Английская Википедия:Ise katagami
Шаблон:Nihongo is the Japanese craft of making paper stencils for dyeing textiles (Шаблон:Nihongo). It is designated one of the Important Intangible Cultural Properties of Japan. The art is traditionally centered on the city of Suzuka in Mie Prefecture. It is different from Шаблон:Transliteration, though both are made in Mie Prefecture.
Description
Multiple layers of thin Шаблон:Transliteration paper are bonded with a glue extracted from persimmon, which makes a strong flexible brown coloured paper. The designs can be extremely intricate, and consequently fragile. Nowadays the stencils are sometimes sold as artwork, attached to hand fans, or used to decorate screens and doors in Japanese rooms. For kimono printing the stencils are stabilized by attaching them to a fine silk net. In past times, human hair was used instead of silk, but silk is less likely to warp and can be finer.[1]
Technique
Three sheets of Шаблон:Nihongo or Japanese paper are pasted together with Шаблон:Nihongo, tannin-rich persimmon juice.[2] The pattern is excised using a variety of tools known as Шаблон:Nihongo.[3] Four principal cutting techniques are used:
- Pulling the knife towards the artist, which results in long straight cuts.
- Carving patterns, which allows for figurative designs.
- Cutting circular holes, often in fan-like designs
- Using shaped punches.
The stencils are then used for resist dyeing.[2] Rice paste is passed through the stencil onto silk. When dyed, the color does not adhere to the areas with rice paste. By multiple alignments of the stencil, large areas can be patterned. This technique was developed in France as silk screen printing. The stencil is not generally used for more than one kimono, though multiple stencils can be cut at the same time.
History
The use of stencils was known by the Nara period, as is evident from objects in the Шаблон:Nihongo.[4] Later paper stencils developed alongside kimono.[3] The technique is known as Шаблон:Transliteration since towns in Ise Province, now Mie Prefecture, were historic centres of the craft.[3] Production is now primarily localised around the town of Suzuka.[2]
Conservation
Former practitioners Шаблон:Nihongo (1883–1968),[5] Шаблон:Nihongo (1907–1973),[6] Шаблон:Nihongo (1894–1976),[7] Шаблон:Nihongo (1902–1985),[8] Шаблон:Nihongo (1909–1992),[9] and Шаблон:Nihongo (1917–2003)[10] were recognized as Шаблон:Nihongo. The Шаблон:Nihongo was founded in 1992.[4] Шаблон:Transliteration was designated an Шаблон:Nihongo in 1993.[11][12] The Ise-Katagami Stencil Museum in Suzuka opened in 1997.[13]
Collections
- The Museum of Applied Arts Vienna (MAK) has more than 8,000 examples of Шаблон:Transliteration in its collection, which inspired artists from the Wiener Werkstätte such as Josef Hoffmann, among others. In 2018 more than 600 examples of Шаблон:Transliteration with detailed data sheets were published in the online database of the MAK.[14]
- The Museum of Domestic Design and Architecture, Middlesex University has around 400 examples of Шаблон:Transliteration in its collection, which are part of the Silver Studio Collection. They were among the visual resources collected by Arthur Silver as inspiration for designs for wallpapers and textiles.[15]
See also
- Шаблон:Transliteration
- Important Intangible Cultural Properties of Japan
- National Treasures of Japan – Dyeing and Weaving
References
External links
Шаблон:Commons category-inline
- ↑ Шаблон:Cite book
- ↑ 2,0 2,1 2,2 Шаблон:Cite web
- ↑ 3,0 3,1 3,2 Шаблон:Cite web
- ↑ 4,0 4,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite web
- Английская Википедия
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- Japanese dyeing techniques
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- Important Intangible Cultural Properties of Japan
- Culture in Mie Prefecture
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