Английская Википедия:In the Bleak Midwinter

Материал из Онлайн справочника
Перейти к навигацииПерейти к поиску

Шаблон:Short description Шаблон:About Шаблон:Use dmy dates

Файл:Christina Rossetti 3.jpg
Christina Rossetti, portrait by her brother, Dante Gabriel Rossetti.

"In the Bleak Midwinter" is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title "A Christmas Carol", in the January 1872 issue of Scribner's Monthly,[1][2] and was first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875).

In 1906, the composer Gustav Holst composed a setting of Rossetti's words (titled "Cranham") in The English Hymnal which is sung throughout the world.[3] An anthem setting by Harold Darke composed in 1909 is also widely performed by choirs, and was named the best Christmas carol in a poll of some of the world's leading choirmasters and choral experts in 2008.[4]

Analysis

Шаблон:Quote box In verse one, Rossetti describes the physical circumstances of the Incarnation in Bethlehem. In verse two, Rossetti contrasts Christ's first and second coming.

The third verse dwells on Christ's birth and describes the simple surroundings, in a humble stable and watched by beasts of burden.

Rossetti achieves another contrast in the fourth verse, this time between the incorporeal angels attendant at Christ's birth with Mary's ability to render Jesus physical affection. The final verse shifts the description to a more introspective thought process.

Hymnologist and theologian Ian Bradley has questioned the poem's theology: "Is it right to say that heaven cannot hold God, nor the earth sustain, and what about heaven and earth fleeing away when he comes to reign?"[5]

Settings

The text of this Christmas poem has been set to music many times. Two of the most famous settings were composed by Gustav Holst and Harold Darke in the early 20th century.

Holst

Файл:Cranham Holst.png
"Cranham", by Gustav Holst

<score>

\relative
{
 \key f \major
 \time 4/4
    a'4. bes8 c4 a
    g2 f4 r
    g4. a8 g4 d
    g2. r4   
 }

\addlyrics {

    In the bleak mid- -- win -- ter
    Frost -- y wind made moan, 
  }

</score>

Шаблон:Clear left Шаблон:Listen Шаблон:Clear left Holst's setting, Cranham, is a hymn tune setting suitable for congregational singing, since the poem is irregular in metre and any setting of it requires a skilful and adaptable tune.Шаблон:Citation needed The hymn is titled after Cranham, Gloucestershire and was written for the English Hymnal of 1906.[6][3]

Darke

Файл:St. Paul's Choir singing "In the bleak midwinter".webm
Darke's popular 1909 setting of In the Bleak Midwinter performed by the choir of St. Paul's Episcopal Church, Indianapolis

<score>

\transpose c bes,
\relative
{
 \key g \major
 \time 4/4
    b'4. a8 d4 b
    g2 fis2
    e4. fis8 g4 e
    d1         
 }

\addlyrics {

    In the bleak mid- -- win -- ter
    Frost -- y wind made moan, 
  }

</score>

Шаблон:Clear left Шаблон:Listen Шаблон:Clear left

The Darke setting, was written in 1909 while he was a student at the Royal College of Music. Although melodically similar, it is more advanced; each verse is treated slightly differently, with solos for soprano and tenor (or a group of sopranos and tenors) and a delicate organ accompaniment.[5] This version is favoured by cathedral choirs and is the one usually heard performed on the radio broadcasts of Nine Lessons and Carols by the King's College Choir. Darke served as conductor of the choir during World War II.[7] Darke omits verse four of Rossetti's original, and bowdlerizes Rossetti's "a breastful of milk" to "a heart full of mirth",[8] although later editions reversed this change. Darke also repeats the last line of the final verse. Darke would complain, however, that the popularity of this tune prevented people from performing his other compositions, and rarely performed it outside of Christmas services.[9]

In 2016, the Darke setting was used in a multitrack rearrangement of the song by music producer Jacob Collier. It features contemporary compositional techniques such as microtonality.[10]

Other settings

Benjamin Britten includes an elaborate five-part setting of the first verse for high voices (combined with the medieval Corpus Christi Carol) in his work A Boy was Born.

Other settings include those by Robert C L Watson, Bruce Montgomery, Bob Chilcott, Michael John Trotta,[11] Robert Walker,[12] Eric Thiman, who wrote a setting for solo voice and piano, and Leonard Lehrman.[13]

In popular culture

Файл:In the bleak midwinter 1872.png
As first published in Scribner's Monthly (January 1872)

See also

References

Шаблон:Reflist

External links

Шаблон:Commons category Шаблон:Wikisource

Шаблон:Authority control