 770 – 476 BC) and Warring States period (c. 475 – 221 BC) based on archaeological artifacts and studies.[11][2] Its origins has no connection with the Шаблон:Transliteration (Шаблон:Lang-zh), i.e. Шаблон:Transliteration (Шаблон:Lang-zh), found on the middle forehead of Buddha statue.[12] The Шаблон:Transliteration was also popular among Tang and Song dynasties' women.[3] The popularity of the Шаблон:Transliteration declined in the Yuan dynasty.[7] The Шаблон:Transliteration forms an integral part of Chinese clothing culture.[13] In present days, Шаблон:Transliteration is often combined with the wearing of hanfu, the traditional clothing of the Han Chinese.[8]

Designs and colours

The Шаблон:Transliteration come in various different shapes and patterns,[1] including flowers, plum blossoms, butterfly, coins, peaches, birds, phoenixes and other animals.[3][8][14] It is typically red in colour but can also be found in different colours, such as green and gold.[8] Different materials such as Шаблон:Transliteration (Шаблон:Lang-zh), gold leaf, silver leaf, paper, fish scales, feathers, pearls, jewels, dragonfly wings can be used.[8][1]

Application location

The Шаблон:Transliteration is typically applied on the forehead[3] between the eyebrows;[5][6] sometimes, it is applied on the cheeks,[1] on the temples,[7] and even on the dimples where this form of make-up became referred as Шаблон:Transliteration (Шаблон:Lang-zh).[8] Шаблон:Transliteration were typically about 1 cm from each sides of the lips and were red in colour.[3] During the prosperous period of the Tang dynasty and the Five Dynasties and Ten Kingdoms period, the Шаблон:Transliteration reached high up to the two sides of the nose.[3]

History

The customs of applying early prototypes of the Шаблон:Transliteration can be traced back to the Pre-Qin period;[10] for examples, female figurines unearthed from the tomb of Chu dating to the Warring States period in Changsha, Hunan province, have decorative shapes or patterns painted on their face, which shows that the prototypes of the Шаблон:Transliteration already existed much earlier than the folk legends.[11][2]

Northern and Southern dynasties

Файл:Gu Kaizhi 003a.jpg
Women with huadian painted on forehead, from the painting Admonitions Scroll, attributed to Gu Kaizhi.

According to a legend, the Шаблон:Transliteration in floral design originated in the Southern dynasty period when a plum blossom was blown on the forehead of Princess Shouyang (a daughter of Song Wudi[4]) when the latter was taking a walk in the palace in early spring.[3] The plum blossom for some reasons could not be removed or washed off; but since it looked beautiful on the princess, it became a fashion trend.[3]

Another legend says that Princess Shouyang was taking a nap when a plum blossom fell on her forehead (and cheeks[14]) leaving imprints;[15][4] these imprints stays for three days.[14] The effect of the flower imprint was so striking that it formed a new vogue and was copied by other ladies.[15][4] This fashion trend soon became popular across the country.[14]

Tang dynasty and Five dynasties and Ten Kingdoms period

According to the Шаблон:Transliteration (Шаблон:Lang-zh), women in the Tang dynasty painted Шаблон:Transliteration (Шаблон:Lang-zh) on their face, which originated from Shangguan Wan'er.[11] According to the Chinese folk legend, the red plum blossom Шаблон:Transliteration became popular in the Tang dynasty under the influence of Shangguan Wan'er. Shangguan Wan'er had her face ruined by Wu Zetian with a scar on the forehead, and as a result, she tattooed a red plum blossom around her scar and dyed it red taking inspiration to the plum blossom makeup created by Princess Shouyang.[16] The red plum blossom not only covered her scar but also made her look more beautiful and charming, which in turn made the makeup popular from the palace ladies to the common folk turning it into a representative makeup of the Tang dynasty.[16] This became known as Шаблон:Transliteration (Шаблон:Lang-zh).

In the Tang dynasty, the Шаблон:Transliteration could also be painted or made of tiny pieces of metal,[6] such as gold or silver foil.[5] Other materials such as paper, fish scales or dragonfly wings were also used to make the Шаблон:Transliteration.[5] During this period, there were more than 10 variations of plum blossoms which were used as facial adornment.[14] Bird, snake and lead-shaped decorations were also popular.[14]

During the prosperous period of the Tang dynasty and the Five Dynasties and Ten Kingdoms period, the Шаблон:Transliteration reached high up to the two sides of the nose, and they were shaped in the form of coins, peaches, birds, and flowers.[3]

Song dynasty

In the Song dynasty, Шаблон:Transliteration embellished with pearls became popular.[8]

21st century

In the 21st century, the Шаблон:Transliteration typically do not appear on women's face as daily makeup. However, the traditional pattern design of Шаблон:Transliteration is still used in the designs of contemporary wedding accessories and large shows.[8] The Шаблон:Transliteration is also used as a form of makeup for women when wearing hanfu.[8] It is also depicted in many Chinese television drama.[8] Nowadays, the Шаблон:Transliteration can either be painted or be applied on the face in the form of commercialized temporary tattoos.

Not to be confused with

See also

References

Шаблон:ReflistШаблон:Types of Han Chinese clothing

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  1. ↑ 1,0 1,1 1,2 1,3 1,4 Шаблон:Cite web
  2. ↑ 2,0 2,1 2,2 Шаблон:Cite web
  3. ↑ 3,00 3,01 3,02 3,03 3,04 3,05 3,06 3,07 3,08 3,09 3,10 3,11 Шаблон:Cite book
  4. ↑ 4,0 4,1 4,2 4,3 4,4 Шаблон:Cite book
  5. ↑ 5,0 5,1 5,2 5,3 Шаблон:Cite web
  6. ↑ 6,0 6,1 6,2 6,3 Шаблон:Cite book
  7. ↑ 7,0 7,1 7,2 7,3 Шаблон:Cite web
  8. ↑ 8,0 8,1 8,2 8,3 8,4 8,5 8,6 8,7 8,8 8,9 Шаблон:Cite web
  9. ↑ Шаблон:Cite web
  10. ↑ 10,0 10,1 Шаблон:Cite web
  11. ↑ 11,0 11,1 11,2 Шаблон:Cite web
  12. ↑ Шаблон:Cite web
  13. ↑ Шаблон:Cite web
  14. ↑ 14,0 14,1 14,2 14,3 14,4 14,5 Шаблон:Cite web
  15. ↑ 15,0 15,1 Шаблон:Cite book
  16. ↑ 16,0 16,1 Шаблон:Cite web
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