Английская Википедия:Humoreske (Schumann)

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Шаблон:More citations needed Шаблон:Italic title Шаблон:Lang in B-flat major, Op. 20, is a romantic piano piece by Robert Schumann, composed in 1839 and dedicated to Julie von Webenau. Schumann cited Jean Paul's style of humour as source of inspiration, although there are no direct programmatic links to Jean Paul's oeuvre found in the piece.

Structure

The Humoreske consists of seven sections (not originally indicated as such by the composer except for the last one, "Шаблон:Lang"), to be played attacca after each other. Although the piece is nominally written in B-flat major, most of the piece is set in B-flat major's relative minor key, G minor. The musical texture and emotional tone, though, varies widely and differs greatly between the sections:

1. "Шаблон:Lang" (Simple) (BШаблон:Music major, Шаблон:Music, M. M. ^{Шаблон:Music} = 80)

   "Шаблон:Lang" (Very fast and light) (BШаблон:Music major, Шаблон:Time signature, M. M. ^{Шаблон:Music} = 138)

   "Шаблон:Lang" (Even faster) (G minor)

   "Шаблон:Lang", Шаблон:Lang (First tempo, as in the beginning) (BШаблон:Music major, Шаблон:Music)

2. "Шаблон:Lang" (Hastily) (G minor, Шаблон:Time signature, M. M. ^{Шаблон:Music} = 126)

   "Шаблон:Lang" (Gradually more lively and stronger) (D minor)

   "Шаблон:Lang" (As previously) Adagio

3. "Шаблон:Lang" (Simple and delicate) (G minor, Шаблон:Music, M. M. ^{Шаблон:Music} = 100)

   "Intermezzo" (BШаблон:Music major, Шаблон:Time signature, M. M. ^{Шаблон:Music} = 100)

4. "Шаблон:Lang" (Heartfelt) (BШаблон:Music major, Шаблон:Music, M. M. ^{Шаблон:Music} = 116)

   "Шаблон:Lang" (Quicker) (Tempo I)

5. "Шаблон:Lang" (Very lively) (G-minor/BШаблон:Music major, Шаблон:Time signature, M. M. ^{Шаблон:Music} = 76)

   "Шаблон:Lang" (Increasingly lively) Stretto

6. "Шаблон:Lang" (With some pomp) (modulating, Шаблон:Music, M. M. ^{Шаблон:Music} = 92)
7. "Шаблон:Lang" (To the resolution) (BШаблон:Music major, Шаблон:Music, M. M. ^{Шаблон:Music} = 112 ) Allegro

A typical performance is about 27 minutes long. It is less popular with audiences than with pianists, and Robert Cummings wrote that some musicologists view it as an ill-judged attempt by Schumann to “take his formula in Kreisleriana a step further.” However, it has been championed by critics such as Judith Chernaik and John C. Tibbetts (who consider Humoreske among Schumann's greatest pieces) as well as Anthony Tommasini, who referred to it as one of Schumann’s “most astonishing, and most overlooked, piano works”.

Sources

• Robert Schumann: Sämtliche Klavierwerke, vol. IV, Breitkopf & Härtel, Wiesbaden 1988, pp. 1–29.

External links

• Шаблон:IMSLP
• Performance of Humoreske by Шаблон:Ill from the Isabella Stewart Gardner Museum in MP3 format
• Шаблон:YouTube, Piano soloist: Alicia de Larrocha
• Шаблон:YouTube Piano Soloist: Piotr Anderszewski