Английская Википедия:Ishi

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Ishi (Шаблон:Circa – March 25, 1916) was the last known member of the Native American Yahi people from the present-day state of California in the United States. The rest of the Yahi (as well as many members of their parent tribe, the Yana) were killed in the California genocide in the 19th century. Ishi, who was widely described as the "last wild Indian" in the United States, lived most of his life isolated from modern North American culture, and was the last-known Native manufacturer of stone arrowheads. In 1911, aged 50, he emerged at a barn and corral, Шаблон:Convert from downtown Oroville, California.

Ishi, which means "man" in the Yana language, is an adopted name. The anthropologist Alfred Kroeber gave him this name because in the Yahi culture, tradition demanded that he not speak his own name until formally introduced by another Yahi.[1] When asked his name, he said: "I have none, because there were no people to name me," meaning that there was no other Yahi to speak his name on his behalf.

Ishi was taken in by anthropologists at the University of California, Berkeley, who both studied him and hired him as a janitor. He lived most of his remaining five years in a university building in San Francisco. His life was depicted and discussed in multiple films and books, notably the biographical account Ishi in Two Worlds published by Theodora Kroeber in 1961.[2][3][4][5]

Biography

Early life

Файл:Ishi (First Captive Day) circa 1911-08-29.jpg
Ishi, August 29, 1911:
Deer Creek Indian
The Wild Man[6]

In 1865,[7] the Yahi were attacked in the Three Knolls Massacre, in which 40 of their members were killed. Although 33 Yahi survived to escape, cattlemen killed about half of the survivors. The last survivors, including Ishi and his family, went into hiding for the next 44 years. Their tribe was popularly believed to be extinct.[8] Prior to the California Gold Rush of 1848–1855, the Yahi population probably numbered several hundred, while the total Yana in the larger region numbered around 3,000.[9]

The gold rush brought tens of thousands of miners and settlers to northern California, putting pressure on native populations. Gold mining damaged water supplies and killed fish; deer became more scarce. The settlers brought new infectious diseases such as smallpox and measles.[10] The northern Yana group became extinct while the central and southern groups (who later became part of Redding Rancheria) and Yahi populations dropped dramatically. Searching for food, they came into conflict with settlers, who set bounties of 50 cents per scalp and 5 dollars per head on the natives. In 1865, white settlers attacked a group of Yahi while they were still asleep.[11]

Richard Burrill wrote, in Ishi Rediscovered: Шаблон:Blockquote

In late 1908, a group of surveyors came across the camp inhabited by two men, a middle-aged woman, and an elderly woman. These were Ishi, his uncle, his mother, and a woman who was either a relative or Ishi's wife. The former three fled while the elderly woman tried to hide herself, as she was crippled and unable to flee. The surveyors ransacked the camp, taking fur capes, arrows, bows, and nets. When Ishi appeared near Oroville three years later, he was alone and communicated through mime that his three companions had all died, his uncle and mother by drowning. [12]

Файл:Ishi.jpg
A. L. Kroeber, Ishi[13] (Cropped from: Sam Batwai, Alfred L. Kroeber, and Ishi, at Parnassus Heights in 1911) [9]

Arrival into European American society

After the 1908 encounter, Ishi spent three more years in the wilderness. It is unknown exactly when the rest of his family died. Starving and alone, Ishi, at around the age of 50, emerged on August 29, 1911, at the Charles Ward[14] slaughterhouse back corral[15] near Oroville, California, after forest fires in the area.[16][17] He was found pre-sunset[18][19] by Floyd Hefner, son of the next-door dairy owner (who was in town), who was "hanging out", and who went to harness the horses to the wagon for the ride back to Oroville, for the workers and meat deliveries.[20] Witnessing slaughterhouse workers included Lewis "Diamond Dick" Cassings, a "drugstore cowboy". Later, after Sheriff J.B. Webber arrived, the Sheriff directed Adolph Kessler, a nineteen-year-old slaughterhouse worker, to handcuff Ishi, who smiled and complied.[21][22][23][24][25][26]

The "wild man" caught the imagination and attention of thousands of onlookers and curiosity seekers. University of California, Berkeley anthropology professors read about him and "brought him"[27] to the Affiliated Colleges Museum (1903–1931),[16] in an old law school building on the University of California's Affiliated Colleges campus[28] on Parnassus Heights, San Francisco. Studied by the university,[29] Ishi also worked as a janitor and lived at the museum the remaining five years of his life.

