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abbreviation = A7<ref name="B&S">Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. {{ISBN|978-0-07-294262-0}}. Specif ...rvals from C{{Music|b}} to B, and from C to B{{Music|sharp}} are augmented sevenths, spanning twelve semitones. Being augmented, it is classified as a [[conson ...

...vals from A{{Music|sharp}} to G, and from A to G{{Music|b}} are diminished sevenths, spanning nine semitones. Being diminished, it is considered a [[consonance ...ical+interval+%22pythagorean+major+third%22 A manual of harmony for use in music-schools and seminaries and for self-instruction]'', p.165. Theodore Baker, ...

In music, a '''rewrite rule''' is a [[recursion|recursive]] [[generative grammar]], ...es" which generate all [[well-formed scale|well-formed]] [[Transformation (music)|transformation]]s of jazz, basic I–IV–I–V–I twelve-bar blues chord ...

...)|collection]] or [[scale (music)|scale]]. The largest generic [[interval (music)|interval]] is one less than the number of scale members. (Johnson 2003, p. ...f step]]s between [[note (music)|notes]]. The largest specific [[interval (music)|interval]] is one less than the number of "chromatic" pitches. In twelve t ...

...in their eagerness in attaining "performing ability", neglect the study of music theory. ... I have tried as in the Book I, to explain as much theory as the ...)</ref> The method itself encompasses traditional methods such as [[scale (music)|scales]] and [[arpeggio]]s with various additional articulations for the p ...

...unknown, but it was first published in 1730. Other catalogues of Handel's music have referred to the work as [[Händel-Gesellschaft|HG]] xlviii, 130; and [ The work consists of four [[Movement (music)|movements]]: ...

...ns_p86 /> is a group of musical notes which does not qualify as a [[chord (music)|chord]] under a given chord theory, but still useful to name and [[Reifica ...anspositions]], [[Range (music)|ranges]], [[permutations]], and [[voicing (music)|voicings]], for reading, writing, and playing.<ref name=rawlins_p86 /><ref ...

...s|5-Z17]]<ref name="Schuijer">Schuijer, Michiel (2008). ''Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts''. University of Rochester. {{ISBN ...n a [[Set (music)|set]] of [[pitch class]]es. (That is, a set of [[Pitch (music)|pitch]]es where [[octave]]s are disregarded.) Other names include: '''ic ...

...nt of vocal music and works for solo piano and a small amount of [[chamber music]]. ===Vocal music=== ...

...fifth degree ([[Dominant (music)|dominant]]), and finally to the [[Tonic (music)|tonic]]. In a [[major key]], the supertonic triad (ii) is minor, and in a ...–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country.<ref name="Workman">Workman, ...

...composer of the late [[Renaissance music|Renaissance]] and early [[Baroque music|Baroque]], who spent almost his entire life in [[Italy]]. He was one of the ...e studied with [[Philippe de Monte]], the renowned composer of [[madrigal (music)|madrigals]]. When his voice broke in late 1563 — the only evidence for h ...

...be derived from using [[neutral seventh|11:6]] (B{{music|11}}{{music|b}}{{music|minus}}, 1049.36 cents, {{audio|Neutral seventh on C.mid|Play}}) to approxi ...s, beta has almost the same properties as the alpha scale, except that the sevenths are slightly more in tune."<ref name="Milano"/> ...

'''''Bagatelle sans tonalité''''' ("[[Bagatelle (music)|Bagatelle]] without [[tonality]]", [[List of compositions by Franz Liszt ( ...ike the Mephisto Waltzes, could be considered a typical example of program music, taking for its program an episode from ''[[Faust]]'', not by [[Goethe]] bu ...

{{Listen|type=music ...ght-[[bar (music)|bar]] main [[Subject (music)|theme]] and 32 [[Variation (music)|variations]]. A [[chord progression]] in the left hand, based upon a desce ...

{{Music ratings ...beautiful and haunting ballads, constructed of minor thirds and diminished sevenths. It's full of half-parsed chord voicings and shimmering glissandi. It's six ...

...g multiples of a single interval, but without requiring (as [[temperament (music)|temperament]]s normally do) an [[octave]] (2:1). It may be approximated by ...[[perfect fifth|3:2]] | [[major third|5:4]] }} {{=}} 6:5 }} }} {{big|(}}E{{music|b}}, 315.64&nbsp;cents, {{audio|Just minor third on C.mid|Play}} {{big|)}}. ...

| complement = [[complement (music)]] |title=Genesis of a Music ...

...chords for Guiraud.png|thumb|250px|Chords, featuring chromatically altered sevenths and ninths and progressing unconventionally, explored by [[Debussy]] in a " ...including his pupil [[Anton Webern]], who styled it ''The Path to the New Music''. The phrase first appears in Schoenberg's 1926 essay "Opinion or Insight? ...

...Renaissance music|Renaissance]]. He was a member of the [[Venetian School (music)|Venetian School]], and more influential as a performer than as a composer. ...Giovanni Gabrieli]] clearly had Dalla Casa's group in mind for much of his music, and the Dalla Casas are presumed to have played in many the elaborate [[po ...

== Music == ...e not restricted to an [[octave]] and defined by a sequence of [[Interval (music)|interval]]s. They lead "melodies" and chord combinations that are reminisc ...