In October 1911, Ishi, Sam Batwi, T. T. Waterman, and A. L. Kroeber, went to the Orpheum Opera House in San Francisco to see Lily Lena (Alice Mary Ann Mathilda Archer, born 1877)[30][31][32][33] the "London Songbird," known for "kaleidoscopic" costume changes. Lena gave Ishi a piece of gum as a token.[34]

On May 13, 1914,[35] Ishi, T. T. Waterman, A.L. Kroeber, Dr. Saxton Pope, and Saxton Pope Jr. (11 years old), took Southern Pacific's Cascade Limited overnight train, from the Oakland Mole and Pier to Vina, California, on a trek in the homelands of the Deer Creek area of Tehama county,[36] researching and mapping for the University of California,[9][37] fleeing on May 30, 1914, during the Lassen Peak volcano eruption.

T.T. Waterman and A.L. Kroeber, director of the museum, studied Ishi closely over the years and interviewed him at length in an effort to reconstruct Yahi culture. He described family units, naming patterns, and the ceremonies that he knew. Much tradition had already been lost when he was growing up, as there were few older survivors in his group. He identified material items and showed the techniques by which they were made.

In February 1915, during the Panama–Pacific International Exposition, Ishi was filmed in the Sutro Forest with the actress Grace Darling for Hearst-Selig News Pictorial, No. 30.[38][39]

In June 1915, for three months,[9] Ishi lived in Berkeley with the anthropologist Thomas Talbot Waterman and his family.[40]

Файл:Ishi - 1912.jpg
Ishi, 1912

In the summer of 1915,[9] Ishi was interviewed on his native Yana language, which was recorded and studied by the linguist Edward Sapir, who had previously done work on the northern dialects.[41] These wax cylinders have had their sound recovered by Carl Haber's and Vitaliy Fadeyev's optical IRENE technology.[42][43][44][45]

Death

Lacking acquired immunity to common diseases, Ishi was often ill. He was treated by Saxton T. Pope, a professor of medicine at UCSF. Pope became a close friend of Ishi, and learned from him how to make bows and arrows in the Yahi way. He and Ishi often hunted together. Ishi died of tuberculosis on March 25, 1916.[46][47][48][49][50] It is said that his last words were, "You stay. I go."[51] Kroeber, who was in New York at the time of Ishi's final illness, tried to prevent an autopsy on his body, sending letters and telegrams strongly stating his objections. He believed Yahi tradition called for the body to remain intact. However, Saxton Pope, following hospital protocol, performed the autopsy regardless.[52]

Ishi's brain was preserved and his body cremated, in the mistaken belief that cremation was the traditional Yahi practice. His friends placed several items with his remains before cremation: "one of his bows, five arrows, a basket of acorn meal, a boxfull of shell bead money, a purse full of tobacco, three rings, and some obsidian flakes." Ishi's remains, in a deerskin-wrapped Pueblo Indian pottery jar, were interred at Mount Olivet Cemetery in Colma, California, near San Francisco.[53] Kroeber sent Ishi's preserved brain to the Smithsonian Institution in 1917. It was held there until August 10, 2000, when the Smithsonian repatriated it to the descendants of the Redding Rancheria and Pit River tribes. This was in accordance with the National Museum of the American Indian Act of 1989 (NMAI).[54] According to Robert Fri, director of the National Museum of Natural History, "Contrary to commonly-held belief, Ishi was not the last of his kind. In carrying out the repatriation process, we learned that as a Yahi–Yana Indian his closest living descendants are the Yana people of northern California."[55] His remains were also returned from Colma, and the tribal members intended to bury them in a secret place.[54]

Archery

Ishi used thumb draw and release with his short bows.[56][57]

Possible multi-ethnicity

Файл:Ishi 1914.jpg
Ishi with fire drill, 1914, Parnassus Heights

Steven Shackley of UC Berkeley learned in 1994 of a paper by Jerald Johnson, who noted morphological evidence that Ishi's facial features and height were more typical of the Wintu and Maidu. He theorized that under pressure of diminishing populations, members of groups that were once enemies had intermarried to survive. Johnson also referred to oral histories of the Wintu and Maidu that told of the tribes' intermarrying with the Yahi.[58] The theory is still debated, and this remains unresolved.

In 1996, Shackley announced work based on a study of Ishi's projectile points and those of the northern tribes. He had found that points made by Ishi were not typical of those recovered from historical Yahi sites. Because Ishi's production was more typical of points of the Nomlaki or Wintu tribes, and markedly dissimilar to those of Yahi, Shackley suggested that Ishi had been of mixed ancestry, and related to and raised among members of another of the tribes.[58] He based his conclusion on a study of the points made by Ishi, compared to others held by the museum from the Yahi, Nomlaki and Wintu cultures.

Among Ishi's techniques was the use of what is known as an Ishi stick, used to run long pressure flakes.[59] This is known to be a traditional technique of the Nomlaki and Wintu tribes. Shackley suggests that Ishi learned the skill directly from a male relative of one of those tribes. These people lived in small bands, close to the Yahi. They were historically competitors with and enemies of the Yahi.[59]

Similar case

Ishi's story has been compared to that of Ota Benga, an Mbuti pygmy from Congo. His family had died and were not given a mourning ritual. He was taken from his home and culture. During one period, he was displayed as a zoo exhibit. Ota shot himself in the heart on March 20, 1916, five days before Ishi's death.[60]

Legacy and honors

  • The Last Yahi Indian Historical landmark, Oro Quincy Highway & Oak Avenue, Oroville, CA 95966[61][62][63]
  • Ishi is revered by flintknappers as probably one of the last two native stone toolmakers in North America. His techniques are widely imitated by knappers. Ethnographic accounts of his toolmaking are considered to be the Rosetta Stone of lithic tool manufacture.[64]
  • Kroeber and Waterman's 148 wax cylinder recordings (totaling 5 hours and 41 minutes) of Ishi speaking, singing, and telling stories in the Yahi language were selected by the Library of Congress as a 2010 addition to the National Recording Registry. This is an annual selection of recordings that are "culturally, historically, or aesthetically significant".[65]
  • Writer and critic Gerald Vizenor led a campaign to have the courtyard in Dwinelle Hall at the University of California, Berkeley renamed as "Ishi Court".[66]
  • The Ishi Wilderness Area in northeastern California, believed to be the ancestral grounds of his tribe, is named in his honor.
  • Ishi Giant, an exceptionally large giant sequoia discovered by naturalist Dwight M. Willard in 1993, is named in his honor.
  • Ishi was the subject of a portrait relief sculpture by Thomas Marsh in his 1990 work, Called to Rise, featuring twenty such panels of noteworthy San Franciscans, on the facade of the 25-story high-rise at 235 Pine Street, San Francisco.[67]
  • Anthropologists at the University of California, Berkeley wrote a letter in 1999 apologizing for Ishi's treatment.[68]

Representation in popular culture

Films

Literature

Novels
  • Othmar Franz Lang. Meine Spur löscht der Fluss[83] (young adult novel in German)
  • Lawrence Holcomb. The Last Yahi: A Novel About Ishi.[84]

Stage productions

  • Ishi (2008), a play written and directed by John Fisher, was performed from July 3–27, 2008, at Theatre Rhinoceros in San Francisco. The San Francisco Chronicle review said the work "is a fierce dramatic indictment of the ugliest side of California history."[85]

Music

Depicted in the video for "Blue Train Lines," a song by Mount Kimbie and King Krule. The video follows the story of the two anthropologists falling out. One proceeds to sell all of Ishi's possessions on eBay.[86]

Comics

  • Osamu Tezuka: The story of Ishi the primitive man, (first appeared in Weekly-Shonen-Sunday, Shogakkan in Japan, issue of October 20, 1975, total 44 pages).

See also

Further reading

References

Шаблон:Reflist

External links

Шаблон:Sister project links

Phoebe A. Hearst Museum of Anthropology

Metadata

Шаблон:Authority control

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